Course content.
The โSustainable Designโ minor combines the relevant topics skills and research activities from all design disciplines into Sustainable Design. The content and project work in the minor are based on the guiding principle that โknowledge is the basis for actionโ. You will learn how design skills can drive impending societal change, i.e. the Sustainable Turn, by undertaking solution-oriented project work. The minor focuses on ecological sustainability without losing sight of the related social and economic aspects in the process. Drawing on future-oriented developments and trends in the sustainability field (for example, social design, sharing and the circular economy, green tech, climate communication, zero waste and urban farming), students explore current topics, discuss best practice projects from the field of Sustainable Design, and launch projects in cooperation with external partners.
The โSustainable Designโ minor is supported by all subject areas of the Department of Design and coordinated by the Knowledge Visualization subject area. It is aimed at Bachelorโs and Masterโs students.
Skills acquired in the course.
You will learn how to define relevant, strategic fields of activity in the field of sustainability, and will be able to position your own role, work and sphere of influence to facilitate sustainable development in our society. Students who undertake this minor have a good grounding in the criteria for ecological, social and economic sustainability, and incorporate the latest research findings as well as their own knowledge and creative skills acquired in their major into their design work. They will learn to develop positions and solution-oriented project goals in collaboration with interdisciplinary teams and to implement trendsetting design projects in prototype form with research and practice partners from the field of sustainability.
Admissions requirements.
The โSustainable Designโ minor is aimed at designers who consider sustainability to be an intrinsic part of their craft, and who would like to position themselves in the context of sustainability and hone their stance. You will develop your network and connectivity in interdisciplinary teams by exploring current and future sustainable development issues in creative, critical and tangible terms.
The โSustainable Designโ minor is open to all students at ZHdK. Specific admission requirements for the minor are checked by means of a self-declaration.
Benefits of studying at ZHdK.
Designers play a key role in the most important megatrend of our time โ sustainable development. The โSustainable Designโ minor provides students with direct access to this highly relevant design field. โField Researchโ, an opening event lasting several days, exposes them to real-life sustainability issues at ground level. They learn about the challenges, solutions, key protagonists and central action fields in the sustainability area. Moreover, they engage in contemporary research and also have the opportunity to incorporate and develop their own knowledge and design skills from their major studies. In formats such as a โproject workshopโ and a โlaboratoryโ, they work directly with external cooperation partners and are assisted by enthusiastic lecturers from a range of design disciplines. In this way, they gain access to a diverse, influential network of actors from the profession and research area of Sustainable Design and a range of options for further study at a higher level, both of which will facilitate their entry to the profession or research area. The โSustainable Designโ minor helps students to find their own role, work area and sphere of influence in the sustainable development of our society, with the goal of contributing to the Sustainable Turn in both creative and critical terms in the future.
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Der Minor ยซSustainable Designยป bรผndelt die relevanten Themen, Kompetenzen und Forschungsaktivitรคten aller Designdisziplinen zu Sustainable Design. Das Studium und die Projektarbeit im Minor orientieren sich am Leitgedanken vom Wissen zum Handeln. Anhand von lรถsungsorientierten Projektarbeiten lernst du, wie Designkompetenzen den anstehenden gesellschaftlichen Wandel โ den Sustainable Turn โ voranbringen kรถnnen. Der Minor setzt einen Schwerpunkt auf รถkologische Nachhaltigkeit, ohne dabei soziale und รถkonomische Aspekte zu vernachlรคssigen. Ausgehend von zukunftsweisenden Entwicklungen und Innovationen im Bereich der Nachhaltigkeit (zum Beispiel Social Design, Sharing- und Circular Economy, Green Tech, Climate Communication, Zero Waste, Urban Farming) werden aktuelle Themen behandelt, Best-Practice-Projekte von Sustainable Design vorgestellt und Projektarbeiten in Kooperation mit externen Partnern lanciert.
Der Minor ยซSustainable Designยป wird von allen Fachrichtungen des Departements Design getragen und von der Fachrichtung Knowledge Visualization koordiniert. Er richtet sich an die Studienstufen Bachelor und Master.
Diese Kompetenzen erlernst du.
Du lernst, relevante und strategische Handlungsfelder im Nachhaltigkeitsbereich zu definieren und kannst deine eigene Rolle, Tรคtigkeit und Wirkungsmacht in Bezug auf eine Nachhaltige Entwicklung unserer Gesellschaft verorten. Studierende des Minors kennen die Kriterien von รถkologischer, sozialer und รถkonomischer Nachhaltigkeit und beziehen den Stand der Forschung sowie eigenes Wissen und gestalterische Kompetenzen aus ihrem Major in ihre Tรคtigkeit als Designer:innen mit ein. Sie lernen Positionen und lรถsungsorientierte Projektziele in Kollaboration mit interdisziplinรคren Teams zu erarbeiten und zukunftsweisende Designprojekte in Kooperation mit Forschungs- und Praxispartnern aus dem Bereich der Nachhaltigkeit prototypisch umzusetzen.
Diese Voraussetzungen bringst du mit.
Der Minor ยซSustainable Designยป richtet sich an Gestalter:innen, die Nachhaltigkeit als immanenten Teil ihres Schaffens sehen und sich im Kontext von Sustainability positionieren und ihre Haltung stรคrken wollen. In interdisziplinรคren Teams wirst du dein Netzwerk und deine Anschlussfรคhigkeit weiterentwickeln, indem du dich kreativ, kritisch und handfest mit gegenwรคrtigen und zukรผnftigen Problemstellungen einer nachhaltigen Entwicklung auseinandersetzt.
ยซSustainable Designยป steht allen Studierenden der ZHdK offen. Spezifische Zugangsvoraussetzungen fรผr den Minor werden per Selbstdeklaration abgefragt.
Von diesen Besonderheiten profitierst du.
Designer:innen nehmen im wichtigsten Megatrend der 2020er-Jahre, der Nachhaltigen Entwicklung, eine Schlรผsselposition ein. Der Minor ยซSustainable Designยป verschafft dir direkte Zugรคnge zu diesem hochrelevanten Feld der Designpraxis. Eine mehrtรคgige Auftaktveranstaltung ยซFeldforschungยป bringt dich direkt und unvermittelt an die Orte des Geschehens und konfrontiert dich im Feld mit konkreten Problemstellungen der Nachhaltigkeit. Du lernst die Herausforderungen, Lรถsungsansรคtze, wichtige Protagonist:innen und die zentralen Handlungsfelder im Nachhaltigkeitsbereich kennen. Du kommst in direkten Kontakt mit aktueller Forschung und bist gleichzeitig eingeladen, dein eigenes Wissen und gestalterische Kompetenzen aus deinem Major-Studium einzubringen und weiterzuentwickeln. In Formaten wie ยซProjektwerkstattยป und ยซLaboratoriumยป kommst du in direkte Zusammenarbeit mit externen Kooperationspartnern und wirst von engagierten Dozierenden aus den verschiedenen Designdisziplinen unterstรผtzt. Du erhรคltst so Zugang zu einem vielseitigen und wirkungsstarken Netzwerk von Akteur:innen aus Berufspraxis und Forschung des Bereichs Sustainable Design, mit vielfรคltigen Optionen fรผr dein weiteres Studium (weiterfรผhrende Diplomarbeit) und fรผr deinen Berufs- oder Forschungseinstieg. Der Minor ยซSustainable Designยป wird dich darin unterstรผtzen, deine eigene Rolle, Tรคtigkeit und Wirkungsmacht in Bezug auf eine Nachhaltige Entwicklung unserer Gesellschaft zu finden โ mit dem Ziel, dass du zukรผnftig kritisch und kreativ an der Gestaltung des Sustainable Turn mitwirken kannst.
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht. 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Im Rahmen deines Minor-Studiums beschรคftigst du dich mit kรผnstlerischer oder gestalterischer Zusammenarbeit in Teams, die sich durch kulturelle und fachliche Diversitรคt auszeichnen. Dies ermรถglicht dir eine intensive Zeit der Selbsterforschung und -reflexion โ nicht nur im Hinblick auf kreative Praktiken, sondern auch auf kulturelle Prรคgungen, erlernte รsthetiken und dein eigenes Selbst- und Weltverstรคndnis. Du entwickelst ein multiperspektivisches Mindset, testest Methoden der transdisziplinรคren Kollaboration und reflektierst dein Kunst- oder Designschaffen in einem dynamischen transnationalen Umfeld. Der Minor wird in Zusammenarbeit mit Shared Campus angeboten, einer weltweit einzigartigen Kooperationsplattform von Kunsthochschulen, an der die ZHdK massgeblich beteiligt ist. Der Minor findet teilweise in Zรผrich, teilweise online im Austausch mit externen Studierenden und Dozierenden und wรคhrend drei Wochen in Asien (Yogyakarta, Indonesien*) statt. Die Arbeiten werden am Ende des Programms in einem รถffentlichen Rahmen in Yogyakarta prรคsentiert. * Indonesien ist ein demokratischer Staat, das viertbevรถlkerungs-reichste Land der Welt mit der weltweit hรถchsten Anzahl an Muslimen. Indonesien verfรผgt รผber eine enorme kulturelle Diversitรคt und eine komplexe koloniale Geschichte. Yogyakarta (Java) gilt als eine der wichtigsten Zentren fรผr experimentelle Kunst in Asien und ist insbesondere fรผr sein hohe Anzahl an Kรผnstler:innenkollektiven bekannt, die sich in einem breiten (inter-)disziplinรคren Spektrum bewegen. Diese Kompetenzen erlernst du. Du lernst: โ mit Konflikten umzugehen und das Potential der Vielfalt in globalen Kulturen und Gesellschaften zu verstehen und zu verhandeln โ vielfรคltige, global relevante und miteinander in Beziehung stehende Themen und Fragen kritisch zu reflektieren und ein Bewusstsein fรผr eigene kulturelle Prรคgungen zu entwickeln โ verschiedene kollaborative Arbeitsmethoden und Ansรคtze in den Kรผnsten und im Design kennen und anzuwenden โ transdisziplinรคre Teams zusammenzustellen, um unterschiedliche kreative Aufgaben und Projekte zu realisieren. Diese Voraussetzungen bringst du mit. Der Minor empfiehlt sich fรผr Studierende, die ein genuines Interesse am Erforschen transkultureller Fragen haben, bereit sind, in kulturell und disziplinรคr gemischten Teams zu arbeiten und offen sind, ihr Schaffen und Denken kritisch zu reflektieren. Die Studierenden verfรผgen รผber gute Englischkenntnisse. Von diesen Besonderheiten profitierst du. Der Minor baut auf einer Kooperation zwischen 13 Kunsthochschulen und Partnern in Asien und Europa auf und hilft dir ein internationales Netzwerk zu entwickeln (Shared Campus). Die verschiedenen Standorte des Programms bilden die Basis sowie die Forschungs- und Spielrรคume fรผr kollaborative Experimente. Ein internationales Team von Dozierenden aus verschiedensten Disziplinen begleiten die Studierenden auf ihrem Entwicklungsweg. Die Unterkunftskosten wรคhrend des dreiwรถchigen Auslandaufenthalts werden von der ZHdK getragen, die Reise- und Lebenshaltungskosten gehen zu Lasten der Teilnehmenden (Flug: CHF 800โ1000; Lebenshaltungskosten: CHF 300โ400). โ Mehr zu diesem Minor (PDF-Download)","",""],"title_en":["","Programme","Video of the presentation at the Info Day","","Major-Minor Programme Model"],"text_en":["","Course content. The multilayered issues of our time require creativity that extends beyond the boundaries of culture and disciplines. If the arts, design and education wish to be incorporated effectively into global issues and discourses, this requires a high degree of transcultural skill and collaborative dexterity from the participating actors. They acquire the requisite skills in the international โTranscultural Collaborationโ minor. Within the scope of their minor studies, they explore artistic or design collaboration in teams which are notable for their cultural and subject-specific diversity. This enables them to undergo a period of intensive self-research and self-reflection, not only with regard to creative practices but also cultural impacts, learned aesthetics and their own personal and global understanding. They develop a multiperspective mindset, test methods of transdisciplinary collaboration, and reflect on their art and design work in a dynamically transnational environment. The minor is offered in cooperation with Shared Campus, a worldwide unique cooperation platform of art universities, in which ZHdK plays a significant role. The minor takes place partly in Zurich, partly online in exchange with external students and lecturers and for three weeks in Asia (Yogyakarta, Indonesia*). The studentsโ works are presented to the public in Yogyakarta at the end of the stay. *Indonesia is a democratic state, the 4th most populated country on earth including the highest number of people with Muslim religion. Indonesia offers an enormous cultural diversity as well as a complex colonial history. Yogyakarta (Java) is one of the most important places for experimental art, and is specifically known for the high number of art collectives in various (inter-)disciplinary fields. Skills acquired in the course. Students learn: โ how to cope with conflict and to understand and deal with the potential of the variety in global cultural and societies โ to critically reflect on the impact of diverse, globally relevant and related topics and questions, and develop an awareness of their own cultural identity โ to recognize and apply a variety of collaborative working techniques and approaches in the arts and design โ to compile transdisciplinary teams to implement a variety of creative tasks and projects. Admissions requirements. The minor is suitable for students with a genuine interest in researching transcultural issues, who are prepared to work in multidisciplinary and culturally diverse teams, and prepared to critically reflect on their work and thought process. The students have a good knowledge of English. Benefits of studying this minor. The minor is built on cooperation between 13 universities and partners in Asia and Europe, and helps students to develop an international network (Shared Campus). The different locations of the program provide the basis and sufficient space for collaborative experiments. An international team of lecturers from a wide range of disciplines supports the students on their developmental path. The accommodation costs during the three-week stay abroad are borne by ZHdK, the travel and living costs by the participants themselves (flight: CHF 800โ1000; living costs: CHF 300โ400). โ More information about this minor (PDF download)","",""],"assets":{"title_en":["Minor Transcultural Collaboration"],"title_de":["Minor Transcultural Collaboration"]}}},"relationships":{"study_model_disciplines":{"data":[{"type":"study_model_discipline","id":17,"attributes":{"uid":17,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"รbergreifend","auto_select":0,"to_be_auto_selected":1},"relationships":{"translations":{"data":[{"type":"study_model_discipline","id":18,"attributes":{"uid":18,"deleted":0,"sys_language_uid":1,"l10n_parent":17,"title":"Cross-Disciplinary","auto_select":0,"to_be_auto_selected":1}}]}}}]},"study_model_interests":{"data":[{"type":"study_model_interest","id":7,"attributes":{"uid":7,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"Netzwerk & 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The multilayered issues of our time require creativity that extends beyond the boundaries of culture and disciplines. If the arts, design and education wish to be incorporated effectively into global issues and discourses, this requires a high degree of transcultural skill and collaborative dexterity from the participating actors. They acquire the requisite skills in the international โTranscultural Collaborationโ minor.
Within the scope of their minor studies, they explore artistic or design collaboration in teams which are notable for their cultural and subject-specific diversity. This enables them to undergo a period of intensive self-research and self-reflection, not only with regard to creative practices but also cultural impacts, learned aesthetics and their own personal and global understanding. They develop a multiperspective mindset, test methods of transdisciplinary collaboration, and reflect on their art and design work in a dynamically transnational environment.
The minor is offered in cooperation with Shared Campus, a worldwide unique cooperation platform of art universities, in which ZHdK plays a significant role. The minor takes place partly in Zurich, partly online in exchange with external students and lecturers and for three weeks in Asia (Yogyakarta, Indonesia*). The studentsโ works are presented to the public in Yogyakarta at the end of the stay.
*Indonesia is a democratic state, the 4th most populated country on earth including the highest number of people with Muslim religion. Indonesia offers an enormous cultural diversity as well as a complex colonial history. Yogyakarta (Java) is one of the most important places for experimental art, and is specifically known for the high number of art collectives in various (inter-)disciplinary fields.
Skills acquired in the course.
Students learn:
โ how to cope with conflict and to understand and deal with the potential of the variety in global cultural and societies
โ to critically reflect on the impact of diverse, globally relevant and related topics and questions, and develop an awareness of their own cultural identity
โ to recognize and apply a variety of collaborative working techniques and approaches in the arts and design
โ to compile transdisciplinary teams to implement a variety of creative tasks and projects.
Admissions requirements.
The minor is suitable for students with a genuine interest in researching transcultural issues, who are prepared to work in multidisciplinary and culturally diverse teams, and prepared to critically reflect on their work and thought process. The students have a good knowledge of English.
Benefits of studying this minor.
The minor is built on cooperation between 13 universities and partners in Asia and Europe, and helps students to develop an international network (Shared Campus). The different locations of the program provide the basis and sufficient space for collaborative experiments. An international team of lecturers from a wide range of disciplines supports the students on their developmental path. The accommodation costs during the three-week stay abroad are borne by ZHdK, the travel and living costs by the participants themselves (flight: CHF 800โ1000; living costs: CHF 300โ400).
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Die vielschichtigen Probleme unserer Zeit erfordern eine Kreativitรคt, die รผber kulturelle und disziplinรคre Grenzen hinausreicht. Wenn sich die Kรผnste, das Design und die Vermittlung wirkungsvoll in globale Fragen und Diskurse einbringen wollen, erfordert dies von den Akteur:innen ein hohes Mass an transkultureller Kompetenz und kollaborativer Gewandtheit. Entsprechende Fรคhigkeiten eignest du dir im internationalen Minor ยซTranscultural Collaborationยป an.
Im Rahmen deines Minor-Studiums beschรคftigst du dich mit kรผnstlerischer oder gestalterischer Zusammenarbeit in Teams, die sich durch kulturelle und fachliche Diversitรคt auszeichnen. Dies ermรถglicht dir eine intensive Zeit der Selbsterforschung und -reflexion โ nicht nur im Hinblick auf kreative Praktiken, sondern auch auf kulturelle Prรคgungen, erlernte รsthetiken und dein eigenes Selbst- und Weltverstรคndnis. Du entwickelst ein multiperspektivisches Mindset, testest Methoden der transdisziplinรคren Kollaboration und reflektierst dein Kunst- oder Designschaffen in einem dynamischen transnationalen Umfeld.
