Mit «Brunaupark» gelang den beiden Regisseuren ein Dokumentarfilm, der in die Rolle des Beobachters schlüpft und so über drei Jahre die Ungewissheit und den schleichenden Wandel dieses Lebensraums rund um fünf Wohnkomplexe und 405 Wohnungen, von denen die Hälfte aufgrund eines geplanten Neubaus der Credit Suisse gekündigt wurde, erzählt.
\r\nMit ihrem Film gewinnen die beiden den Jurypreis im nationalen Wettbewerb dotiert mit CHF 15 000, gestiftet von SRF SSR. Die Jury nennt den Film in ihrer Laudatio: «eine Liebeserklärung an einen Abbruch bedrohten Häuserblock. Ein Ensemblefilm, der das Porträt einer bunt gemischten Gemeinschaft zeichnet, die sich gegen die in den heutigen Grossstädten verbreitete Gentrifizierung und Immobilienspekulation zur Wehr setzt. Durch sorgfältiges Framing und präzise Montage offenbart BRUNAUPARK verschiedene Lebensformen und zeigt auf, wie die Orte, an denen wir leben, uns beeinflussen und verändern.“
\r\nProduziert wurde der Film von Langfilm und dem Sabotage Filmkollektiv, das aus mehreren ZHdK Film Alumnis besteht: Lisa Gertsch, Michael Karrer, Camille Briffod und Felix Hergert. Felix Hergert ist Alumnus der ZHdK und hat sein Studium im Master Film Editing 2018 abgeschlossen. Dominik Zietlow studiert im Master Kamera an der ZHdK.
\r\n«Brunaupark» kommt voraussichtlich im September 2024 in die Deutschschweizer Kinos.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Mit «Brunaupark» gelang den beiden Regisseuren ein Dokumentarfilm, der in die Rolle des Beobachters schlüpft und so über drei Jahre die Ungewissheit und den schleichenden Wandel dieses Lebensraums rund um fünf Wohnkomplexe und 405 Wohnungen, von denen die Hälfte aufgrund eines geplanten Neubaus der Credit Suisse gekündigt wurde, erzählt. \r\nMit ihrem Film gewinnen die beiden den Jurypreis im nationalen Wettbewerb dotiert mit CHF 15 000, gestiftet von SRF SSR. Die Jury nennt den Film in ihrer Laudatio: «eine Liebeserklärung an einen Abbruch bedrohten Häuserblock. Ein Ensemblefilm, der das Porträt einer bunt gemischten Gemeinschaft zeichnet, die sich gegen die in den heutigen Grossstädten verbreitete Gentrifizierung und Immobilienspekulation zur Wehr setzt. Durch sorgfältiges Framing und präzise Montage offenbart BRUNAUPARK verschiedene Lebensformen und zeigt auf, wie die Orte, an denen wir leben, uns beeinflussen und verändern.“ \r\nProduziert wurde der Film von Langfilm und dem Sabotage Filmkollektiv, das aus mehreren ZHdK Film Alumnis besteht: Lisa Gertsch, Michael Karrer, Camille Briffod und Felix Hergert. Felix Hergert ist Alumnus der ZHdK und hat sein Studium im Master Film Editing 2018 abgeschlossen. Dominik Zietlow studiert im Master Kamera an der ZHdK. \r\n«Brunaupark» kommt voraussichtlich im September 2024 in die Deutschschweizer Kinos. "}}],"infoboxes":[]}},{"meta":{"elastic":{"index":"typo3_news_morty","type":"news","id":"7404","score":null}},"data":{"uid":7404,"pid":6070,"tstamp":1713185331,"crdate":1713182174,"sorting":513,"hidden":0,"deleted":0,"starttime":0,"endtime":0,"sys_language_uid":0,"l18n_parent":0,"header":"Rückblick auf die Zürcher Spielfilmtagung","rowDescription":"Unter dem Titel ZFICTON.24 fand zwischen 21. und 22. März die Zürcher Spielfilmtagung zum Thema «Future Bodies - Screen Acting in the Digital Age» statt. Wir werfen einen Blick zurück. 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Let's take a look back.","bodytext":null,"date":1713132000,"teaser_has_audio":0,"teaser_image_override":0,"teaser_has_video":0,"type":"news","url":null,"number_of_records":0,"url_segment":"","content_type":0,"content_elements":5,"news_department":[3],"teaser_image_orientation":0,"author":"Tina Tishev and Rowena Raths","infobox":1,"seo_title":"","seo_description":"","social_title":"","social_image":0,"social_description":"","subtitle":"ZFICTION.24 ","additional_folders":"20380","date_end":null,"_url_segment":"","media":[{"type":"file","id":"55f7d2cae4c50fe80fe4cdecab78b4cf4393ef1a","attributes":{"id":"55f7d2cae4c50fe80fe4cdecab78b4cf4393ef1a","filename":"ella_rumpf_und_mel_churcher_klein.jpg","mime_type":"image/jpeg","path":"live/55/55f7d2cae4c50fe80fe4cdecab78b4cf4393ef1a","path_file":"live/55/55f7d2cae4c50fe80fe4cdecab78b4cf4393ef1a/ella_rumpf_und_mel_churcher_klein.jpg","path_source":"/fileadmin/user_upload/Film/BA_Film/Ella_Rumpf_und_Mel_Churcher_klein.jpg","height":853,"width":1280,"title":"Ella Rumpf, Mel Churcher und Manuel Hendry (from left to right) at ZFICTION. 24 Copyright: Zurich University of the Arts","alternativeText":"Ella Rumpf, Mel Churcher und Manuel Hendry (from left to right) at ZFICTION. 24 Copyright: Zurich University of the Arts","description":"Ella Rumpf, Mel Churcher und Manuel Hendry (from left to right) at ZFICTION. 24 Copyright: Zurich University of the Arts","link":"","filename_original":"","mime_type_original":"","date_create":"15.04.2024 14:44","date_update":"15.04.2024 14:49","column_width":100,"copyright":null,"_parent_sys_language_uid":1}}],"folders":[{"type":"page","id":6070},{"type":"page","id":6069},{"type":"page","id":20380}],"contents":[{"type":"content","id":143174,"attributes":{"uid":143174,"pid":6070,"tstamp":1713185345,"hidden":0,"sorting":1,"CType":"standard_content","header":"","bodytext":"The event ZFICTION.24 sparked exciting conversations, thought-provoking ideas, and stimulating discussions about the future of acting and the film industry. On Stage A at Gessnerallee in Zurich, numerous speakers from around the world gathered to share their insights and experiences.
\r\nAmong other topics, the speakers discussed the possibilities of Artificial Intelligence (AI) in film acting, the important work of acting coaches, the psychology behind acting, and the creation of a \"Safe Space\" for actors on set. Here are some excerpts from the presentations:
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":143169,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"The event ZFICTION.24 sparked exciting conversations, thought-provoking ideas, and stimulating discussions about the future of acting and the film industry. On Stage A at Gessnerallee in Zurich, numerous speakers from around the world gathered to share their insights and experiences.\r\nAmong other topics, the speakers discussed the possibilities of Artificial Intelligence (AI) in film acting, the important work of acting coaches, the psychology behind acting, and the creation of a \"Safe Space\" for actors on set. Here are some excerpts from the presentations:"}},{"type":"content","id":143175,"attributes":{"uid":143175,"pid":6070,"tstamp":1713185345,"hidden":0,"sorting":514,"CType":"standard_content","header":"Dominic Lees – Professor for Film at the University of Reading","bodytext":"Dominic Lees, as a Professor of Film at the University of Reading, explores generative AI in the film industry. For him, actors are already engaging in a dialogue with technology as soon as they step in front of the camera. He sees generative AI as imitation rather than representation, \"since actors respond emotionally to a character, whereas Deepfakes are about imitation\". In his presentation, Lees also discussed the possibilities of AI, such as \"aging and deaging actors, which could be useful on set to monitor their physicality while acting\".