Der Minor wird in Zusammenarbeit mit Shared Campus angeboten, einer weltweit einzigartigen Kooperationsplattform von Kunsthochschulen, an der die ZHdK massgeblich beteiligt ist. Der Minor findet teilweise in Zรผrich, teilweise online im Austausch mit externen Studierenden und Dozierenden und wรคhrend drei Wochen in Asien (Yogyakarta, Indonesien*) statt. Die Arbeiten werden am Ende des Programms in einem รถffentlichen Rahmen in Yogyakarta prรคsentiert.
* Indonesien ist ein demokratischer Staat, das viertbevรถlkerungs-reichste Land der Welt mit der weltweit hรถchsten Anzahl an Muslimen. Indonesien verfรผgt รผber eine enorme kulturelle Diversitรคt und eine komplexe koloniale Geschichte. Yogyakarta (Java) gilt als eine der wichtigsten Zentren fรผr experimentelle Kunst in Asien und ist insbesondere fรผr sein hohe Anzahl an Kรผnstler:innenkollektiven bekannt, die sich in einem breiten (inter-)disziplinรคren Spektrum bewegen.
Diese Kompetenzen erlernst du.
Du lernst:
โ mit Konflikten umzugehen und das Potential der Vielfalt in globalen Kulturen und Gesellschaften zu verstehen und zu verhandeln
โ vielfรคltige, global relevante und miteinander in Beziehung stehende Themen und Fragen kritisch zu reflektieren und ein Bewusstsein fรผr eigene kulturelle Prรคgungen zu entwickeln
โ verschiedene kollaborative Arbeitsmethoden und Ansรคtze in den Kรผnsten und im Design kennen und anzuwenden
โ transdisziplinรคre Teams zusammenzustellen, um unterschiedliche kreative Aufgaben und Projekte zu realisieren.
Diese Voraussetzungen bringst du mit.
Der Minor empfiehlt sich fรผr Studierende, die ein genuines Interesse am Erforschen transkultureller Fragen haben, bereit sind, in kulturell und disziplinรคr gemischten Teams zu arbeiten und offen sind, ihr Schaffen und Denken kritisch zu reflektieren. Die Studierenden verfรผgen รผber gute Englischkenntnisse.
Von diesen Besonderheiten profitierst du.
Der Minor baut auf einer Kooperation zwischen 13 Kunsthochschulen und Partnern in Asien und Europa auf und hilft dir ein internationales Netzwerk zu entwickeln (Shared Campus). Die verschiedenen Standorte des Programms bilden die Basis sowie die Forschungs- und Spielrรคume fรผr kollaborative Experimente. Ein internationales Team von Dozierenden aus verschiedensten Disziplinen begleiten die Studierenden auf ihrem Entwicklungsweg. Die Unterkunftskosten wรคhrend des dreiwรถchigen Auslandaufenthalts werden von der ZHdK getragen, die Reise- und Lebenshaltungskosten gehen zu Lasten der Teilnehmenden (Flug: CHF 800โ1000; Lebenshaltungskosten: CHF 300โ400).
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht. 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Sie erproben mรถgliche Kontextualisierungen ihrer Projekte und erfahren die damit verbundenen unterschiedlichen Wahrnehmungen, Lesarten, Kriterien und Wirkungsweisen. Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป vermittelt den Studierenden die Fรคhigkeit, Kompetenzen aus ihren Schwerpunktfรคchern (Majors) in Auseinandersetzung und in Zusammenarbeit mit anderen Kunst- und Designsparten sowie weiteren Berufs- und gesellschaftlichen Feldern fรผr Themen und Fragen einzusetzen, die nicht von disziplinรคren Ordnungen und Spezialisierungen geleitet sind. Die Teilnehmenden setzen sich mit transdisziplinรคren Arbeitsweisen und Diskursformen auseinander. In eigenen Projekten und angeleiteten Praxisformaten erkunden sie das Potenzial รคsthetischer und kรผnstlerischer Verfahren fรผr Problemstellungen der Lebenswelt und erproben Formen der Kooperation zwischen unterschiedlichen kรผnstlerischen Fรคchern in exemplarischen Arbeitsvorhaben. Kompetenzen Die Absolvent:innen sind in der Lage, โ das transdisziplinรคre Potenzial ihres Fachgebiets zu bestimmen und es in Kontexte ausserhalb ihrer eigenen Disziplin zu stellen; โ ihre eigene Position zu artikulieren und sie im Dialog mit Vertreter:innen anderer Disziplinen zu verhandeln und zur Geltung zu bringen; โ รคsthetische und kรผnstlerische Strategien in disziplinรผbergreifenden Projekten einzusetzen. Voraussetzungen Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป richtet sich an alle Masterstudierenden der ZHdK, die Inhalte, Formate, Medien und Kompetenzen ihres Schwerpunktfachs mit solchen aus anderen Disziplinen und Kontexten verbinden wollen. Besonderheiten Der Minor kann in verschiedenen Formen durchlaufen werden: kursorisch im Rรผckgriff auf das Lehrangebot des Majors ยซTransdisziplinaritรคt in den Kรผnstenยป oder aber mit Fokus auf eine individuelle Projektarbeit mit transdisziplinรคrer Ausrichtung. Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป kann konsekutiv studiert werden. Die Kombination der beiden Minors ยซTransdisziplinaritรคt in den Kรผnsten โ basicยป (15 Credits) und ยซTransdisziplinaritรคt in den Kรผnsten โ advancedยป (15 Credits) fรผhrt zu einem vertieften Verstรคndnis transdisziplinรคrer Arbeitsweisen im Feld der Kรผnste. Zeitstruktur Die Pflichtmodule des Minors ยซTransdisziplinaritรคt in den Kรผnstenยป finden in den Minorwochen statt. Am Freitagnachmittag kรถnnen die Wahlmodule besucht werden. Einfรผhrung: Freitagabend, 20.9.2024. โ Mehr zum Minor Transdisziplinaritรคt in den Kรผnsten โ basic (PDF-Download) โ Mehr zum Minor Transdisziplinaritรคt in den Kรผnsten โ advanced (PDF-Download)","Im Rahmen des DKV-Minor-Infotages am 12. Mรคrz 2024 hat Basil Rogger den Minor ยซTransdisziplinaritรคt in den Kรผnstenยป vorgestellt:","",""],"title_en":["","Course","","Major-Minor Programme Model"],"text_en":["","Course content The Minor โTransdisciplinary Studies in the Artsโ is aimed at Masterโs students at ZHdK who see themselves practising at the interface between the different sectors of art and design or in the connections with society and the world we live in. They would like to position their work in an interdisciplinary environment whose medial, discursive, institutional or social configuration is not already defined. They explore possible contextualizations of their projects and learn about the various associated perceptions, interpretations, criteria and effects. The Minor โTransdisciplinary Studies in the Artsโ enables students to employ skills from their majors in studying and cooperating with other sectors of art and design and other professional and social fields for topics and issues that are not guided by disciplinary systems and specializations. Participants explore transdisciplinary working methods and forms of discourse. They examine the potential of aesthetic and artistic processes for problems of the world we live in through their own projects and supervised practice formats and investigate forms of cooperation between different artistic subjects in exemplary work projects. Skills Graduates are capable of: โ Identifying the transdisciplinary potential of their subject and placing it in contexts outside their own discipline; โ Articulating their own position and negotiating and asserting it in dialogue with representatives of other disciplines; โ Employing aesthetic and artistic strategies in interdisciplinary projects. Admissions requirements The Minor โTransdisciplinarity in the Artsโ is aimed at all Masterโs students of ZHdK who would like to combine content, formats, media and competencies from their Major with those from other disciplines and contexts. Special features of the course The Minor can be taken in various forms โ on a cursory basis with reference to the curriculum of the Major โTransdisciplinary Studies in the Artsโ or with a focus on an individual project assignment which is transdisciplinary in nature. The Minor โTransdisciplinary Studies in the Artsโ may be undertaken consecutively. Combining the two Minors โTransdisciplinary Studies in the Arts โ Basicโ (15 credits) and โTransdisciplinary Studies in the Arts โ Advancedโ (15 credits) leads to an in-depth understanding of transdisciplinary working methods in the field of the arts. Time structure The compulsory modules of the Minor โTransdisciplinary Studies in the Artsโ take place during the Minor Weeks. The elective modules can be attended on Friday afternoon. 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The Minor โTransdisciplinary Studies in the Artsโ is aimed at Masterโs students at ZHdK who see themselves practising at the interface between the different sectors of art and design or in the connections with society and the world we live in. They would like to position their work in an interdisciplinary environment whose medial, discursive, institutional or social configuration is not already defined. They explore possible contextualizations of their projects and learn about the various associated perceptions, interpretations, criteria and effects.
The Minor โTransdisciplinary Studies in the Artsโ enables students to employ skills from their majors in studying and cooperating with other sectors of art and design and other professional and social fields for topics and issues that are not guided by disciplinary systems and specializations. Participants explore transdisciplinary working methods and forms of discourse. They examine the potential of aesthetic and artistic processes for problems of the world we live in through their own projects and supervised practice formats and investigate forms of cooperation between different artistic subjects in exemplary work projects.
Skills
Graduates are capable of:
โ Identifying the transdisciplinary potential of their subject and placing it in contexts outside their own discipline;
โ Articulating their own position and negotiating and asserting it in dialogue with representatives of other disciplines;
โ Employing aesthetic and artistic strategies in interdisciplinary projects.
Admissions requirements
The Minor โTransdisciplinarity in the Artsโ is aimed at all Masterโs students of ZHdK who would like to combine content, formats, media and competencies from their Major with those from other disciplines and contexts.
Special features of the course
The Minor can be taken in various forms โ on a cursory basis with reference to the curriculum of the Major โTransdisciplinary Studies in the Artsโ or with a focus on an individual project assignment which is transdisciplinary in nature.
The Minor โTransdisciplinary Studies in the Artsโ may be undertaken consecutively. Combining the two Minors โTransdisciplinary Studies in the Arts โ Basicโ (15 credits) and โTransdisciplinary Studies in the Arts โ Advancedโ (15 credits) leads to an in-depth understanding of transdisciplinary working methods in the field of the arts.
Time structure
The compulsory modules of the Minor โTransdisciplinary Studies in the Artsโ take place during the Minor Weeks. The elective modules can be attended on Friday afternoon. Introduction: Friday evening, September 20, 2024.
โ More about the Minor Transdisciplinary Studies in the Arts โ basic (PDF-Download)
โ More about the Minor Transdisciplinary Studies in the Arts โ advanced (PDF-Download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป richtet sich an Masterstudierende der ZHdK, die ihre Praxis an der Schnittstelle unterschiedlicher Kunst- und Designsparten oder in deren Verbindungen mit der Gesellschaft und der Lebenswelt verorten. Sie mรถchten ihre Arbeit in einem interdisziplinรคren Umfeld positionieren, dessen mediale, diskursive, institutionelle oder soziale Konfiguration nicht bereits vorgegeben ist. Sie erproben mรถgliche Kontextualisierungen ihrer Projekte und erfahren die damit verbundenen unterschiedlichen Wahrnehmungen, Lesarten, Kriterien und Wirkungsweisen.
Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป vermittelt den Studierenden die Fรคhigkeit, Kompetenzen aus ihren Schwerpunktfรคchern (Majors) in Auseinandersetzung und in Zusammenarbeit mit anderen Kunst- und Designsparten sowie weiteren Berufs- und gesellschaftlichen Feldern fรผr Themen und Fragen einzusetzen, die nicht von disziplinรคren Ordnungen und Spezialisierungen geleitet sind. Die Teilnehmenden setzen sich mit transdisziplinรคren Arbeitsweisen und Diskursformen auseinander. In eigenen Projekten und angeleiteten Praxisformaten erkunden sie das Potenzial รคsthetischer und kรผnstlerischer Verfahren fรผr Problemstellungen der Lebenswelt und erproben Formen der Kooperation zwischen unterschiedlichen kรผnstlerischen Fรคchern in exemplarischen Arbeitsvorhaben.
Kompetenzen
Die Absolvent:innen sind in der Lage,
โ das transdisziplinรคre Potenzial ihres Fachgebiets zu bestimmen und es in Kontexte ausserhalb ihrer eigenen Disziplin zu stellen;
โ ihre eigene Position zu artikulieren und sie im Dialog mit Vertreter:innen anderer Disziplinen zu verhandeln und zur Geltung zu bringen;
โ รคsthetische und kรผnstlerische Strategien in disziplinรผbergreifenden Projekten einzusetzen.
Voraussetzungen
Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป richtet sich an alle Masterstudierenden der ZHdK, die Inhalte, Formate, Medien und Kompetenzen ihres Schwerpunktfachs mit solchen aus anderen Disziplinen und Kontexten verbinden wollen.
Besonderheiten
Der Minor kann in verschiedenen Formen durchlaufen werden: kursorisch im Rรผckgriff auf das Lehrangebot des Majors ยซTransdisziplinaritรคt in den Kรผnstenยป oder aber mit Fokus auf eine individuelle Projektarbeit mit transdisziplinรคrer Ausrichtung.
Der Minor ยซTransdisziplinaritรคt in den Kรผnstenยป kann konsekutiv studiert werden. Die Kombination der beiden Minors ยซTransdisziplinaritรคt in den Kรผnsten โ basicยป (15 Credits) und ยซTransdisziplinaritรคt in den Kรผnsten โ advancedยป (15 Credits) fรผhrt zu einem vertieften Verstรคndnis transdisziplinรคrer Arbeitsweisen im Feld der Kรผnste.
Zeitstruktur
Die Pflichtmodule des Minors ยซTransdisziplinaritรคt in den Kรผnstenยป finden in den Minorwochen statt. Am Freitagnachmittag kรถnnen die Wahlmodule besucht werden. Einfรผhrung: Freitagabend, 20.9.2024.
โ Mehr zum Minor Transdisziplinaritรคt in den Kรผnsten โ basic (PDF-Download)
โ Mehr zum Minor Transdisziplinaritรคt in den Kรผnsten โ advanced (PDF-Download)
Im Rahmen des DKV-Minor-Infotages am 12. Mรคrz 2024 hat Basil Rogger den Minor ยซTransdisziplinaritรคt in den Kรผnstenยป vorgestellt:
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Kompetenzen Die Absolvent:innen des Minors ยซTransformationen Kรผnste Wissenschaftenยป sind in der Lage, โ die wissenschaftliche Durchdringung gesellschaftlicher Felder kritisch zu befragen, Kontroversen und Spannungsfelder zwischen unterschiedlichen Wissensformen zu identifizieren und sie mit kรผnstlerischen und รคsthetischen Mitteln zu reflektieren; โ Verhรคltnisse zwischen Kรผnsten und Wissenschaften einzuschรคtzen, zu bearbeiten und fรผr eigene Arbeitsvorhaben produktiv zu machen; โ ihre eigene Position zu artikulieren und sie im Dialog mit Vertreter:innen wissenschaftlicher Disziplinen zu verhandeln und zur Geltung zu bringen. Voraussetzungen Der Minor ยซTransformationen Kรผnste Wissenschaftenยป richtet sich einerseits an Studierende im Major ยซTransdisziplinaritรคt in den Kรผnstenยป, die sich auf Verhรคltnisse zwischen Kรผnsten und Wissenschaften spezialisieren mรถchten, andererseits an alle Masterstudierenden der ZHdK, die ihr Schwerpunktfach (Major) zu geistes- oder naturwissenschaftlichen Erkenntnisweisen in Bezug setzen wollen. Besonderheiten Der Minor kann in verschiedenen Formen durchlaufen werden: kursorisch รผber die Teilnahme an Unterrichtsformaten (Praxisprojekte und Seminare zur Theorie und Geschichte des Verhรคltnisses zwischen Kรผnsten und Wissenschaften), mit Fokus auf eine individuelle Projektarbeit oder als Praktikum bzw. Residency in wissenschaftlichen Institutionen und Labs (in Kooperation mit dem artist-in-labs-programm der ZHdK). Der Minor kann konsekutiv studiert werden. Die Kombination der beiden Minors ยซTransformationen Kรผnste Wissenschaften โโฏbasicยป (15 Credits) und ยซTransformationen Kรผnste Wissenschaften โโฏadvancedยป (15 Credits) fรผhrt zu einem vertieften Verstรคndnis unterschiedlicher Erkenntnisformen im Spannungsfeld zwischen Kรผnsten und Wissenschaften. Zeitstruktur Die Pflichtmodule des Minors ยซTransformationen Kรผnste Wissenschaftenยป finden in den Minorwochen statt. Am Freitagnachmittag kรถnnen die Wahlmodule besucht werden. Einfรผhrung: am Freitagabend, 20.9.2024. โ Mehr zum Minor Transformationen Kรผnste Wissenschaft โ basic (PDF-Download) โ Mehr zum Minor Transformationen Kรผnste Wissenschaft โ advanced (PDF-Download)","Im Rahmen des DKV-Minor-Infotages am 12. Mรคrz 2024 hat Irene Vรถgeli den Minor ยซTransformationen Kรผnste Wissenschaftenยป vorgestellt:","",""],"title_en":["","Course","","Major-Minor Programme Model"],"text_en":["","Course content The subject of the Minor โTransformations Arts Sciencesโ is relationships between the arts and sciences as different ways of discovering the world. Aesthetic approaches are given considerable consideration in scientific processes; conversely, nearly all areas of society, including the arts, are permeated by scientific insights. The Minor โTransformations Arts Sciencesโ focuses on these interrelations and mutual references between artistic and scientific processes, experimental arrangements and forms of knowledge. The Minor centres around interdisciplinary and transdisciplinary project work that the students design and realize individually or in teams. With reference to scientific paradigms and methods, in cooperation with scientists or in residencies and internships at scientific institutions and laboratories, students investigate possible interrelations between scientific and artistic processes. In dialogue with the sciences, they examine relevant issues, discourses and controversies and develop independent positions as authors at the interface between those fields. Skills Graduates of the Minor โTransformations Arts Sciencesโ are capable of: โ Asking critical questions about the penetration of science into social fields, identifying controversies and areas of tension between different forms of knowledge and reflecting on them with artistic and aesthetic resources; โ Appraising and developing relationships between arts and sciences and rendering them productive for their own work projects; โ Articulating their own position and negotiating and asserting it in dialogue with representatives of scientific disciplines. Admissions requirements The Minor โTransformations Arts Scienceโ is aimed both at students on the Major โTransdisciplinary Studies in the Artsโ who would like to specialize in relationships between arts and sciences and at all Masterโs students of ZHdK who wish to combine their Major with modes of knowledge from the sciences and/or humanities. Special features of the course The Minor can be taken in various forms โ on a cursory basis via participation in teaching formats (practical projects and seminars on the theory and history of the relationship between the arts and sciences), with a focus on an individual project or as an internship/residence in scientific institutions and laboratories (in cooperation in the ZHdKโs artists-in-labs programme). The Minor may be undertaken consecutively. Combining the two Minors โTransformation Arts Sciences โ Basicโ (15 credits) and โTransformation Arts Sciences โ Advancedโ (15 credits) therefore leads to an in-depth understanding of different modes of knowledge at the interface between art and science. Time structure The compulsory modules of the Minor โTransformation Arts Sciencesโ take place during the Minor Weeks. The elective modules can be attended on Friday afternoon. Introduction: Friday evening, September 20, 2024. โ More about the Minor Transformations Arts Sciences โ basic (PDF-Download) โ More about the Minor Transformations Arts Sciences โ advanced (PDF-Download)","",""],"assets":{"title_de":["Transformationen Kรผnste Wissenschaften"]}}},"relationships":{"study_model_disciplines":{"data":[{"type":"study_model_discipline","id":8,"attributes":{"uid":8,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"Transdisziplinaritรคt","auto_select":0,"to_be_auto_selected":0},"relationships":{"translations":{"data":[{"type":"study_model_discipline","id":9,"attributes":{"uid":9,"deleted":0,"sys_language_uid":1,"l10n_parent":8,"title":"Transdisciplinary Studies","auto_select":0,"to_be_auto_selected":0}}]}}}]},"study_model_interests":{"data":[{"type":"study_model_interest","id":29,"attributes":{"uid":29,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"Interdisziplinaritรคt & 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The subject of the Minor โTransformations Arts Sciencesโ is relationships between the arts and sciences as different ways of discovering the world. Aesthetic approaches are given considerable consideration in scientific processes; conversely, nearly all areas of society, including the arts, are permeated by scientific insights. The Minor โTransformations Arts Sciencesโ focuses on these interrelations and mutual references between artistic and scientific processes, experimental arrangements and forms of knowledge.
The Minor centres around interdisciplinary and transdisciplinary project work that the students design and realize individually or in teams. With reference to scientific paradigms and methods, in cooperation with scientists or in residencies and internships at scientific institutions and laboratories, students investigate possible interrelations between scientific and artistic processes. In dialogue with the sciences, they examine relevant issues, discourses and controversies and develop independent positions as authors at the interface between those fields.
Skills
Graduates of the Minor โTransformations Arts Sciencesโ are capable of:
โ Asking critical questions about the penetration of science into social fields, identifying controversies and areas of tension between different forms of knowledge and reflecting on them with artistic and aesthetic resources;
โ Appraising and developing relationships between arts and sciences and rendering them productive for their own work projects;
โ Articulating their own position and negotiating and asserting it in dialogue with representatives of scientific disciplines.
Admissions requirements
The Minor โTransformations Arts Scienceโ is aimed both at students on the Major โTransdisciplinary Studies in the Artsโ who would like to specialize in relationships between arts and sciences and at all Masterโs students of ZHdK who wish to combine their Major with modes of knowledge from the sciences and/or humanities.
Special features of the course
The Minor can be taken in various forms โ on a cursory basis via participation in teaching formats (practical projects and seminars on the theory and history of the relationship between the arts and sciences), with a focus on an individual project or as an internship/residence in scientific institutions and laboratories (in cooperation in the ZHdKโs artists-in-labs programme).
The Minor may be undertaken consecutively. Combining the two Minors โTransformation Arts Sciences โ Basicโ (15 credits) and โTransformation Arts Sciences โ Advancedโ (15 credits) therefore leads to an in-depth understanding of different modes of knowledge at the interface between art and science.
Time structure
The compulsory modules of the Minor โTransformation Arts Sciencesโ take place during the Minor Weeks. The elective modules can be attended on Friday afternoon. Introduction: Friday evening, September 20, 2024.
โ More about the Minor Transformations Arts Sciences โ basic (PDF-Download)
โ More about the Minor Transformations Arts Sciences โ advanced (PDF-Download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Der Minor ยซTransformationen Kรผnste Wissenschaftenยป thematisiert Verhรคltnisse zwischen Kรผnsten und Wissenschaften als unterschiedliche Weisen der Welterschliessung. รsthetische Zugรคnge finden vermehrt auch in den Verfahren der Wissenschaften Beachtung, umgekehrt sind beinahe alle gesellschaftlichen Bereiche, darunter auch die Kรผnste, von wissenschaftlichen Erkenntnissen durchdrungen. Der Minor ยซTransformationen Kรผnste Wissenschaftenยป fokussiert auf diese Verschrรคnkungen und gegenseitigen Bezugnahmen kรผnstlerischer und wissenschaftlicher Verfahren, Experimentalanordnungen und Wissensformen.
Im Zentrum des Minors stehen inter- und transdisziplinรคre Projektarbeiten, die die Studierenden individuell oder in Teams konzipieren und realisieren. Unter Bezugnahme auf wissenschaftliche Paradigmen und Methoden, in Kooperationen mit Wissenschaftler:innen oder in Residencies und Praktika in wissenschaftlichen Instituten und Labs erkunden sie mรถgliche Verschrรคnkungen wissenschaftlicher und kรผnstlerischer Vorgehensweisen. Im Dialog mit den Wissenschaften setzen sie sich mit relevanten Fragestellungen, Diskursen und Kontroversen auseinander und entwickeln eigenstรคndige autor:innenschaftliche Positionen in deren Spannungsfeld.
Kompetenzen
Die Absolvent:innen des Minors ยซTransformationen Kรผnste Wissenschaftenยป sind in der Lage,
โ die wissenschaftliche Durchdringung gesellschaftlicher Felder kritisch zu befragen, Kontroversen und Spannungsfelder zwischen unterschiedlichen Wissensformen zu identifizieren und sie mit kรผnstlerischen und รคsthetischen Mitteln zu reflektieren;
โ Verhรคltnisse zwischen Kรผnsten und Wissenschaften einzuschรคtzen, zu bearbeiten und fรผr eigene Arbeitsvorhaben produktiv zu machen;
โ ihre eigene Position zu artikulieren und sie im Dialog mit Vertreter:innen wissenschaftlicher Disziplinen zu verhandeln und zur Geltung zu bringen.
Voraussetzungen
Der Minor ยซTransformationen Kรผnste Wissenschaftenยป richtet sich einerseits an Studierende im Major ยซTransdisziplinaritรคt in den Kรผnstenยป, die sich auf Verhรคltnisse zwischen Kรผnsten und Wissenschaften spezialisieren mรถchten, andererseits an alle Masterstudierenden der ZHdK, die ihr Schwerpunktfach (Major) zu geistes- oder naturwissenschaftlichen Erkenntnisweisen in Bezug setzen wollen.
Besonderheiten
Der Minor kann in verschiedenen Formen durchlaufen werden: kursorisch รผber die Teilnahme an Unterrichtsformaten (Praxisprojekte und Seminare zur Theorie und Geschichte des Verhรคltnisses zwischen Kรผnsten und Wissenschaften), mit Fokus auf eine individuelle Projektarbeit oder als Praktikum bzw. Residency in wissenschaftlichen Institutionen und Labs (in Kooperation mit dem artist-in-labs-programm der ZHdK).
Der Minor kann konsekutiv studiert werden. Die Kombination der beiden Minors ยซTransformationen Kรผnste Wissenschaften โโฏbasicยป (15 Credits) und ยซTransformationen Kรผnste Wissenschaften โโฏadvancedยป (15 Credits) fรผhrt zu einem vertieften Verstรคndnis unterschiedlicher Erkenntnisformen im Spannungsfeld zwischen Kรผnsten und Wissenschaften.
Zeitstruktur
Die Pflichtmodule des Minors ยซTransformationen Kรผnste Wissenschaftenยป finden in den Minorwochen statt. Am Freitagnachmittag kรถnnen die Wahlmodule besucht werden. Einfรผhrung: am Freitagabend, 20.9.2024.
โ Mehr zum Minor Transformationen Kรผnste Wissenschaft โ basic (PDF-Download)
โ Mehr zum Minor Transformationen Kรผnste Wissenschaft โ advanced (PDF-Download)
Im Rahmen des DKV-Minor-Infotages am 12. Mรคrz 2024 hat Irene Vรถgeli den Minor ยซTransformationen Kรผnste Wissenschaftenยป vorgestellt:
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In the โEntrepreneurial Thinking and Actionโ minor, students experiment with innovative forms of work and business models in transdisciplinary collaboration. During their minor studies, they critically explore entrepreneurial topics and methods which they can apply to their independent artistic or design practice, to found their own company, or as an employee. As part of their own project idea, they develop entrepreneurial skills and solutions in prototype form in practical work with peers from other disciplines and with input and mentoring from industry experts. The minor is offered by the Z-Kubator, which is part of the Zurich Centre for Creative Economies (ZCCE).
Skills acquired in the course.
Students learn:
โ to analyse and shape the entrepreneurial foundations of their artistic or design practice autonomously.
โ to position their own ideas in a larger context and apply suitable methods to achieve their goals
โ to position themselves innovatively in a relevant market or cultural sector and reach relevant target groups
โ to harmonize their vision, personal values and work so that they are able to recognize and tackle opportunities and obstacles in the project and independent work in a timely manner
โ to design entrepreneurial strategies in transdisciplinary collaboration.
Admissions requirements.
The โEntrepreneurial Thinking and Actionโ minor is suitable for BA and MA students from all disciplines at ZHdK.
Benefits of studying this minor.
Students can complete the minor over two or four semesters. A considerable portion of the minor course is allocated to work on an entrepreneurial project with regular mentoring sessions. Students may work on an existing project or develop a new project in a team with their classmates.
Want to learn more?
At the Z-Kubator's Online Q&A sessions you have the opportunity to learn more about the Minor \"Entrepreneurial Thinking and Action\" (no registration required).
Thursday, 2 May 2024, 12:00 - 13:00
Zoom-Link: https://zhdk.zoom.us/j/63189711898?pwd=YWtCTUNybmRqVDh0REcxa1JKQlFXQT09
Password: 910797
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Im Minor ยซUnternehmerisches Denken und Handelnยป experimentierst du in transdisziplinรคrer Zusammenarbeit mit innovativen Arbeitsformen und Geschรคftsmodellen. Eine kritische Auseinandersetzung mit unternehmerischen Themen und Methoden, die du fรผr deine selbstรคndige kรผnstlerische oder gestalterische Praxis, zur Grรผndung eines eigenen Unternehmens oder aber auch als Angestellte:r anwenden kannst, steht im Zentrum deines Minor-Studiums. Im Rahmen einer eigenen Projektidee entwickelst du unternehmerische Fรคhigkeiten und Lรถsungsansรคtze praxisnah und prototypisch in Zusammenarbeit mit Studierenden aus anderen Disziplinen und mit Inputs und Mentoring von Expert:innen aus der Praxis. Der Minor wird vom Z-Kubator angeboten, der Teil des Zurich Centre for Creative Economies (ZCCE) ist.
Diese Kompetenzen erlernst du.
Du lernst:
โ die unternehmerischen Grundlagen deiner kรผnstlerischen oder gestalterischen Praxis zu analysieren und eigenstรคndig zu gestalten
โ eigene Ideen in einen grรถsseren Kontext zu stellen und adรคquate Methoden zur Erreichung deiner Ziele anzuwenden
โ dich innovativ in einem relevanten Markt bzw. Kultursektor zu positionieren und relevante Anspruchsgruppen zu erreichen
โ deine Vision, deine persรถnlichen Werte und dein Schaffen so in Einklang zu bringen, dass du Chancen und Hindernisse in der Projekt- und selbstรคndigen Arbeit frรผh erkennen und anpacken kannst
โ unternehmerische Strategien in transdisziplinรคrer Zusammenarbeit zu entwickeln.
Diese Voraussetzungen bringst du mit.
Der Minor ยซUnternehmerisches Denken und Handelnยป empfiehlt sich fรผr BA- und MA-Studierende aus allen Disziplinen der ZHdK.
Von diesen Besonderheiten profitierst du.
Der Minor kann in zwei oder vier Semestern absolviert werden. Ein grosser Teil des Minor-Studiums ist fรผr die Arbeit an einem unternehmerischen Projekt mit regelmรคssigen Mentorings vorgesehen. Es ist mรถglich, an einem bereits bestehenden Projekt zu arbeiten oder im Team mit anderen Studierenden ein neues Projekt zu entwickeln.
Mehr erfahren
An den Online Q&A Sessions des Z-Kubators hast Du die Mรถglichkeit, mehr รผber den Minor ยซUnternehmerisches Denken und Handelnยป zu erfahren (keine Anmeldung erforderlich).
Donnerstag, 2. Mai 2024, 12:00 - 13:00 Uhr
Teilnahme-Link: https://zhdk.zoom.us/j/63189711898?pwd=YWtCTUNybmRqVDh0REcxa1JKQlFXQT09
Kennwort: 910797
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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Sie werden von der Studierendengruppe gemeinsam und in Zusammenarbeit mit externen Kooperationspartner:innen vorbereitet und umgesetzt. Digitalen, kooperativen Vermittlungs- bzw. Unterrichtsformaten kommt dabei eine besondere Bedeutung zu. Kompetenzen Die gesammelten Erfahrungen dienen dem Aufbau berufspraktischer Kompetenzen. Disziplinรคre Vermittlungs- und Unterrichtsstrategien werden dabei durch fรคcherverbindende Perspektiven ergรคnzt. Die Studierenden werden zudem zur Vermittlung in digitalen Rรคumen befรคhigt. Die Absolvent:innen des Minors sind in der Lage: โ disziplinenspezifische und fรคcherverbindende Vermittlungsstrategien im Hinblick auf ihre Bildungspotentiale zu analysieren und zu entwickeln; โ in interdisziplinรคren Teams ein รคsthetisch-kulturelles Bildungsprojekt mit Jugendlichen situationsgerecht realisieren; โ digitale Rรคume, Strategien und Tools fรผr die Planung, Umsetzung und Dokumentation von Vermittlungs-/Unterrichtsprojekten kollaborativ zu nutzen; โ ihre individuelle Haltung und ihr Selbstverstรคndnis als Vermittler:in oder Lehrperson in รคsthetisch-kulturellen Feldern differenziert zu beschreiben und zu begrรผnden; โ fรผr ihre weitere Tรคtigkeit als Vermittler:innen oder Lehrpersonen auf ein Repertoire an fรคcherรผbergreifenden, ins Digitale erweiterten und kollaborativen Vermittlungsstrategien zurรผckgreifen. Voraussetzungen Der Minor richtet sich an alle Bachelor- und Masterstudierenden der ZHdK. Vorausgesetzt wird ein ausgeprรคgtes Interesse an der Arbeit mit Jugendlichen in einem bildungsinstitutionellen Kontext. Erforderlich ist darรผber hinaus die Bereitschaft, gemeinsam mit Studierenden mit unterschiedlichen Vorerfahrungen, Verstรคndnisse und Wege fรผr die Vermittlung zwischen Kรผnsten, Medien und Bildung im Austausch mit Jugendlichen zu verhandeln und praktisch zu erproben. Besonderheiten Der Minor eignet sich besonders fรผr Studierende, die Kompetenzen fรผr Vermittlungs- oder Lehrtรคtigkeiten erwerben wollen โ ergรคnzend zu einem Majorstudium auf Bachelorstufe โ vorbereitend auf ein Majorstudium im Bereich Art Education auf Masterstufe โ begleitend zu einem Majorstudium im Bereich Art Education oder Musikpรคdagogik auf Masterstufe. Durch die Kombination mit dem Advanced-Minor kรถnnen die erworbenen Kompetenzen individualisiert vertieft werden. Der Grossteil des gemeinsamen Studienprogramms findet verpflichtend in den Minorwochen KW 2โ4 und 8โ10 statt. Das Praxisprojekt findet in KW 9 statt. Wahlpflichtmodule kรถnnen im Verlauf des Frรผhlingssemesters individualisiert studiert werden. Zeitstruktur Der Minor ยซVermittlungs- und Unterrichtsprojekte mit Jugendlichen. Interdisziplinรคre Praxis zwischen Kรผnsten, Medien und Bildung โ basicยป findet in den Minorwochen statt. โ Mehr zum Minor basic (PDF-Download)","Im Rahmen des DKV-Minor-Infotages am 12. Mรคrz 2024 hat Miriam Schmidt-Wetzel die Minors ยซVermittlungs- und Unterrichtsprojekte mit Jugendlichen. Interdisziplinรคre Praxis zwischen Kรผnsten, Medien und Bildungยป basic und advanced vorgestellt:","",""],"title_en":["","Course",""],"text_en":["","Course content The Minor provides a project-based introduction to aesthetic-cultural educational practice with young people. Bachelorโs and Masterโs students undertaking any of ZHdKโs degree programmes learn about collaborative action at the interfaces and transition points between different disciplines and media as an effective didactic principle. Joint artistic practice experiences, collaborative and inter/transdisciplinary working processes culminate in the design of aesthetic-cultural educational projects with young people. These projects are located in the extracurricular, supplementary school or leisure sector or relate to school lessons in art or music at secondary level I and II. They are prepared and implemented by the student group together and in cooperation with external partners. Digital, cooperative teaching formats are of particular importance. Skills acquired in the course The experience that students gain will provide them with practical skills that are relevant to their profession. Disciplinary mediation and teaching strategies are extended with interdisciplinary perspectives. Students also learn how to teach in digital spaces. After completing the minor, students will be able to: โ analyse the educational potential of discipline-specific and interdisciplinary teaching strategies, and develop them accordingly; โ implement an aesthetic-cultural educational project with young people in interdisciplinary teams that is tailored to the learning group and situation at hand; โ use digital spaces, strategies and tools collaboratively to plan, implement and document teaching projects; โ describe and explain the rationale for their individual stance and personal, practical and theoretical understanding as educators in aesthetic-cultural fields, thereby differentiating themselves from others in the process; โ draw on a repertoire of interdisciplinary teaching strategies extending into the digital realm for their further teaching-related work. Admissions requirements The Minor is aimed at all Bachelorโs and Masterโs students of ZHdK. Applicants must have a keen interest in working with young people in an educational-institutional context. They must also be willing to work with peers on a practical basis who have different experience, understandings and styles of teaching young people in the crossover between the arts, media and education. Benefits of studying at ZHdK The Minor is particularly suitable for students who want to acquire the requisite skills for teaching work โ to supplement their Major Studies at Bachelorโs level, โ prepare themselves for Major Studies in the Art Education area at Masterโs level, or โ while undertaking major studies in the Art Education or Music Education area at Masterโs level. By combining the programme with the advanced minor, students can consolidate the skills that they learn in a way that meets their own individual needs. Time structure The majority of the joint study programme takes place in the Minor Weeks in CW 2โ4 and 8โ10. The practical project takes place in CW 9. Students may undertake compulsory elective modules at a time of their choosing over the course of the spring semester. โ More information about this minor basic (PDF download)",""],"assets":{"title_de":["Minor Vermittlungs und Unterrichtsprojekte mit Jugendlichen"]}}},"relationships":{"study_model_disciplines":{"data":[{"type":"study_model_discipline","id":3,"attributes":{"uid":3,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"Art Education","auto_select":0,"to_be_auto_selected":0},"relationships":{"translations":{"data":[{"type":"study_model_discipline","id":10,"attributes":{"uid":10,"deleted":0,"sys_language_uid":1,"l10n_parent":3,"title":"Art 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The Minor provides a project-based introduction to aesthetic-cultural educational practice with young people. Bachelorโs and Masterโs students undertaking any of ZHdKโs degree programmes learn about collaborative action at the interfaces and transition points between different disciplines and media as an effective didactic principle. Joint artistic practice experiences, collaborative and inter/transdisciplinary working processes culminate in the design of aesthetic-cultural educational projects with young people. These projects are located in the extracurricular, supplementary school or leisure sector or relate to school lessons in art or music at secondary level I and II. They are prepared and implemented by the student group together and in cooperation with external partners. Digital, cooperative teaching formats are of particular importance.