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":143170,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Dominic Lees, as a Professor of Film at the University of Reading, explores generative AI in the film industry. For him, actors are already engaging in a dialogue with technology as soon as they step in front of the camera. He sees generative AI as imitation rather than representation, \"since actors respond emotionally to a character, whereas Deepfakes are about imitation\". In his presentation, Lees also discussed the possibilities of AI, such as \"aging and deaging actors, which could be useful on set to monitor their physicality while acting\"."}},{"type":"content","id":143176,"attributes":{"uid":143176,"pid":6070,"tstamp":1713185345,"hidden":0,"sorting":515,"CType":"standard_content","header":"Mel Churcher – Acting Coach","bodytext":"As an Acting Coach, Mel Churcher has worked with greats such as Daniel Craig, Angelina Jolie, Keira Knightley, and Felicity Jones. At ZFICTION.24, she shared her perspective on the art of acting. She emphasized the importance, as an actor, of understanding the world in which the character exists. \"A thorough engagement with the character's life situation and emotional world is crucial\", Churcher stated
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":143171,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"As an Acting Coach, Mel Churcher has worked with greats such as Daniel Craig, Angelina Jolie, Keira Knightley, and Felicity Jones. At ZFICTION.24, she shared her perspective on the art of acting. She emphasized the importance, as an actor, of understanding the world in which the character exists. \"A thorough engagement with the character's life situation and emotional world is crucial\", Churcher stated"}},{"type":"content","id":143177,"attributes":{"uid":143177,"pid":6070,"tstamp":1713185345,"hidden":0,"sorting":516,"CType":"standard_content","header":"Ella Rumpf - Actress","bodytext":"Ella Rumpf, who was just awarded '\"Best Actress\" at the Swiss Film Awards 2024, searches for the '\"why?\" in her exploration of character work. Why does the character have a specific fear or insecurity? or why does the character react so emotionally to a certain situation?
\r\n\r\n","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":143172,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Ella Rumpf, who was just awarded '\"Best Actress\" at the Swiss Film Awards 2024, searches for the '\"why?\" in her exploration of character work. Why does the character have a specific fear or insecurity? or why does the character react so emotionally to a certain situation?\r\n\r\n"}},{"type":"content","id":143178,"attributes":{"uid":143178,"pid":6070,"tstamp":1713185345,"hidden":0,"sorting":517,"CType":"standard_content","header":"Katalin Gödrös - Director ","bodytext":"\r\nKatalin Gödrös is a director and also teaches directing and screenwriting in Berlin, Zurich (Focal, ZHdK). She is a professor of directing at the ifs in Cologne. In her presentation, she emphasizes that as a director, it is important for her to create a \"Safe Space\" for actors. \"However, it's not just me as a director, but also acting coaches, as well as intimacy coordinators, who can play a major role in shaping such a \"Safe Space\".
\r\nZFICTION.24 was not only a place for the exchange of knowledge but also a platform for new ideas and innovations in film acting. The diversity of topics and the expertise of the speakers clearly demonstrated that film acting has an exciting development ahead.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":143173,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"\r\nKatalin Gödrös is a director and also teaches directing and screenwriting in Berlin, Zurich (Focal, ZHdK). She is a professor of directing at the ifs in Cologne. In her presentation, she emphasizes that as a director, it is important for her to create a \"Safe Space\" for actors. \"However, it's not just me as a director, but also acting coaches, as well as intimacy coordinators, who can play a major role in shaping such a \"Safe Space\". \r\nZFICTION.24 was not only a place for the exchange of knowledge but also a platform for new ideas and innovations in film acting. The diversity of topics and the expertise of the speakers clearly demonstrated that film acting has an exciting development ahead."}}],"infoboxes":[{"type":"infobox","id":982,"attributes":{"uid":982,"deleted":0,"title":"To ZFICTION.24","text":"Here you'll find mire about the programme of the past ZFICTION.24.
\r\n\r\n","is_accordeon":0,"bodytext_stripped":"Here you'll find mire about the programme of the past ZFICTION.24. \r\n\r\n","bodytext":"Here you'll find mire about the programme of the past ZFICTION.24.
\r\n\r\n"}}]}},"contents":[{"type":"content","id":143169,"attributes":{"uid":143169,"pid":6070,"tstamp":1713185331,"hidden":0,"sorting":1,"CType":"standard_content","header":"","bodytext":"Die Veranstaltung ZFICTION.24 brachte spannende Gespräche, Gedankenanstösse und anregende Diskussionen über die Zukunft des Schauspielens und der Filmbranche hervor. Auf der Bühne A an der Gessnerallee in Zürich versammelten sich zahlreiche Speaker:innen aus aller Welt, um ihre Einblicke und Erfahrungen zu teilen.
\r\nDie Speaker:innen sprachen unter anderem über die Möglichkeiten von Künstlicher Intelligenz (KI) im Filmschauspiel, die wichtige Arbeit von Acting Coaches, die Psychologie hinter dem Schauspiel, sowie die Schaffung eines «Safe Space» für Schauspieler:innen am Set diskutiert. Hier einige Ausschnitte aus den Vorträgen:
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Die Veranstaltung ZFICTION.24 brachte spannende Gespräche, Gedankenanstösse und anregende Diskussionen über die Zukunft des Schauspielens und der Filmbranche hervor. Auf der Bühne A an der Gessnerallee in Zürich versammelten sich zahlreiche Speaker:innen aus aller Welt, um ihre Einblicke und Erfahrungen zu teilen.\r\nDie Speaker:innen sprachen unter anderem über die Möglichkeiten von Künstlicher Intelligenz (KI) im Filmschauspiel, die wichtige Arbeit von Acting Coaches, die Psychologie hinter dem Schauspiel, sowie die Schaffung eines «Safe Space» für Schauspieler:innen am Set diskutiert. Hier einige Ausschnitte aus den Vorträgen:"}},{"type":"content","id":143170,"attributes":{"uid":143170,"pid":6070,"tstamp":1713185331,"hidden":0,"sorting":514,"CType":"standard_content","header":"Dominic Lees – Professor für Film an der University of Reading","bodytext":"Dominic Lees beschäftigt sich als Professor für Film an der University of Reading mit generativer KI in der Filmindustrie. Für ihn gehen Schauspieler:innen sobald sie vor die Kamera treten, bereits einen Dialog mit der Technologie ein. Für ihn geht es bei der generativen KI umNachahmung und nicht um Darstellung, «da Schauspieler:innen emotional auf eine Figur reagieren, während es sich bei Deepfakes um Nachahmung handelt». In seinem Vortrag sprach Lees unter anderem auch über die Möglichkeiten von KI, beispielsweise bei der «Alterung und Verjüngung von Schauspieler:innen, was am Set nützlich sein könnte, um ihre Körperlichkeit während des Schauspielens zu überprüfen».
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Information days for ZHdK’s Bachelor’s programme in Film always take place on a Thursday in week 47.
More insights into the studies of our film students can be found on Instagram.
Sabine Boss
\r\nPraxisfeldleitung
E-Mail
Infotage finden immer in der KW47, jeweils an einem Donnerstag statt.
Mehr Einblick in das Studium von Filmstudierenden finden sich auf Instagram.
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Master of Arts in Film
Toni-Areal, Pfingstweidstrasse 96
P. O. Box
CH-8031 Zurich
E-Mail: film.info@zhdk.ch
Phone: +41 43 446 31 13
Zürcher Hochschule der Künste
Master of Arts in Film
Toni-Areal, Pfingstweidstrasse 96
Postfach
CH-8031 Zürich
E-Mail: film.info@zhdk.ch
Telefon: +41 43 446 31 13