Skills acquired in the course
The experience that students gain will provide them with practical skills that are relevant to their profession. Disciplinary mediation and teaching strategies are extended with interdisciplinary perspectives. Students also learn how to teach in digital spaces. After completing the minor, students will be able to:
โ analyse the educational potential of discipline-specific and interdisciplinary teaching strategies, and develop them accordingly;
โ implement an aesthetic-cultural educational project with young people in interdisciplinary teams that is tailored to the learning group and situation at hand;
โ use digital spaces, strategies and tools collaboratively to plan, implement and document teaching projects;
โ describe and explain the rationale for their individual stance and personal, practical and theoretical understanding as educators in aesthetic-cultural fields, thereby differentiating themselves from others in the process;
โ draw on a repertoire of interdisciplinary teaching strategies extending into the digital realm for their further teaching-related work.
Admissions requirements
The Minor is aimed at all Bachelorโs and Masterโs students of ZHdK. Applicants must have a keen interest in working with young people in an educational-institutional context. They must also be willing to work with peers on a practical basis who have different experience, understandings and styles of teaching young people in the crossover between the arts, media and education.
Benefits of studying at ZHdK
The Minor is particularly suitable for students who want to acquire the requisite skills for teaching work
โ to supplement their Major Studies at Bachelorโs level,
โ prepare themselves for Major Studies in the Art Education area at Masterโs level, or
โ while undertaking major studies in the Art Education or Music Education area at Masterโs level.
By combining the programme with the advanced minor, students can consolidate the skills that they learn in a way that meets their own individual needs.
Time structure
The majority of the joint study programme takes place in the Minor Weeks in CW 2โ4 and 8โ10. The practical project takes place in CW 9. Students may undertake compulsory elective modules at a time of their choosing over the course of the spring semester.
โ More information about this minor basic (PDF download)
Inhalte
Der Minor bietet einen projektbasierten Einstieg in die รคsthetisch-kulturelle Bildungspraxis mit Jugendlichen: Bachelor- wie auch Masterstudierende aller Studiengรคnge lernen das gemeinsame Agieren an den Schnittstellen und รbergรคngen zwischen verschiedenen Disziplinen und Medien als wirksames didaktisches Prinzip kennen. Gemeinsame kรผnstlerische Praxiserfahrungen, kollaborative sowie inter-/transdisziplinรคre Arbeitsweisen fรผhren in die Konzeption รคsthetisch-kultureller Bildungsprojekte mit Jugendlichen. Diese Projekte sind im ausserschulischen, schulergรคnzenden oder Freizeitbereich angesiedelt oder beziehen sich auf den schulischen Unterricht in Kunst oder Musik auf Sekundarstufe I und II. Sie werden von der Studierendengruppe gemeinsam und in Zusammenarbeit mit externen Kooperationspartner:innen vorbereitet und umgesetzt. Digitalen, kooperativen Vermittlungs- bzw. Unterrichtsformaten kommt dabei eine besondere Bedeutung zu.
Kompetenzen
Die gesammelten Erfahrungen dienen dem Aufbau berufspraktischer Kompetenzen. Disziplinรคre Vermittlungs- und Unterrichtsstrategien werden dabei durch fรคcherverbindende Perspektiven ergรคnzt. Die Studierenden werden zudem zur Vermittlung in digitalen Rรคumen befรคhigt. Die Absolvent:innen des Minors sind in der Lage:
โ disziplinenspezifische und fรคcherverbindende Vermittlungsstrategien im Hinblick auf ihre Bildungspotentiale zu analysieren und zu entwickeln;
โ in interdisziplinรคren Teams ein รคsthetisch-kulturelles Bildungsprojekt mit Jugendlichen situationsgerecht realisieren;
โ digitale Rรคume, Strategien und Tools fรผr die Planung, Umsetzung und Dokumentation von Vermittlungs-/Unterrichtsprojekten kollaborativ zu nutzen;
โ ihre individuelle Haltung und ihr Selbstverstรคndnis als Vermittler:in oder Lehrperson in รคsthetisch-kulturellen Feldern differenziert zu beschreiben und zu begrรผnden;
โ fรผr ihre weitere Tรคtigkeit als Vermittler:innen oder Lehrpersonen auf ein Repertoire an fรคcherรผbergreifenden, ins Digitale erweiterten und kollaborativen Vermittlungsstrategien zurรผckgreifen.
Voraussetzungen
Der Minor richtet sich an alle Bachelor- und Masterstudierenden der ZHdK. Vorausgesetzt wird ein ausgeprรคgtes Interesse an der Arbeit mit Jugendlichen in einem bildungsinstitutionellen Kontext. Erforderlich ist darรผber hinaus die Bereitschaft, gemeinsam mit Studierenden mit unterschiedlichen Vorerfahrungen, Verstรคndnisse und Wege fรผr die Vermittlung zwischen Kรผnsten, Medien und Bildung im Austausch mit Jugendlichen zu verhandeln und praktisch zu erproben.
Besonderheiten
Der Minor eignet sich besonders fรผr Studierende, die Kompetenzen fรผr Vermittlungs- oder Lehrtรคtigkeiten erwerben wollen
โ ergรคnzend zu einem Majorstudium auf Bachelorstufe
โ vorbereitend auf ein Majorstudium im Bereich Art Education auf Masterstufe
โ begleitend zu einem Majorstudium im Bereich Art Education oder Musikpรคdagogik auf Masterstufe.
Durch die Kombination mit dem Advanced-Minor kรถnnen die erworbenen Kompetenzen individualisiert vertieft werden.
Der Grossteil des gemeinsamen Studienprogramms findet verpflichtend in den Minorwochen KW 2โ4 und 8โ10 statt. Das Praxisprojekt findet in KW 9 statt. Wahlpflichtmodule kรถnnen im Verlauf des Frรผhlingssemesters individualisiert studiert werden.
Zeitstruktur
Der Minor ยซVermittlungs- und Unterrichtsprojekte mit Jugendlichen. Interdisziplinรคre Praxis zwischen Kรผnsten, Medien und Bildung โ basicยป findet in den Minorwochen statt.
โ Mehr zum Minor basic (PDF-Download)
Im Rahmen des DKV-Minor-Infotages am 12. Mรคrz 2024 hat Miriam Schmidt-Wetzel die Minors ยซVermittlungs- und Unterrichtsprojekte mit Jugendlichen. Interdisziplinรคre Praxis zwischen Kรผnsten, Medien und Bildungยป basic und advanced vorgestellt:
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In the โVirtual Productionโ minor, students improve their knowledge of mixed worlds, learn how to apply it more effectively, and connect virtual and real elements in film and animation. They create film project sketches in small transdisciplinary groups which integrate real objects and people into a photorealistic, virtual environment. During the work project, students learn the basics of game engine software (Unreal Engine) and how to use necessary and relevant hardware (camera, camera tracking, LED wall, lighting).
The minor is taught in German and offered by the discipline Film. It is open to students from the Bachelor Production Design, Bachelor and Master Film, Bachelor Game Design, Bachelor Cast / Audiovisual Media, Bachelor Interaction Design, Bachelor Scenography as well as to all interested students with previous knowledge. The minor is offered annually.
Skills acquired in the course.
โ Design and present previsualization from a content and technical perspective.
โ Design photorealistic spaces and landscapes using Unreal Engine.
โ Integration of set construction in virtual sets (colours, materials, light).
โ Group work and filming of a cinematic sketch in a mixed world (real/virtual) environment.
Admissions requirements.
The โVirtual Productionโ minor is meant for students with sufficient prior knowledge in the areas of film, production design, 3D content creation, game design, interaction design, and general design. The subject-specific admission requirements are verified by student-acknowledgement that the necessary prerequisites coursework and experience has been met.
Benefits of studying at ZHdK.
โ Introductory courses in technical software and hardware.
โ Develop and realize a film project plan as a team exercise.
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Vertiefe im Minor ยซVirtual Productionยป die Anwendung und dein Wissen im Bereich mixed worlds, der Verbindung von virtuellen und realen Elementen im Bereich Film und Animation. Erstelle in kleinen transdisziplinรคren Gruppen filmische Projektskizzen, welche reale Gegenstรคnde und Personen in eine fotorealistische, virtuelle Umgebung integrieren. Wรคhrend der Projektarbeit erlernst du Software-Kenntnisse in einer Game Engine (Unreal Engine), sowie der notwendigen Hardware (Kamera, Kamera Tracking, LED-Wall, Licht).
Der Minor wird auf Deutsch unterrichtet und von der Disziplin Film angeboten. Er ist fรผr Studierende aus dem Bachelor Production Design, Bachelor und Master Film, Bachelor Game Design, Bachelor Cast/ Audiovisual Media, Bachelor Interaction Design, Bachelor Szenischer Raum sowie hochschulweit allen interessierten Studierenden mit Vorkenntnissen geรถffnet und wird jรคhrlich angeboten.
Diese Kompetenzen erlernst du.
โ Konzeption und Prรคsentation von Prรคvisualierung aus inhaltlicher und technischer Sicht.
โ Gestaltung von fotorealistischen Rรคumen und Landschaften in der Unreal Engine.
โ Gruppenweises Erarbeiten und Drehen einer filmischen Szene in einer mixed world (real / virtuell) Umgebung.
Diese Voraussetzungen bringst du mit.
Der Minor ยซVirtual Productionยป richtet sich an Studierende mit genรผgend Vorkenntnissen im Bereich Film, Production Design, 3D Content Creation, Game Design, Interaction Design, Design allgemein. Fachliche Eingangskompetenzen werden per Selbstdeklaration geprรผft.
Von diesen Besonderheiten profitierst du.
โ Einfรผhrungskurse in technische Soft- und Hardware.
โ Entwicklung und Realisation eines filmischen Projektvorhabens in Teamarbeit.
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht. 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Der Minor bietet eine Grundlage in Ensemble- und Orchesterleitung und damit eine zusรคtzliche Basis fรผr kรผnftiges Wirken im performativen oder pรคdagogischen Berufsfeld. Das praktische รben vor Ensembles bildet den Kern dieses Programms. Einzelunterricht und Klassenstunden ermรถglichen ein individuelles Vertiefen der Grundlagen in Orchesterleitung. Der Minor in Deutsch/Englisch wird von der Weiterbildung Musik angeboten. Er richtet sich an die Studienstufen Bachelor und Master. Diese Kompetenzen erlernst du. Absolvent:innen beherrschen eine grundlegende Schlagtechnik sowie den Umgang mit Orchesterpartituren mittleren Schwierigkeitsgrades. Sie lernen Methoden der Probenarbeit und sind in der Lage, ihre Position kommunikativ und in Kollaboration mit anderen zu verbinden. Sie verfรผgen รผber eine eigene kรผnstlerische Haltung und die Fรคhigkeit, diese weiterzuentwickeln. 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The minor teaches the basics of ensemble and orchestral conducting, and thus provides an additional basis for future work in the performative or teaching field. This programme consists mainly of practical work with ensembles. Individual tuition and classroom teaching enable students to further explore the fundamentals of orchestral conducting. The minor, which is taught in German/English, is offered by Continuing Education Music. It is aimed at Bachelorโs and Masterโs students. Skills acquired in the course. Students who successfully complete this course have basic knowledge of baton techniques as well as orchestral scores of medium difficulty. They learn methods of rehearsal work and are able to connect their position communicatively and in collaboration with others. They have their own artistic stance and the skill to develop it. They like to develop a collaborative position in a team environment, are able reflect on it, contextualize it and work together effectively. Admissions requirements. You are enrolled in a degree programme of the Department of Music. Benefits of studying at ZHdK. Graduates extend and consolidate their major studies through subject-specific, artistic and character-building skills. The minor is unique in that it combines individual conducting work and direct practical experience. The coordination of conducting techniques and interpretation together with interaction on an equal footing with others and reflection provide students with examples of different constellations that they will encounter in their social and professional life. โ More information about this minor (PDF download)","",""]}},"relationships":{"study_model_disciplines":{"data":[{"type":"study_model_discipline","id":2,"attributes":{"uid":2,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"Musik","auto_select":1,"to_be_auto_selected":0},"relationships":{"translations":{"data":[{"type":"study_model_discipline","id":14,"attributes":{"uid":14,"deleted":0,"sys_language_uid":1,"l10n_parent":2,"title":"Music","auto_select":1,"to_be_auto_selected":0}}]}}}]},"study_model_careers":{"data":[{"type":"study_model_disciplines_career","id":9,"attributes":{"uid":9,"deleted":0,"sys_language_uid":0,"l10n_parent":0,"title":"Bรผhne & 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The minor teaches the basics of ensemble and orchestral conducting, and thus provides an additional basis for future work in the performative or teaching field. This programme consists mainly of practical work with ensembles. Individual tuition and classroom teaching enable students to further explore the fundamentals of orchestral conducting.
The minor, which is taught in German/English, is offered by Continuing Education Music. It is aimed at Bachelorโs and Masterโs students.
Skills acquired in the course.
Students who successfully complete this course have basic knowledge of baton techniques as well as orchestral scores of medium difficulty. They learn methods of rehearsal work and are able to connect their position communicatively and in collaboration with others.
They have their own artistic stance and the skill to develop it. They like to develop a collaborative position in a team environment, are able reflect on it, contextualize it and work together effectively.
Admissions requirements.
You are enrolled in a degree programme of the Department of Music.
Benefits of studying at ZHdK.
Graduates extend and consolidate their major studies through subject-specific, artistic and character-building skills. The minor is unique in that it combines individual conducting work and direct practical experience. The coordination of conducting techniques and interpretation together with interaction on an equal footing with others and reflection provide students with examples of different constellations that they will encounter in their social and professional life.
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Der Minor bietet eine Grundlage in Ensemble- und Orchesterleitung und damit eine zusรคtzliche Basis fรผr kรผnftiges Wirken im performativen oder pรคdagogischen Berufsfeld. Das praktische รben vor Ensembles bildet den Kern dieses Programms. Einzelunterricht und Klassenstunden ermรถglichen ein individuelles Vertiefen der Grundlagen in Orchesterleitung.
Der Minor in Deutsch/Englisch wird von der Weiterbildung Musik angeboten. Er richtet sich an die Studienstufen Bachelor und Master.
Diese Kompetenzen erlernst du.
Absolvent:innen beherrschen eine grundlegende Schlagtechnik sowie den Umgang mit Orchesterpartituren mittleren Schwierigkeitsgrades. Sie lernen Methoden der Probenarbeit und sind in der Lage, ihre Position kommunikativ und in Kollaboration mit anderen zu verbinden.
Sie verfรผgen รผber eine eigene kรผnstlerische Haltung und die Fรคhigkeit, diese weiterzuentwickeln. Sie vermรถgen im Team eine gemeinsame Position zu erarbeiten, kรถnnen diese reflektieren, kontextualisieren und daraus handelnd wirksam werden.
Diese Voraussetzungen bringst du mit.
Du bist in einem Studiengang des Departements Musik immatrikuliert.
Von diesen Besonderheiten profitierst du.
Absolvent:innen erweitern und vertiefen das Major-Studium durch fachliche, kรผnstlerische und persรถnlichkeitsbildende Fรคhigkeiten. Einzigartig dabei ist die Verschmelzung von individueller Dirigierarbeit und direkter Praxiserfahrung. Die Koordination von Dirigiertechnik und Interpretation verbunden mit dem Austausch auf Augenhรถhe und der Reflexion kรถnnen exemplarisch fรผr verschiedenste Konstellationen im sozialen und beruflichen Leben stehen.
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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Discover how images work, how you can identify, discuss and reflect on their social significance, and how to use them artistically and creatively in practical terms. The minor offers students an in-depth theoretical and practical way of exploring the design and impact of image communication. Throughout the course of the minor, you will also realize a practical, theoretical or research-based project for your portfolio. Insights from image perception theory and the psychology of perception form the basis for assessing images and their impact when they are disseminated by the media. Together with art directors, image editors, illustrators and photographers, you will discuss practical examples and gain insights into relevant professional fields. You will learn to offer informed opinions on images and make objective, well-founded arguments. The course combines theoretical approaches with practical work in creative workshops and individual mentoring. You will also have the option to link your work in the minor to your projects in the major, and to discuss them with the lecturers teaching the minor.
The โVisual Literacyโ minor is offered by the subject area in Knowledge Visualization and is aimed at Bachelorโs and Masterโs students.
Skills acquired in the course.
The โVisual Literacyโ minor focuses on societal and social responsibility, language, images and discourse as well as the analysis and publication of images.
Admissions requirements.
The โVisual Literacyโ minor is open to all students at ZHdK. It is perfect for everyone who is interested in images, particularly if their work involves creating and using images.
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Finde heraus, wie Bilder wirken und wie du ihre gesellschaftliche Bedeutung erkennen, diskutieren und in deiner kรผnstlerisch-gestalterischen Praxis einsetzen kannst. Der Minor bietet eine vertiefte theoretische und praktische Auseinandersetzung mit der Gestaltung und Wirkung von Bildkommunikation. Im Verlauf des Minor-Studiums wirst du zudem ein eigenes โ praktisches, theoretisches oder auch forschungsorientiertes โ Projekt fรผr dein Portfolio realisieren.
Modelle zur Bildwahrnehmung und Erkenntnisse aus der Wahrnehmungspsychologie legen die Basis fรผr eine differenzierte Einschรคtzung von medial verbreiteten Bildern und deren Wirkungsweise. Du reflektierst Beispiele aus der Praxis mit Art Directors, Bildredaktor:innen, Illustrator:innen und Fotograf:innen und erhรคltst Einblicke in die relevanten Berufsfelder. Du lernst, differenziert รผber Bilder zu sprechen und dabei sachlich und fundiert zu argumentieren. Dazu verknรผpft der Unterricht theoretische Ansรคtze mit der praktischen Arbeit in gestalterischen Workshops und individuellen Mentorings. Du hast zudem die Mรถglichkeit, den Minor mit deinen Projekten im Major zu verknรผpfen und diese mit den Minor-Dozierenden zu besprechen.
Der Minor ยซVisual Literacyยป wird von der Fachrichtung Knowledge Visualization angeboten. Er richtet sich an die Studienstufen Bachelor und Master aller Departemente.
Diese Kompetenzen erlernst du.
Der Minor fokussiert auf gesellschaftliche und soziale Verantwortung, Sprache, Bild und Diskurs sowie auf die Auseinandersetzung mit und die Verรถffentlichung von Bildern.
Diese Voraussetzungen bringst du mit.
โโโโโโโยซVisual Literacyยป steht allen Studierenden der ZHdK offen. Der Minor empfiehlt sich fรผr alle visuell interessierten Gestalter:innen, besonders wenn Bilderzeugung und Bildeinsatz zum Berufsbild gehรถren.
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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Diese Kompetenzen erlernst du. โ Intuitiv mit Materialien aller Art interagieren und innovativ die Beschaffenheit von Substanzen modifizieren und ihre narrative Bedeutung und Wirkungsweise im theatralen Kontext verรคndern โ Installationen, Impressionen und Konstellationen im performativen Raum analysieren und die Erkenntnisse in die eigene kรผnstlerische Arbeit integrieren โ Anhand von experimentellen Ansรคtzen souverรคn konzeptionelle Ideen entwerfen und realisieren โ Kรผnstlerisch gestalterische Praktiken einsetzen, um neue Erfahrungs- und Vorstellungsrรคume zu erschliessen und zu gestalten Diese Voraussetzungen bringst du mit. Dieser Minor richtet sich an Bachelorstudierende, die sich mit performativen Praktiken auseinandersetzen, ihren Umgang mit Materialien experimentell erweitern mรถchten sowie praktisch und installativ arbeiten. Der Minor ist fรผr die Departemente Art Education, Design, Fine Arts und Darstellende Kรผnste und Film geรถffnet. 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Skills acquired in the course. โ Interact intuitively with all manner of materials and modify the properties of substances in an innovative way โ Analyse installations, impressions and constellations in the performative space and integrate the findings into your own artistic work โ Develop and implement design ideas with confidence using experimental approaches โ Use artistic design practices to incorporate and design new experiential and imaginative spaces Admissions requirements. This minor is aimed at Bachelorโs students who would like to explore performative practices, extend their use of materials through experimentation, and also undertake practical, installation-based work. This minor is open to students of the Departments of Art Education, Design, Fine Arts and Performing Arts and Film. 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Actors on stage are not always human; materials, things and objects also have an immense performative quality. In this minor, you will conquer the world of things as a catalyst for innovative narratives. Contrary to the conventional process of first developing a design idea for a performance, you will work with alternative practices. Students will engage in experiments and set off on an open-ended search for narrative dimensions. You will also get a chance to demonstrate your performance or staging skills while exploring materials, things and objects in a theatrical environment. Finally, the performative sketches will be collectively presented and reflected on within the scope of practical workshops. The aim is to productively incorporate what you learn into your own artistic practice.
The minor, offered by the Theatre discipline, is taught in German and English and is aimed at Bachelorโs and Mastersโs students. It is open to all students of the Departments of Art Education, Design, Fine Arts and Performing Arts and Film, and offered once a year.
Skills acquired in the course.
โ Interact intuitively with all manner of materials and modify the properties of substances in an innovative way
โ Analyse installations, impressions and constellations in the performative space and integrate the findings into your own artistic work
โ Develop and implement design ideas with confidence using experimental approaches
โ Use artistic design practices to incorporate and design new experiential and imaginative spaces
Admissions requirements.
This minor is aimed at Bachelorโs students who would like to explore performative practices, extend their use of materials through experimentation, and also undertake practical, installation-based work.
This minor is open to students of the Departments of Art Education, Design, Fine Arts and Performing Arts and Film.
Benefits of studying at ZHdK.
โ Experiments: investigate the intrinsic value of different materials as well as their potential for use in performance processes
โ Reflection: reflect on and contextualise theatrical experiments in groups using a variety of feedback methods
โ Theory and practice: selected readings accompanied by direct interaction with artists from theatre and fine arts whose work revolves around objects
โ Workshop: extended interaction with objects in terms of space, body and presentation
โ More information about this minor (PDF download)
At ZHdK, students choose a Major. In addition to this core subject, they can choose one or two Minors to deepen or expand their major skills and knowledge across various disciplines. This wide choice of courses is unique in Europe and enables students to develop and sharpen their individual profile.
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Auf der Bรผhne sind nicht nur Menschen die Akteur:innen, auch Materialien, Dinge und Objekte haben eine grosse performative Qualitรคt. In diesem Minor eroberst du dir die Welt der Dinge als Katalysator fรผr neuartige Erzรคhlungen. Entgegen dem konventionellen Prozess, als Erstes eine konzeptionelle Idee fรผr eine Inszenierung zu entwerfen, arbeitest du mit alternativen Verfahrensweisen. Du betreibst Experimente mit Materialien, Dingen und Objekten und begibst dich auf die ergebnisoffene Suche nach deren narrativen Dimensionen. Auch deine darstellerischen oder szenischen Kompetenzen kommen in der Auseinandersetzung damit im theatralen Raum zum Zug. Im Rahmen von praktischen Workshops werden die performativen Skizzen schliesslich gemeinsam prรคsentiert und reflektiert. Ziel ist es, das Erlebte fรผr die eigene kรผnstlerische Praxis fruchtbar zu machen.
Der Minor wird auf Deutsch und Englisch unterrichtet, von der Disziplin Theater angeboten und richtet sich an die Studienstufen Bachelor und Master. Er ist fรผr alle Studierenden aus den Departementen Art Education, Design, Fine Arts sowie Darstellende Kรผnste und Film offen und wird einmal pro Jahr angeboten.
Diese Kompetenzen erlernst du.
โ Intuitiv mit Materialien aller Art interagieren und innovativ die Beschaffenheit von Substanzen modifizieren und ihre narrative Bedeutung und Wirkungsweise im theatralen Kontext verรคndern
โ Installationen, Impressionen und Konstellationen im performativen Raum analysieren und die Erkenntnisse in die eigene kรผnstlerische Arbeit integrieren
โ Anhand von experimentellen Ansรคtzen souverรคn konzeptionelle Ideen entwerfen und realisieren
โ Kรผnstlerisch gestalterische Praktiken einsetzen, um neue Erfahrungs- und Vorstellungsrรคume zu erschliessen und zu gestalten
Diese Voraussetzungen bringst du mit.
Dieser Minor richtet sich an Bachelorstudierende, die sich mit performativen Praktiken auseinandersetzen, ihren Umgang mit Materialien experimentell erweitern mรถchten sowie praktisch und installativ arbeiten.
Der Minor ist fรผr die Departemente Art Education, Design, Fine Arts und Darstellende Kรผnste und Film geรถffnet.
Von diesen Besonderheiten profitierst du.
โ Experimente: Unterschiedliche Materialien in ihrem Eigenwert untersuchen und ihr Potenzial fรผr Spielvorgรคnge erkunden
โ Reflexion: Die szenischen Experimente werden in der Gruppe anhand von verschiedenen Feedbackmethoden reflektiert und eingeordnet
โ Theorie und Praxis: Ausgewรคhlte Lektรผren begleiten den direkten Austausch mit Kรผnstler:innen aus dem Theater und Fine Arts, deren Praxis das Arbeiten mit Dingen ist
โ Workshop: Der szenische Umgang mit Objekten wird erweitert in Bezug auf Raum, Kรถrper und Darstellung
โ Mehr zu diesem Minor (PDF-Download)
Mit dem Major wรคhlen Studierende ihren Studienschwerpunkt. Dazu kรถnnen sie einen oder zwei Minors wรคhlen, mit denen die Kompetenzen aus dem Major vertieft oder disziplinenรผbergreifend erweitert werden. Die ZHdK bietet mit dieser Wahlvielfalt ein europaweit einzigartiges Angebot, welches eine ganz individuelle Entwicklung und Schรคrfung des eigenen Studienprofils ermรถglicht.
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\r\nThe previous study model of ZHdK offers a choice of eight Bachelorโs and eleven Masterโs degree programmes containing numerous specializations. The option of enrolling in cross-disciplinary courses is possible through our Z-modules or open courses from other subject areas. 2022 was the last year to enroll in a Bachelorโs programme structured this way, all Bachelor students enrolling in 2022 and starting their studies in autumn 2022 will study under the previous study model. The Masterโs programme under the previous study model started for the last time in autumn 2023. All students enrolled there will complete their studies in the previous study model.
โ Bachelorโs degree programmes
โ Masterโs degree programmes
2020 gemeinsam mit Margrit Bischof: Sinn und Sinne im Tanz. Perspektiven aus Kunst und Wissenschaft, Bielefeld: transcript
2014 \tgemeinsam mit Jiri Kylian und Desiree Staverman: One of A Kind. The Jiri Kylian Research Project, Codarts Rotterdam \t
2011\t gemeinsam mit Ingo Diehl: Tanztechniken 2010 โ Tanzplan Deutschland, Berlin: Henschel Verlag
2010\tChoreographieren reflektieren. Eine Choreographie-Tagung an der Hochschule fรผr Musik und Tanz Kรถln, Mรผnster: LIT-Verlag
2007\tTanzimprovisation. Geschichte, Theorie, Verfahren, Vermittlung, Bielefeld: transcript (Dissertation)","subtype":"tutor","canonicalPath":"prof-dr-phil-friederike-lampert-215150","photo":[{"type":"file","id":"7871f1ee73a0bf83c46e4655188c6ad36204b1f3","attributes":{"id":"7871f1ee73a0bf83c46e4655188c6ad36204b1f3","filename":"215150.jpg","mime_type":"image/jpeg","path":"live/78/7871f1ee73a0bf83c46e4655188c6ad36204b1f3","path_file":"live/78/7871f1ee73a0bf83c46e4655188c6ad36204b1f3/215150.jpg","path_source":"https://intern.zhdk.ch/?person/foto&id=215150","height":4256,"width":2832,"title":"Friederike Lampert","alternativeText":"Friederike Lampert","description":"Friederike Lampert","link":null,"filename_original":"","mime_type_original":"","date_create":null,"date_update":null,"column_width":"100","copyright":null}}],"directory":[{"type":"zapi-person-directory","id":null,"attributes":{"phone":"+41 43 446 35 15","work":"Dozentin > Professorenstelle Choreographie > Bachelor Contemporary Dance > Departement Darstellende Kรผnste & Film","area":"Departement Darstellende Kรผnste & Film","sub_areas":["Bachelor Contemporary Dance"],"position_supplement":"Professorenstelle Choreographie","position":"Dozentin"}}],"studies":[]},{"id":224865,"last_name":"Roller","first_name":"Jochen","title":null,"affiliation":["tutor"],"teaching_summary":["Lehrt im BA Contemporary Dance und im MA Dance"],"music_subject":[],"sex":"M","email":"wbpura.ebyyre@muqx.pu","website":"http://www.jochenroller.de","biography":"Jochen Roller studierte Angewandte Theaterwissenschaften in Giessen und mit einem Stipendium des DAAD Choreografie am Laban Centre in London. Er choreografierte bislang รผber 70 Arbeiten fรผr Bรผhnen, Galerien, Mode und Film.
Die dreistรผndige Solo-Trilogie \"perform performing\" (2002-2004) wurde 147 Mal aufgefรผhrt und 2009 vom Auktionshaus Christieโs in Hamburg versteigert. Seine umfangreiche online-Rekonstruktion des letzten Tanzdramas von Gertrud Bodenwieser \"Errand into the Maze\" ist seit 2014 fรผr die รffentlichkeit zugรคnglich (www.thesourcecode.de) Von 2013 bis 2017 erarbeitete Jochen eine Trilogie mit dem Titel \"finding Germany elsewhere\". Der erste Teil \"Trachtenbummler\", eine Re-Interpretation deutscher Volkstรคnze, hatte 2013 beim Festival โTanz im Augustโ Premiere. Der zweite Teil \"Them and Us\", eine Kollaboration mit der Tanzkompanie TATAU und der neuseelรคndisch-samoanischen Biennale-Kรผnstlerin Yuki Kihara, erschien 2015 in den Sophiensaelen, gefolgt 2017 vom dritten Teil \"Blutsbrรผder\", einer Arbeit รผber die deutsche Obsession fรผr ethnisches Cross-dressing.
2015 choreografierte Jochen am Seoul Opera House das Stรผck \"(picture writing)\" fรผr die Korean National Contemporary Dance Company, 2018 folgte ein Engagement gemeinsam mit Friederike Lampert beim Nationalballett des Kosovo fรผr das Ballett \"SYN-\". In 2019 erarbeitete er anlรครlich des Bauhaus-Jubilรคums gemeinsam mit vier Berliner Kรผnstlern den Stadtparcours โDas Masz aller Dingeโ in Weiรwasser / Oberlausitz (www.modellfall-weisswasser.de).
Als Lehrbeauftragter arbeitete Jochen am HZT Berlin, den Performance Studies Hamburg, der HfMDK Frankfurt und am LaSalle College in Singapur, bevor er 2020 zum MA Dance an der ZHdK wechselte.","publication":"Werkverzeichnis (Auswahl)
2019 Das Masz aller Dinge (Weisswasser / Oberlausitz)
2018 SYN- (Nationaltheater Pristina / Sophiensaele Berlin)
2017 The Church of Performance Art (Museum fรผr neue Kunst Freiburg)
2017 Blutsbrรผder (Sophiensaele Berlin)
2016 Carla del Ponte trinkt in Pristina einen Vanilla Chai Latte (Oda Theatre Pristina / FFT Dรผsseldorf)
2015 Them and Us (Sophiensaele Berlin)
2015 1897 - Ich bin die Oberflรคche meiner eigenen Erscheinung (Literarisches Kolloquium Berlin)
2015 (picture writing) Seoul Opera House
2015 HOTZENPLOTZ โ forsicht gollt! (Kampnagel Hamburg)
2014 THE SOUCE CODE (Critical Path Sydney / Tanznacht Berlin)
2013 Trachtenbummler (Festival Tanz im August)
2013 Der Carpenter-Effekt (Kampnagel Hamburg / Tanznacht Berlin)
2012 ABER ABER? ARM. SEXY SEXY. a darkroom resort experience (WUK Wien)
2012 THE DANCE TOURIST (Campbelltown Art Centre Sydney)
2011 KEY PERFORMANCE INDICATORS (Campbelltown Art Centre Sydney)
2010 โ VOID โ (Sophiensaele Berlin)
2009 Basically I donโt but actually I do (Tmuna Theater Tel Aviv / Sophiensaele Berlin)
2008 JANCLOD! โ รชtre aware and beyond (Sophiensaele Berlin)
2006 Kojote โ Eine Moralanalyse (Kampnagel Hamburg / Schwankhalle Bremen)
2006 THINGS I SAY FOR MONEY (Mousonturm Frankfurt / HAU Berlin)
2006 TAXI! TAXI! (neues theater Halle)
2005 MNEMONIC NONSTOP (Steirischer Herbst Graz / Sophiensaele Berlin)
2004 MINDGARDEN (Kampnagel Hamburg / HAU Berlin)
2004 READYMADE RODEO (Volkspalast Berlin)
2002-2004 perform performing - Solotrilogie รผber den Sinn und Unsinn, Tanz als Arbeit anzusehen (Kampnagel Hamburg / PODEWIL Berlin / Industriekultur Saar)
2002 Around the World (Kampnagel Hamburg / PODEWIL Berlin)
2001 abgepaust (TRY ME ON โ IโM VERY YOU) PODEWIL Berlin / Kampnagel Hamburg
2000 ROLLERS MOBILE VรLKERSCHAU (Volksbรผhne Berlin / Rollende Road Show / EXPO 2000 Hannover)
1999 ALCOHOL (Kampnagel Hamburg / Tanzhaus NRW Dรผsseldorf / Staatsschauspiel Dresden)
1999 ES IST NICHT WIE DU DENKST (Neumarkt Theater Zรผrich / PODEWIL Berlin)","subtype":"tutor","canonicalPath":"jochen-roller-224865","photo":[{"type":"file","id":"6fbcadb1b0638501ede3f76e34785eecf376e95d","attributes":{"id":"6fbcadb1b0638501ede3f76e34785eecf376e95d","filename":"224865.jpg","mime_type":"image/jpeg","path":"live/6f/6fbcadb1b0638501ede3f76e34785eecf376e95d","path_file":"live/6f/6fbcadb1b0638501ede3f76e34785eecf376e95d/224865.jpg","path_source":"https://intern.zhdk.ch/?person/foto&id=224865","height":1459,"width":1946,"title":"Jochen Roller","alternativeText":"Jochen Roller","description":"Jochen Roller","link":null,"filename_original":"","mime_type_original":"","date_create":null,"date_update":null,"column_width":"100","copyright":null}}],"directory":[{"type":"zapi-person-directory","id":null,"attributes":{"phone":null,"work":"Dozent > Bachelor Contemporary Dance > Departement Darstellende Kรผnste & Film","area":"Departement Darstellende Kรผnste & 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Barthel","bodytext":"
Gitta Barthel (Dr. phil.) ist in der Kunst-, Vermittlungs- und Forschungspraxis tรคtig. Sie lehrt Zeitgenรถssischen Tanz und Choreografie an Universitรคten und Ausbildungszentren und war wissenschaftliche Mitarbeiterin am Institut fรผr Bewegungswissenschaft/Performance Studies der Universitรคt Hamburg, wo sie zum Thema ยซChoreografische Praxis. Vermittlung in Tanzkunst und Kultureller Bildungยป promovierte (transcript 2017). Sie ist Mitautorin des ยซChoreografischen Baukastensยป (hg. v. Gabriele Klein, transcript 2011).
\r\n\r\n","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Gitta Barthel (Dr. phil.) ist in der Kunst-, Vermittlungs- und Forschungspraxis tรคtig. Sie lehrt Zeitgenรถssischen Tanz und Choreografie an Universitรคten und Ausbildungszentren und war wissenschaftliche Mitarbeiterin am Institut fรผr Bewegungswissenschaft/Performance Studies der Universitรคt Hamburg, wo sie zum Thema ยซChoreografische Praxis. Vermittlung in Tanzkunst und Kultureller Bildungยป promovierte (transcript 2017). Sie ist Mitautorin des ยซChoreografischen Baukastensยป (hg. v. Gabriele Klein, transcript 2011).\r\n\r\n"},"relationships":{"assets":{"data":[{"type":"file","id":"033e746d5ff1a16e1a62238b30cdf5f0e949ff1d","attributes":{"id":"033e746d5ff1a16e1a62238b30cdf5f0e949ff1d","filename":"mda_gastdozierende_barthel.jpg","mime_type":"image/jpeg","path":"live/03/033e746d5ff1a16e1a62238b30cdf5f0e949ff1d","path_file":"live/03/033e746d5ff1a16e1a62238b30cdf5f0e949ff1d/mda_gastdozierende_barthel.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/MDA_Gastdozierende_Barthel.jpg","height":1457,"width":1987,"title":"Gitta Barthel","alternativeText":"Portrรคt von Gitta Barthel","description":"Gitta Barthel. Foto: Sรถren Bachmann","link":"","filename_original":"","mime_type_original":"","date_create":"22.05.2019 08:51","date_update":"22.05.2019 08:51","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":53740,"attributes":{"uid":53740,"pid":6678,"tstamp":125,"hidden":0,"sorting":576,"CType":"standard_content","header":"Christine Baumann Leuthold","bodytext":"Als Tรคnzerin:
\r\nPrix de Lausanne, Ballet Royal de Wallonie, Deutsche Oper Berlin
\r\nIn Choreografien von:
\r\nGeorge Balanchine, Maurice Bรฉjart, Christopher Bruce, Kurt Jooss, Kenneth MacMillan, Hans van Manen, John Neumeier, Marius Petipa, Roland Petit usw.
\r\nAls Therapeutin:
\r\nโ Physiotherapie, Osteopathie, Spiraldynamikยฎ
โ Eigene Praxis seit 2012 (Praxis Physiotherapie & Tanz)
Als Dozentin:
\r\nโ Tanzmedizin (tamed, Tanzmedizin Deutschland)
โ Anatomie fรผr Tรคnzer und Tanzpรคdagogen
โ Faszientechniken
โ Applied Dance Anatomy/Nutrition (BA Contemporary Dance, ZHdK)
Body Awareness
Somatic practices can serve as a means to access information through sensation, that otherwise might remain hidden within the deeper layers of our bodies and our subconscious being. In this workshop we will explore principles and approaches to movement, touch, space and time that are inspired by Body Mind Centering (BMC), Laban Bartenieff Movement Studies, Feldenkrais and others. Our explorations can enrich our artistic practice, differentiate and widen our body consciousness and trigger new perspectives of reflection.
Jan Burkhardt has been dancing, directing, teaching and coaching in the field of contemporary dance for many years. HIs most passionate curiosity is to approach artistic settings through the use of and the trust in the intelligence of the body. Jan works as an independent artist, as guest lecturer in numerous institutions worldwide, and holds a position as professor for dance in artistic context at the Center of Contemporary Dance (CDG/ZZT) Cologne.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Body Awareness Somatic practices can serve as a means to access information through sensation, that otherwise might remain hidden within the deeper layers of our bodies and our subconscious being. In this workshop we will explore principles and approaches to movement, touch, space and time that are inspired by Body Mind Centering (BMC), Laban Bartenieff Movement Studies, Feldenkrais and others. Our explorations can enrich our artistic practice, differentiate and widen our body consciousness and trigger new perspectives of reflection.\r\nJan Burkhardt has been dancing, directing, teaching and coaching in the field of contemporary dance for many years. HIs most passionate curiosity is to approach artistic settings through the use of and the trust in the intelligence of the body. Jan works as an independent artist, as guest lecturer in numerous institutions worldwide, and holds a position as professor for dance in artistic context at the Center of Contemporary Dance (CDG/ZZT) Cologne."},"relationships":{"assets":{"data":[{"type":"file","id":"7c5640084a2da6be8ac74ac69c1583c9c2574de0","attributes":{"id":"7c5640084a2da6be8ac74ac69c1583c9c2574de0","filename":"jan-burkhardt_web.jpg","mime_type":"image/jpeg","path":"live/7c/7c5640084a2da6be8ac74ac69c1583c9c2574de0","path_file":"live/7c/7c5640084a2da6be8ac74ac69c1583c9c2574de0/jan-burkhardt_web.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/Jan-Burkhardt_web.jpg","height":867,"width":1300,"title":"jan-burkhardt_web.jpg","alternativeText":"Portrรคt von Jan Burkhardt","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"14.10.2021 23:44","date_update":"14.10.2021 23:48","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":53744,"attributes":{"uid":53744,"pid":6678,"tstamp":125,"hidden":0,"sorting":608,"CType":"standard_content","header":"Dimitri Chamblas","bodytext":"Schon in jungen Jahren vom Tanz fasziniert, besuchte Dimitri Chamblas die berรผhmte Ballettschule der Pariser Oper ab dem Alter von zehn Jahren. Im Lauf seiner Karriere arbeitete er mit Modeschรถpfern wie Jean-Paul Gaultier und Karl Lagerfeld, dem Komponisten Heiner Goebbels, den Kรผnstlern Christian Boltanski, Andy Goldsworthy, Dan Colen und Xavier Veilhan sowie den Choreografinnen und Choreografen William Forsythe, Boris Charmatz, Lil Buck, Mathilde Monnier und Benjamin Millepied. Seine Produktionen wurden an verschiedensten Veranstaltungsorten aufgefรผhrt, so an der Tate Modern in London, am Centre Pompidou in Paris, im Geffen Contemporary des MOCA (Los Angeles), an der Oper von Paris und in der St. Marksโ Church in New York.
\r\n1992 war Chamblas zusammen mit dem Choreografen Boris Charmatz Mitbegrรผnder der Association EDNA. Gemeinsam konzipierten sie Performances, organisierten Veranstaltungen und Ausstellungen und verรถffentlichten Bรผcher. Ihr Duett ยซA bras le corpsยป wurde auf jedem Kontinent an weltbekannten Theatern und Festivals aufgefรผhrt. Seit 2017 gehรถrt es ausserdem zum Repertoire des Pariser Opernballetts.
\r\n1996 erschuf er mit Mathilde Monnier (damals Leiterin des Centre Chorรฉographique National im franzรถsischen Montpellier) die ยซResearch and Writing Residenceยป โ einen Ort fรผr Kรผnstlerinnen und Kรผnstler, an dem sie ausserhalb des traditionellen Produktionsprozesses ihren eigenen kreativen Raum erarbeiten kรถnnen.
\r\nAls digitaler Kurator erfand Chamblas 2013 ยซMutant Stageยป, zusammen mit der Kuratorin und Produzentin Amรฉlie Couillaud. Dabei handelte es sich um eine Serie von zehn Kunstfilmen fรผr die franzรถsische Lafayette Anticipations โ Fondation dโentreprise Galeries Lafayette. Alle Filme wurden im vom OMA / Rem Koolhaas gestalteten Gebรคude gedreht.
\r\n2014 wurde Dimitri Chamblas zum kรผnstlerischen Leiter der ยซ3e scรจneยป der Pariser Oper ernannt. Er grรผndete seine kreative digitale Plattform in Zusammenarbeit mit Benjamin Millepied und lud Kรผnstlerinnen und Kรผnstler wie Glen Keane, Xavier Veilhan, Bret Easton Ellis, Julien Prรฉvieux, William Forsythe, Rubber Legz, United Visual Artists, Lil Buck, Barbara Hanigan und Jonas Kaufmann ein, von der Pariser Oper inspirierte Originalvorlagen zu produzieren.
\r\nSein immerwรคhrendes Interesse am technologischen Fortschritt und an dessen mรถglichen Anwendungen liess ihn 2015 mit dem Google Cultural Institute eine Kooperation eingehen und den ersten immersiven Tanzfilm drehen. Das 360-Grad-Video basierte auf einem von Benjamin Millepied choreografierten Original-Tanzstรผck.
\r\n2017 lancierte er in Paris und Los Angeles das Studio Dimitri Chamblas, eine Struktur, die alle seine Projekte und Kooperationen umfasst, einschliesslich seines Duetts mit der ยซEtoileยป-Tรคnzerin Marie-Agnรจs Gillot, seiner Teilnahme an Boris Charmatzโ ยซ10 000 Gesturesยป, einer Kreation mit Architekt Franรงois Perrin fรผr die Performa Biennale New York und eines Duetts mit der Kรผnstlerin und Musikerin Kim Gordon.
\r\nIm gleichen Jahr wurde er Dekan des Bereichs Tanz am California Institute of the Arts (CalArts) in Los Angeles und erschuf ยซHHUMANNยป, ein Stรผck fรผr 75 Tรคnzerinnen und Tรคnzern, das in den Strassen der Innenstadt von Los Angeles und in der Galerie Hauser & Wirth performt wurde.
\r\n2018/2019 erschuf Dimitri Chamblas ยซSlow Showยป, eine Choreografie fรผr 50 Tanzende, sowie ยซLos Angelesยป, eine Eigenkooperation mit der Malerin Claire Tabouret und dem Tรคnzer Spenser Theberge. Beide gelangten im Museum of Contemporary Art (MOCA), am REDCAT, am Mak Center und im Schindler House (alle in Los Angeles) zur Auffรผhrung, ebenso wie in der Luma Foundation in Arles.
\r\nIm Juni 2019 dirigierte Chamblas in der Walt Disney Concert Hall in Los Angeles im Rahmen des Programms des LA Philharmonic ยซCrowd Outยป, eine Oper von David Lang mit 1โ000 Sรคngerinnen und Sรคngern.
\r\nEbenfalls 2019 wurde er vom franzรถsischen Kulturministerium zum ยซChevalier de lโordre des Arts et Lettresยป ernannt.
Andrew Champlin is an American dance artist based in Berlin, Germany. He has performed in repertoire by George Balanchine, Marius Petipa, Michel Fokine, Josรฉ Limรณn, Paul Taylor, Laura Dean, Merce Cunningham, and Xavier le Roy, as well as originating roles in new works by David Gordon, Miguel Gutierrez, Pam Tanowitz, Ryan McNamara, Heather Kravas, Madeline Hollander and Jillian Peรฑa, among others.
\r\nAfter an early apprenticeship with Oregon Ballet Theatre and pre-professional training at The School of American Ballet, Champlin found new perspectives on movement and performance in Manhattanโs experimental dance scene. Champlin has been nominated for a New York dance and performance Bessie Award for Outstanding Performer and has toured extensively across North America, Europe, and Asia.
\r\nWhile pursuing a Bachelor of Arts degree from The New School University, Champlin encountered the concept of liberal arts education and conducted a scientific research questioning how dance pedagogy comes into universities in a US context. Overseen by Danielle Goldman, this study advanced his critical perspective on how the university, the โfree sceneโ, and the โballet worldโ interact and planted the seed for his scholarship on embodied technique.
\r\nChamplin's interests in pairing artistic practice and academic research led him on the path of further interdisciplinary study. In 2019, Champlin earned a Masters of Arts degree in Choreography with a specialization in Performative Practices from DOCH School of Dance and Circus in Stockholm, where he studied under the direction of Chrysa Parkinson.
\r\nChamplin has created performance works and films about seeing embodiment as an image and a process simultaneously. His work asks viewers to consider how embodied knowledge structures physicalities and worldviews.
\r\nSince 2018, he has been a guest lecturer at Hochschulรผbergreifendes Zentrum Tanz Berlin (UdK/HZT) where he has implemented seminars, technique classes, and workshops that invite students to process how their contemporary dance practices relate to specific histories of embodiment and geopolitics.
\r\nA growing interest in anti-racist and feminist scholarship has led Champlin toward a doctorate in Artistic Research. Champlin is currently taking part in the new PEERS program at ZHdK, where he is developing an artistic PhD research: a manual of critical dance pedagogy that calls upon his teacher-assistant relationship with ballet instructor Janet Panetta and other occasions of embodied knowledge transmission.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Andrew Champlin is an American dance artist based in Berlin, Germany. He has performed in repertoire by George Balanchine, Marius Petipa, Michel Fokine, Josรฉ Limรณn, Paul Taylor, Laura Dean, Merce Cunningham, and Xavier le Roy, as well as originating roles in new works by David Gordon, Miguel Gutierrez, Pam Tanowitz, Ryan McNamara, Heather Kravas, Madeline Hollander and Jillian Peรฑa, among others. \r\nAfter an early apprenticeship with Oregon Ballet Theatre and pre-professional training at The School of American Ballet, Champlin found new perspectives on movement and performance in Manhattanโs experimental dance scene. Champlin has been nominated for a New York dance and performance Bessie Award for Outstanding Performer and has toured extensively across North America, Europe, and Asia. \r\nWhile pursuing a Bachelor of Arts degree from The New School University, Champlin encountered the concept of liberal arts education and conducted a scientific research questioning how dance pedagogy comes into universities in a US context. Overseen by Danielle Goldman, this study advanced his critical perspective on how the university, the โfree sceneโ, and the โballet worldโ interact and planted the seed for his scholarship on embodied technique. \r\nChamplin's interests in pairing artistic practice and academic research led him on the path of further interdisciplinary study. In 2019, Champlin earned a Masters of Arts degree in Choreography with a specialization in Performative Practices from DOCH School of Dance and Circus in Stockholm, where he studied under the direction of Chrysa Parkinson. \r\nChamplin has created performance works and films about seeing embodiment as an image and a process simultaneously. His work asks viewers to consider how embodied knowledge structures physicalities and worldviews. \r\nSince 2018, he has been a guest lecturer at Hochschulรผbergreifendes Zentrum Tanz Berlin (UdK/HZT) where he has implemented seminars, technique classes, and workshops that invite students to process how their contemporary dance practices relate to specific histories of embodiment and geopolitics. \r\nA growing interest in anti-racist and feminist scholarship has led Champlin toward a doctorate in Artistic Research. Champlin is currently taking part in the new PEERS program at ZHdK, where he is developing an artistic PhD research: a manual of critical dance pedagogy that calls upon his teacher-assistant relationship with ballet instructor Janet Panetta and other occasions of embodied knowledge transmission. "},"relationships":{"assets":{"data":[{"type":"file","id":"231c298f4699916b7e8cd6826546731faef76fb6","attributes":{"id":"231c298f4699916b7e8cd6826546731faef76fb6","filename":"andrew_champlin.jpg","mime_type":"image/jpeg","path":"live/23/231c298f4699916b7e8cd6826546731faef76fb6","path_file":"live/23/231c298f4699916b7e8cd6826546731faef76fb6/andrew_champlin.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/Andrew_Champlin.jpg","height":640,"width":640,"title":"andrew_champlin.jpg","alternativeText":"Portrรคt von Andrew Champlin","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"14.10.2021 23:45","date_update":"14.10.2021 23:50","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":91660,"attributes":{"uid":91660,"pid":6678,"tstamp":125,"hidden":0,"sorting":632,"CType":"standard_content","header":"Anne Collod","bodytext":"Initially graduated in biology and environmental science, Anne Collod is a French contemporary dancer and choreographer. She performs with different French choreographers then co-founds the Quatuor Albrecht Knust (1993โ2001), a collective of dancers dedicated to the re-enactment of 20th-century choreographic works.
At the beginning of the 2000s, while participating in various dance projects and continuing to work with scores on reenactments, Anne Collod axes her work on โUtopias of the collectiveโ. This leads her to meet the American choreographer, pioneer of post-modern dance Anna Halprin in San Francisco and to develop a long-term artistic collaboration with her until her disappearance. In 2008, she namely presents a first reinterpretation of Halprinโs master piece, โParades & Changesโ (1965): โParades & changes, replaysโ, followed by an expanded version in 2011, wins a Bessie Award in New York 2009 and is performed worldwide since its premiere.
In 2014, after being the recipient of Villa Medicis Hors les Murs, Anne Collod creates โThe Parliament of the invisiblesโ, a dance piece about the links between the departed and the living, haunted by a German โDanse Macabreโ from the 30s. In 2019, exploring the esthetical and political issues of todayโs reinterpretation of soli and group pieces of American choreographers Ruth Saint-Denis and Ted Shawn, she creates โMoving alternativesโ.
Anne Collod is also interested in site specific creation and proposes in collaboration with the French graphic designer Mathias Poisson (faire) cabane, a project for a choir of amateurs and wooden elements that creates moving and ephemeral huts. In 2017, โExposureโ, an immersive choreographic, sound and light project allows her to explore energy transfers between a performer and an industrial environment.
Following โMoving alternativesโ, Anne Collod is currently working on a web-series documentary, โAlternative bodiesโ, which documents and extends the fabrication of โOthernessโ in dance.
She is also regularly invited to teach in different schools and dance programmes, and is trained in the Feldenkraรฏs method.
Sebastian Ellrich, born in 1984, started his artistic career as assistant costume designer at miscellaneous theatres and operas, for which he soon realized his own designs. Since 2004 he has been working nationwide as costume and stage designer for opera, film, dance and theatre; i.a. at Schauspiel Kรถln, Oper und Schauspiel Leipzig, Deutsche Oper am Rhein Dรผsseldorf/Duisburg, Staatstheater Nรผrnberg, Staatstheater Mainz, Kampnagel Hamburg, Sophiensรคle Berlin, Prinzregententheater Mรผnchen, Schauspiel Frankfurt, Cuviellรฉs-Theater Mรผnchen, Markgrรคfliches Opernhaus Bayreuth, Nationaltheater Pristina, Oper Oviedo , Budapest Spring Festival, Theater Bielefeld, Theater Chemnitz, Theater Freiburg.
\r\nSince 2011 he also devotes himself to his own prรชt-ร -porter label and showed his collections regularly at the berlin fashion week
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Sebastian Ellrich, born in 1984, started his artistic career as assistant costume designer at miscellaneous theatres and operas, for which he soon realized his own designs. Since 2004 he has been working nationwide as costume and stage designer for opera, film, dance and theatre; i.a. at Schauspiel Kรถln, Oper und Schauspiel Leipzig, Deutsche Oper am Rhein Dรผsseldorf/Duisburg, Staatstheater Nรผrnberg, Staatstheater Mainz, Kampnagel Hamburg, Sophiensรคle Berlin, Prinzregententheater Mรผnchen, Schauspiel Frankfurt, Cuviellรฉs-Theater Mรผnchen, Markgrรคfliches Opernhaus Bayreuth, Nationaltheater Pristina, Oper Oviedo , Budapest Spring Festival, Theater Bielefeld, Theater Chemnitz, Theater Freiburg.\r\nSince 2011 he also devotes himself to his own prรชt-ร -porter label and showed his collections regularly at the berlin fashion week"},"relationships":{"assets":{"data":[{"type":"file","id":"8328d9e88d46c2414a264cdb88a80eb157b5d40a","attributes":{"id":"8328d9e88d46c2414a264cdb88a80eb157b5d40a","filename":"sebastian_ellrich.jpeg","mime_type":"image/jpeg","path":"live/83/8328d9e88d46c2414a264cdb88a80eb157b5d40a","path_file":"live/83/8328d9e88d46c2414a264cdb88a80eb157b5d40a/sebastian_ellrich.jpeg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/sebastian_ellrich.jpeg","height":640,"width":434,"title":"Sebastian Ellrich","alternativeText":"Foto: Portrรคt von Sebastian Ellrich","description":"Sebastian Ellrich","link":"","filename_original":"","mime_type_original":"","date_create":"30.08.2022 22:50","date_update":"30.08.2022 22:50","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":53736,"attributes":{"uid":53736,"pid":6678,"tstamp":125,"hidden":0,"sorting":640,"CType":"standard_content","header":"Kerstin Evert","bodytext":"Kerstin Evert studierte Angewandte Theaterwissenschaft in Giessen, war von 1997 bis 2000 Doktorandin im Graduiertenkolleg ยซKรถrper-Inszenierungenยป an der Freien Universitรคt Berlin und promovierte zum Thema ยซDanceLab โ Zeitgenรถssischer Tanz und Neue Technologienยป (Promotion ausgezeichnet mit dem Tanzwissenschaftspreis NRW 2001). Von 2002 bis 2006 war sie Dramaturgin auf Kampnagel und grรผndete dort im August 2006 das choreografische Zentrum K3 | Tanzplan Hamburg, das sie seither leitet. Als Dozentin unterrichtete sie unter anderem in Berlin, Bern, Giessen, Hamburg, Frankfurt am Main und Salzburg. Sie ist Mitglied verschiedener Jurys und Beratungsgremien und seit 2017 im Vorstand des European Dancehouse Network.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Kerstin Evert studierte Angewandte Theaterwissenschaft in Giessen, war von 1997 bis 2000 Doktorandin im Graduiertenkolleg ยซKรถrper-Inszenierungenยป an der Freien Universitรคt Berlin und promovierte zum Thema ยซDanceLab โ Zeitgenรถssischer Tanz und Neue Technologienยป (Promotion ausgezeichnet mit dem Tanzwissenschaftspreis NRW 2001). Von 2002 bis 2006 war sie Dramaturgin auf Kampnagel und grรผndete dort im August 2006 das choreografische Zentrum K3 | Tanzplan Hamburg, das sie seither leitet. Als Dozentin unterrichtete sie unter anderem in Berlin, Bern, Giessen, Hamburg, Frankfurt am Main und Salzburg. Sie ist Mitglied verschiedener Jurys und Beratungsgremien und seit 2017 im Vorstand des European Dancehouse Network."},"relationships":{"assets":{"data":[{"type":"file","id":"394e34dde97096668c3992655106a3fe6d739925","attributes":{"id":"394e34dde97096668c3992655106a3fe6d739925","filename":"2019_mda_evert-kerstin_foto_thies_ra__tzke.png","mime_type":"image/png","path":"live/39/394e34dde97096668c3992655106a3fe6d739925","path_file":"live/39/394e34dde97096668c3992655106a3fe6d739925/2019_mda_evert-kerstin_foto_thies_ra__tzke.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_Evert-Kerstin_Foto_Thies_Ra__tzke.png","height":1416,"width":943,"title":"Kerstin Evert","alternativeText":"Kerstin Evert. Foto: Thies Rรคtzke","description":"Kerstin Evert. Foto: Thies Rรคtzke","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 14:56","date_update":"12.05.2022 10:30","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":43561,"attributes":{"uid":43561,"pid":6678,"tstamp":123,"hidden":0,"sorting":768,"CType":"standard_content","header":"Gitta Barthel","bodytext":"Gitta Barthel (Dr. phil.) is involved in artistic, teaching and research work. She teaches Contemporary Dance and Choreography at universities and training centres and was a research associate at the Institute for Movement/Performance Studies at the University of Hamburg, where she completed a doctorate on โChoreografische Praxis. Vermittlung in Tanzkunst und Kultureller Bildungโ (The Practice of Choreography. Mediation in the Art of Dance and Cultural Education) (transcript 2017). She is co-author of a publication entitled โChoreografischer Baukastenโ (A Choreography Kit) (published by Gabriele Klein, transcript 2011).
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":43163,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Gitta Barthel (Dr. phil.) is involved in artistic, teaching and research work. She teaches Contemporary Dance and Choreography at universities and training centres and was a research associate at the Institute for Movement/Performance Studies at the University of Hamburg, where she completed a doctorate on โChoreografische Praxis. Vermittlung in Tanzkunst und Kultureller Bildungโ (The Practice of Choreography. Mediation in the Art of Dance and Cultural Education) (transcript 2017). She is co-author of a publication entitled โChoreografischer Baukastenโ (A Choreography Kit) (published by Gabriele Klein, transcript 2011)."},"relationships":{"assets":[]}},{"type":"content","id":53746,"attributes":{"uid":53746,"pid":6678,"tstamp":123,"hidden":0,"sorting":1024,"CType":"standard_content","header":"Christine Baumann Leuthold","bodytext":"As a dancer:
\r\nPrix de Lausanne, Ballet Royal de Wallonie, Deutsche Oper Berlin
\r\nChoreographed by:
\r\nGeorge Balanchine, Maurice Bรฉjart, Christopher Bruce, Kurt Jooss, Kenneth MacMillan, Hans van Manen, John Neumeier, Marius Petipa, Roland Petit, etc.
\r\nAs a therapist:
\r\n- \t
- Physiotherapy, osteopathy, spiral dynamicsยฎ \t
- Own practice since 2012 (Praxis Physiotherapie & Tanz)
As a lecturer:
\r\n- \t
- Dance medicine (tamed, Tanzmedizin Deutschland) \t
- Anatomy for dancers and dance teachers \t
- Fascia techniques \t
- Applied Dance Anatomy/Nutrition (BA Contemporary Dance, ZHdK)
Body Awareness
Somatic practices can serve as a means to access information through sensation, that otherwise might remain hidden within the deeper layers of our bodies and our subconscious being. In this workshop we will explore principles and approaches to movement, touch, space and time that are inspired by Body Mind Centering (BMC), Laban Bartenieff Movement Studies, Feldenkrais and others. Our explorations can enrich our artistic practice, differentiate and widen our body consciousness and trigger new perspectives of reflection.
Jan Burkhardt has been dancing, directing, teaching and coaching in the field of contemporary dance for many years. HIs most passionate curiosity is to approach artistic settings through the use of and the trust in the intelligence of the body. Jan works as an independent artist, as guest lecturer in numerous institutions worldwide, and holds a position as professor for dance in artistic context at the Center of Contemporary Dance (CDG/ZZT) Cologne.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":85167,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Body Awareness Somatic practices can serve as a means to access information through sensation, that otherwise might remain hidden within the deeper layers of our bodies and our subconscious being. In this workshop we will explore principles and approaches to movement, touch, space and time that are inspired by Body Mind Centering (BMC), Laban Bartenieff Movement Studies, Feldenkrais and others. Our explorations can enrich our artistic practice, differentiate and widen our body consciousness and trigger new perspectives of reflection.\r\nJan Burkhardt has been dancing, directing, teaching and coaching in the field of contemporary dance for many years. HIs most passionate curiosity is to approach artistic settings through the use of and the trust in the intelligence of the body. Jan works as an independent artist, as guest lecturer in numerous institutions worldwide, and holds a position as professor for dance in artistic context at the Center of Contemporary Dance (CDG/ZZT) Cologne."},"relationships":{"assets":{"data":[{"type":"file","id":"ca285084785ca560f057809d0872b8266e093b69","attributes":{"id":"ca285084785ca560f057809d0872b8266e093b69","filename":"jan-burkhardt_web.jpg","mime_type":"image/jpeg","path":"live/ca/ca285084785ca560f057809d0872b8266e093b69","path_file":"live/ca/ca285084785ca560f057809d0872b8266e093b69/jan-burkhardt_web.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/Jan-Burkhardt_web.jpg","height":867,"width":1300,"title":"jan-burkhardt_web.jpg","alternativeText":"Portrait of Jan Burkhardt","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"14.10.2021 23:46","date_update":"14.10.2021 23:48","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":53747,"attributes":{"uid":53747,"pid":6678,"tstamp":123,"hidden":0,"sorting":1152,"CType":"standard_content","header":"Dimitri Chamblas","bodytext":"Captivated by dance, Dimitri Chamblas joined the Paris Operaโs celebrated dance school at the age of ten. During his career, he notably collaborated with creators such as Jean-Paul Gaultier and Karl Lagerfeld, composer Heiner Goebbels, artists Christian Boltanski, Andy Goldsworthy, Dan Colen, Xavier Veilhan, choreographers William Forsythe, Boris Charmatz, Lil Buck, Mathilde Monnier, Benjamin Millepied. His work has been performed in venues such as the Tate Modern (London), Centre Pompidou (Paris), Geffen Contemporary at MOCA (Los Angeles), the Paris Opera, St Markโs Church (New York), among others.
\r\nIn 1992, Chamblas was co-founder of EDNA with choreographer Boris Charmatz. Together they conceived performances, organized events and exhibitions, and published books. Their duet โA bras le Corpsโ has been performed on every continent in world-renowned theatres and festivals. This duet has been part of the Paris Opera ballet repertory since 2017.
\r\nIn 1996, he created the โresearch and writing residenceโ with Mathilde Monnier (at that time Director of the Centre Chorรฉgraphique National in Montpellier, France), an opportunity for artists to create personal creative space outside of the traditional production process.
\r\nIn 2013, as digital curator, he invented โMutant Stageโ together with curator and producer Amรฉlie Couillaud: a series of ten art films for the French Lafayette Anticipations โ Fondation dโentreprise Galeries Lafayette, all shot in the building designed by OMA / Rem Koolhaas.
\r\nIn 2014, Dimitri Chamblas was appointed artistic director of the Paris Operaโs 3rd Stage. He founded this creative digital platform in collaboration with Benjamin Millepied, and invited artists such as Glen Keane, Xavier Veilhan, Bret Easton Ellis, Julien Prรฉvieux, William Forsythe, Rubber Legz, United Visual Artists, Lil Buck, Barbara Hanigan and Jonas Kaufmann to create original artworks inspired by the Paris Opera.
\r\nAlways curious about technological advances and their possible applications, he joined forces with the Google cultural institute in 2015 to create the first immersive dance film captured in 360-degree vision, based on an original dance piece choreographed by Benjamin Millepied.
\r\nIn 2017, he launched Studio Dimitri Chamblas in Paris and Los Angeles, a structure that hosts all of his projects and collaborations, including a duet with the รฉtoile dancer Marie-Agnรจs Gillot, his participation in the creation of Boris Charmatzโs โ10 000 Gesturesโ, a creation with architect Franรงois Perrin for the Performa Biennale in New York, and a duet with artist and musician Kim Gordon.
\r\nThat same year, he became the new Dean of Dance at the California Institute of the Arts (CalArts) in Los Angeles and created โHHUMANNโ, a work performed by 75 dancers in the streets of Downtown Los Angeles and at the Hauser & Wirth Gallery.
\r\nIn 2018/2019, Dimitri Chamblas created โSlow Showโ a 50-performer choreography and โLos Angelesโ a solo done in collaboration with painter Claire Tabouret and dancer Spenser Therberge. They have been performed at the Museum of Contemporary Art (MOCA), REDCAT and Mak Center, Schindler house (all Los Angeles), as well as at the LUMA Foundation in Arles.
\r\nIn June 2019, as part of the LA Philharmonics programme, Chamblas directed โCrowd outโ, an opera by David Lang performed by 1,000 singers at the Walt Disney Concert Hall in Los Angeles.
\r\nIn 2019, he was made a Chevalier of the Order of Arts and Letters by the French Ministry of Culture.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":53744,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Captivated by dance, Dimitri Chamblas joined the Paris Operaโs celebrated dance school at the age of ten. During his career, he notably collaborated with creators such as Jean-Paul Gaultier and Karl Lagerfeld, composer Heiner Goebbels, artists Christian Boltanski, Andy Goldsworthy, Dan Colen, Xavier Veilhan, choreographers William Forsythe, Boris Charmatz, Lil Buck, Mathilde Monnier, Benjamin Millepied. His work has been performed in venues such as the Tate Modern (London), Centre Pompidou (Paris), Geffen Contemporary at MOCA (Los Angeles), the Paris Opera, St Markโs Church (New York), among others.\r\nIn 1992, Chamblas was co-founder of EDNA with choreographer Boris Charmatz. Together they conceived performances, organized events and exhibitions, and published books. Their duet โA bras le Corpsโ has been performed on every continent in world-renowned theatres and festivals. This duet has been part of the Paris Opera ballet repertory since 2017.\r\nIn 1996, he created the โresearch and writing residenceโ with Mathilde Monnier (at that time Director of the Centre Chorรฉgraphique National in Montpellier, France), an opportunity for artists to create personal creative space outside of the traditional production process.\r\nIn 2013, as digital curator, he invented โMutant Stageโ together with curator and producer Amรฉlie Couillaud: a series of ten art films for the French Lafayette Anticipations โ Fondation dโentreprise Galeries Lafayette, all shot in the building designed by OMA / Rem Koolhaas.\r\nIn 2014, Dimitri Chamblas was appointed artistic director of the Paris Operaโs 3rd Stage. He founded this creative digital platform in collaboration with Benjamin Millepied, and invited artists such as Glen Keane, Xavier Veilhan, Bret Easton Ellis, Julien Prรฉvieux, William Forsythe, Rubber Legz, United Visual Artists, Lil Buck, Barbara Hanigan and Jonas Kaufmann to create original artworks inspired by the Paris Opera. \r\nAlways curious about technological advances and their possible applications, he joined forces with the Google cultural institute in 2015 to create the first immersive dance film captured in 360-degree vision, based on an original dance piece choreographed by Benjamin Millepied.\r\nIn 2017, he launched Studio Dimitri Chamblas in Paris and Los Angeles, a structure that hosts all of his projects and collaborations, including a duet with the รฉtoile dancer Marie-Agnรจs Gillot, his participation in the creation of Boris Charmatzโs โ10 000 Gesturesโ, a creation with architect Franรงois Perrin for the Performa Biennale in New York, and a duet with artist and musician Kim Gordon.\r\nThat same year, he became the new Dean of Dance at the California Institute of the Arts (CalArts) in Los Angeles and created โHHUMANNโ, a work performed by 75 dancers in the streets of Downtown Los Angeles and at the Hauser & Wirth Gallery.\r\nIn 2018/2019, Dimitri Chamblas created โSlow Showโ a 50-performer choreography and โLos Angelesโ a solo done in collaboration with painter Claire Tabouret and dancer Spenser Therberge. They have been performed at the Museum of Contemporary Art (MOCA), REDCAT and Mak Center, Schindler house (all Los Angeles), as well as at the LUMA Foundation in Arles.\r\nIn June 2019, as part of the LA Philharmonics programme, Chamblas directed โCrowd outโ, an opera by David Lang performed by 1,000 singers at the Walt Disney Concert Hall in Los Angeles.\r\nIn 2019, he was made a Chevalier of the Order of Arts and Letters by the French Ministry of Culture."},"relationships":{"assets":{"data":[{"type":"file","id":"cab4752bbbf61df231213e0f90bd28ddc3b0e4a5","attributes":{"id":"cab4752bbbf61df231213e0f90bd28ddc3b0e4a5","filename":"2019_mda_dimitri-chamblas_foto_joshua-rose.png","mime_type":"image/png","path":"live/ca/cab4752bbbf61df231213e0f90bd28ddc3b0e4a5","path_file":"live/ca/cab4752bbbf61df231213e0f90bd28ddc3b0e4a5/2019_mda_dimitri-chamblas_foto_joshua-rose.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_Dimitri-Chamblas_Foto_Joshua-Rose.png","height":1416,"width":943,"title":"[Translate to English:] Dimitri Chamblas","alternativeText":"[Translate to English:] Dimitri Chamblas. Photo: Joshua Rose.\r\n","description":"[Translate to English:] Dimitri Chamblas. Photo: Joshua Rose.\r\n","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 16:09","date_update":"05.11.2019 14:30","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":85172,"attributes":{"uid":85172,"pid":6678,"tstamp":123,"hidden":0,"sorting":1184,"CType":"standard_content","header":"Andrew Champlin","bodytext":"Andrew Champlin is an American dance artist based in Berlin, Germany. He has performed in repertoire by George Balanchine, Marius Petipa, Michel Fokine, Josรฉ Limรณn, Paul Taylor, Laura Dean, Merce Cunningham, and Xavier le Roy, as well as originating roles in new works by David Gordon, Miguel Gutierrez, Pam Tanowitz, Ryan McNamara, Heather Kravas, Madeline Hollander and Jillian Peรฑa, among others.
\r\nAfter an early apprenticeship with Oregon Ballet Theatre and pre-professional training at The School of American Ballet, Champlin found new perspectives on movement and performance in Manhattanโs experimental dance scene. Champlin has been nominated for a New York dance and performance Bessie Award for Outstanding Performer and has toured extensively across North America, Europe, and Asia.
\r\nWhile pursuing a Bachelor of Arts degree from The New School University, Champlin encountered the concept of liberal arts education and conducted a scientific research questioning how dance pedagogy comes into universities in a US context. Overseen by Danielle Goldman, this study advanced his critical perspective on how the university, the โfree sceneโ, and the โballet worldโ interact and planted the seed for his scholarship on embodied technique.
\r\nChamplin's interests in pairing artistic practice and academic research led him on the path of further interdisciplinary study. In 2019, Champlin earned a Masters of Arts degree in Choreography with a specialization in Performative Practices from DOCH School of Dance and Circus in Stockholm, where he studied under the direction of Chrysa Parkinson.
\r\nChamplin has created performance works and films about seeing embodiment as an image and a process simultaneously. His work asks viewers to consider how embodied knowledge structures physicalities and worldviews.
\r\nSince 2018, he has been a guest lecturer at Hochschulรผbergreifendes Zentrum Tanz Berlin (UdK/HZT) where he has implemented seminars, technique classes, and workshops that invite students to process how their contemporary dance practices relate to specific histories of embodiment and geopolitics.
\r\nA growing interest in anti-racist and feminist scholarship has led Champlin toward a doctorate in Artistic Research. Champlin is currently taking part in the new PEERS program at ZHdK, where he is developing an artistic PhD research: a manual of critical dance pedagogy that calls upon his teacher-assistant relationship with ballet instructor Janet Panetta and other occasions of embodied knowledge transmission.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":85168,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Andrew Champlin is an American dance artist based in Berlin, Germany. He has performed in repertoire by George Balanchine, Marius Petipa, Michel Fokine, Josรฉ Limรณn, Paul Taylor, Laura Dean, Merce Cunningham, and Xavier le Roy, as well as originating roles in new works by David Gordon, Miguel Gutierrez, Pam Tanowitz, Ryan McNamara, Heather Kravas, Madeline Hollander and Jillian Peรฑa, among others. \r\nAfter an early apprenticeship with Oregon Ballet Theatre and pre-professional training at The School of American Ballet, Champlin found new perspectives on movement and performance in Manhattanโs experimental dance scene. Champlin has been nominated for a New York dance and performance Bessie Award for Outstanding Performer and has toured extensively across North America, Europe, and Asia. \r\nWhile pursuing a Bachelor of Arts degree from The New School University, Champlin encountered the concept of liberal arts education and conducted a scientific research questioning how dance pedagogy comes into universities in a US context. Overseen by Danielle Goldman, this study advanced his critical perspective on how the university, the โfree sceneโ, and the โballet worldโ interact and planted the seed for his scholarship on embodied technique. \r\nChamplin's interests in pairing artistic practice and academic research led him on the path of further interdisciplinary study. In 2019, Champlin earned a Masters of Arts degree in Choreography with a specialization in Performative Practices from DOCH School of Dance and Circus in Stockholm, where he studied under the direction of Chrysa Parkinson. \r\nChamplin has created performance works and films about seeing embodiment as an image and a process simultaneously. His work asks viewers to consider how embodied knowledge structures physicalities and worldviews. \r\nSince 2018, he has been a guest lecturer at Hochschulรผbergreifendes Zentrum Tanz Berlin (UdK/HZT) where he has implemented seminars, technique classes, and workshops that invite students to process how their contemporary dance practices relate to specific histories of embodiment and geopolitics. \r\nA growing interest in anti-racist and feminist scholarship has led Champlin toward a doctorate in Artistic Research. Champlin is currently taking part in the new PEERS program at ZHdK, where he is developing an artistic PhD research: a manual of critical dance pedagogy that calls upon his teacher-assistant relationship with ballet instructor Janet Panetta and other occasions of embodied knowledge transmission. "},"relationships":{"assets":{"data":[{"type":"file","id":"c3756e4e24c67e5770969488fc13b496ea6d6ae5","attributes":{"id":"c3756e4e24c67e5770969488fc13b496ea6d6ae5","filename":"andrew_champlin.jpg","mime_type":"image/jpeg","path":"live/c3/c3756e4e24c67e5770969488fc13b496ea6d6ae5","path_file":"live/c3/c3756e4e24c67e5770969488fc13b496ea6d6ae5/andrew_champlin.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/Andrew_Champlin.jpg","height":640,"width":640,"title":"andrew_champlin.jpg","alternativeText":"Portrait of Andrew Champlin","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"14.10.2021 23:46","date_update":"14.10.2021 23:50","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":91661,"attributes":{"uid":91661,"pid":6678,"tstamp":123,"hidden":0,"sorting":1200,"CType":"standard_content","header":"Anne Collod","bodytext":"Initially graduated in biology and environmental science, Anne Collod is a French contemporary dancer and choreographer. She performs with different French choreographers then co-founds the Quatuor Albrecht Knust (1993โ2001), a collective of dancers dedicated to the re-enactment of 20th-century choreographic works.
At the beginning of the 2000s, while participating in various dance projects and continuing to work with scores on reenactments, Anne Collod axes her work on โUtopias of the collectiveโ. This leads her to meet the American choreographer, pioneer of post-modern dance Anna Halprin in San Francisco and to develop a long-term artistic collaboration with her until her disappearance. In 2008, she namely presents a first reinterpretation of Halprinโs master piece, โParades & Changesโ (1965): โParades & changes, replaysโ, followed by an expanded version in 2011, wins a Bessie Award in New York 2009 and is performed worldwide since its premiere.
In 2014, after being the recipient of Villa Medicis Hors les Murs, Anne Collod creates โThe Parliament of the invisiblesโ, a dance piece about the links between the departed and the living, haunted by a German โDanse Macabreโ from the 30s. In 2019, exploring the esthetical and political issues of todayโs reinterpretation of soli and group pieces of American choreographers Ruth Saint-Denis and Ted Shawn, she creates โMoving alternativesโ.
Anne Collod is also interested in site specific creation and proposes in collaboration with the French graphic designer Mathias Poisson (faire) cabane, a project for a choir of amateurs and wooden elements that creates moving and ephemeral huts. In 2017, โExposureโ, an immersive choreographic, sound and light project allows her to explore energy transfers between a performer and an industrial environment.
Following โMoving alternativesโ, Anne Collod is currently working on a web-series documentary, โAlternative bodiesโ, which documents and extends the fabrication of โOthernessโ in dance.
She is also regularly invited to teach in different schools and dance programmes, and is trained in the Feldenkraรฏs method.
Sebastian Ellrich, born in 1984, started his artistic career as assistant costume designer at miscellaneous theatres and operas, for which he soon realized his own designs. Since 2004 he has been working nationwide as costume and stage designer for opera, film, dance and theatre; i.a. at Schauspiel Kรถln, Oper und Schauspiel Leipzig, Deutsche Oper am Rhein Dรผsseldorf/Duisburg, Staatstheater Nรผrnberg, Staatstheater Mainz, Kampnagel Hamburg, Sophiensรคle Berlin, Prinzregententheater Mรผnchen, Schauspiel Frankfurt, Cuviellรฉs-Theater Mรผnchen, Markgrรคfliches Opernhaus Bayreuth, Nationaltheater Pristina, Oper Oviedo, Budapest Spring Festival, Theater Bielefeld, Theater Chemnitz, Theater Freiburg.
\r\nSince 2011 he also devotes himself to his own prรชt-ร -porter label and showed his collections regularly at the berlin fashion week.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":104087,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":"","phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Sebastian Ellrich, born in 1984, started his artistic career as assistant costume designer at miscellaneous theatres and operas, for which he soon realized his own designs. Since 2004 he has been working nationwide as costume and stage designer for opera, film, dance and theatre; i.a. at Schauspiel Kรถln, Oper und Schauspiel Leipzig, Deutsche Oper am Rhein Dรผsseldorf/Duisburg, Staatstheater Nรผrnberg, Staatstheater Mainz, Kampnagel Hamburg, Sophiensรคle Berlin, Prinzregententheater Mรผnchen, Schauspiel Frankfurt, Cuviellรฉs-Theater Mรผnchen, Markgrรคfliches Opernhaus Bayreuth, Nationaltheater Pristina, Oper Oviedo, Budapest Spring Festival, Theater Bielefeld, Theater Chemnitz, Theater Freiburg.\r\nSince 2011 he also devotes himself to his own prรชt-ร -porter label and showed his collections regularly at the berlin fashion week."},"relationships":{"assets":{"data":[{"type":"file","id":"0f5a094f763e67f0a219f7d659cbd752b266adc8","attributes":{"id":"0f5a094f763e67f0a219f7d659cbd752b266adc8","filename":"sebastian_ellrich.jpeg","mime_type":"image/jpeg","path":"live/0f/0f5a094f763e67f0a219f7d659cbd752b266adc8","path_file":"live/0f/0f5a094f763e67f0a219f7d659cbd752b266adc8/sebastian_ellrich.jpeg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/sebastian_ellrich.jpeg","height":640,"width":434,"title":"Sebastian Ellrich","alternativeText":"Photo: Portrait of Sebastian Ellrich","description":"Sebastian Ellrich","link":"","filename_original":"","mime_type_original":"","date_create":"30.08.2022 22:50","date_update":"06.02.2023 14:30","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":53748,"attributes":{"uid":53748,"pid":6678,"tstamp":123,"hidden":0,"sorting":1216,"CType":"standard_content","header":"Kerstin Evert","bodytext":"Kerstin Evert studied Applied Theatre Studies in Giessen, was a doctoral student in the research training group โBody Stagingsโ at the Free University of Berlin from 1997 to 2000 and wrote her doctoral thesis on โDanceLab โ Contemporary Dance and New Technologiesโ (doctorate awarded the Dance Science Prize NRW 2001). From 2002 to 2006 she was dramaturge at Kampnagel and founded the choreographic centre K3 | Tanzplan Hamburg there in August 2006, which she has directed ever since. As a lecturer, she has taught in Berlin, Bern, Giessen, Hamburg, Frankfurt am Main and Salzburg, among other places. She is a member of various juries and advisory boards and has been on the board of the European Dancehouse Network since 2017.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":53736,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Kerstin Evert studied Applied Theatre Studies in Giessen, was a doctoral student in the research training group โBody Stagingsโ at the Free University of Berlin from 1997 to 2000 and wrote her doctoral thesis on โDanceLab โ Contemporary Dance and New Technologiesโ (doctorate awarded the Dance Science Prize NRW 2001). From 2002 to 2006 she was dramaturge at Kampnagel and founded the choreographic centre K3 | Tanzplan Hamburg there in August 2006, which she has directed ever since. As a lecturer, she has taught in Berlin, Bern, Giessen, Hamburg, Frankfurt am Main and Salzburg, among other places. She is a member of various juries and advisory boards and has been on the board of the European Dancehouse Network since 2017."},"relationships":{"assets":{"data":[{"type":"file","id":"0011408b39a9eaeef7f930bb4e5104c1f28f38a0","attributes":{"id":"0011408b39a9eaeef7f930bb4e5104c1f28f38a0","filename":"2019_mda_evert-kerstin_foto_thies_ra__tzke.png","mime_type":"image/png","path":"live/00/0011408b39a9eaeef7f930bb4e5104c1f28f38a0","path_file":"live/00/0011408b39a9eaeef7f930bb4e5104c1f28f38a0/2019_mda_evert-kerstin_foto_thies_ra__tzke.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_Evert-Kerstin_Foto_Thies_Ra__tzke.png","height":1416,"width":943,"title":"[Translate to English:] Kerstin Evert","alternativeText":"[Translate to English:] Kerstin Evert. Foto: Thies Rรคtzke","description":"[Translate to English:] Kerstin Evert. Foto: Thies Rรคtzke","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 16:09","date_update":"06.02.2023 14:30","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":43563,"attributes":{"uid":43563,"pid":6678,"tstamp":123,"hidden":0,"sorting":1280,"CType":"standard_content","header":"Emanuel Gat","bodytext":"Artistic Director and Choreographer
\r\nEmanuel Gat was born in Israel in 1969. His first encounter with dance was at the age of 23, during a workshop led by Israeli choreographer Nir Ben Gal. A couple of months later, he joined the Liat Dror Nir Ben Gal Company with whom he toured internationally. Emanuel started working as an independent choreographer in 1994.
For ten years, Emanuel participated as a choreographer in multiple projects, before establishing his company in 2004. With Emanuel Gat Dance, he created several pieces that achieved international success. Winter Voyage and the Rite of Spring created in 2004 at Festival dโUzรจs were represented more than 350 times all over the world. K626, created in 2006, premiered at Festival de Marseille and was followed by 3for2007 in 2007. That same year, Emanuel chose to settle in France, basing the company at the Maison Intercommunale de la Danse in Istres. Silent Ballet was the first piece created in France and presented in Festival Montpellier Danse in 2008, before Winter Variations in 2009. In 2011 Emanuel created Brilliant Corners for ten dancers, for which he also created the soundtrack.
Emanuel Gat was associated artist of the 33rd edition of Festival Montpellier Danse in 2013. With his company, he developed the Up Close Up project, proposing two creations: The Goldlandbergs and Corner Etudes; a photographic installation Itโs people, how abstract can it get?; and a choreographic event, Danses de Cour. In the following year, Emanuel reinvested the Agora with Plage Romantique, a piece for nine dancers. In 2016, after three editions in association with Festival Montpellier Danse, Emanuel created SUNNY, a piece for ten interpreters and the musician Awir Lรฉon live on stage. In 2017 Emanuel presented his second project as part of his residency at Montpellier Danse, which included two productions: a unique collaboration with the Ballet de lโOpera de Lyon, TENWORKS (for Jean-Paul), a programme of ten short pieces mixing dancers from both companies; and DUOS, a series of duets presented at different public locations around the city of Montpellier. In 2016 Emanuel was associated with the Scรจne Nationale dโAlbi as well. In 2017 Emanuel was present at Festival dโAvignon for the first time with Story Water, a project by Emanuel Gat Dance and Ensemble Modern for 11 dancers and 13 musicians at the Cour dโHonneur du Palais des Papes. Starting from the season 2018โ2019, Emanuel Gat has been associated artist at the Thรฉรขtre National de Chaillot for three years.
Emanuel Gat is regularly invited by prestigious French and international companies for which he creates or transmits pieces, such as Ballet de lโOpรฉra de Paris, Ballet du Rhin, Ballet National de Marseille, Ballet de Lorraine, Opรฉra de Lyon, Sydney Dance Company, Tanztheater Bremen and Candoco Dance Company, Ballet du Grand Thรฉรขtre de Genรจve, Los Angeles Dance Project, Ballet Royal de Suรจde, Cedar Lake (New York) and Ballet British Columbia.
Emanuel has been awarded numerous prizes, such as a grant from Fondation du Ballet Master Albert Gaubiers in 1995, the Rosenblum Price in 2003 and the Landau Price in 2004. In 2006 he was named member of IcExcellence, the Israeli Culture Excellence Foundation. Emanuel also received a Bessie Award for the presentation of Voyage dโHiver and The Rite of Spring at Lincoln Center Festival in NY in 2006. In 2012 he was nominated once again for the Bessie Awards with Prรฉludes et Fugues for Ballet du Grand Thรฉรขtre de Genรจve at Joyce Theater in NY. Emanuel creates and transmits pieces in the framework of pedagogical training as well.
Site | Facebook | Instagram | YouTube | Vimeo | Twitter
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":43186,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Artistic Director and Choreographer\r\nEmanuel Gat was born in Israel in 1969. His first encounter with dance was at the age of 23, during a workshop led by Israeli choreographer Nir Ben Gal. A couple of months later, he joined the Liat Dror Nir Ben Gal Company with whom he toured internationally. Emanuel started working as an independent choreographer in 1994. For ten years, Emanuel participated as a choreographer in multiple projects, before establishing his company in 2004. With Emanuel Gat Dance, he created several pieces that achieved international success. Winter Voyage and the Rite of Spring created in 2004 at Festival dโUzรจs were represented more than 350 times all over the world. K626, created in 2006, premiered at Festival de Marseille and was followed by 3for2007 in 2007. That same year, Emanuel chose to settle in France, basing the company at the Maison Intercommunale de la Danse in Istres. Silent Ballet was the first piece created in France and presented in Festival Montpellier Danse in 2008, before Winter Variations in 2009. In 2011 Emanuel created Brilliant Corners for ten dancers, for which he also created the soundtrack. Emanuel Gat was associated artist of the 33rd edition of Festival Montpellier Danse in 2013. With his company, he developed the Up Close Up project, proposing two creations: The Goldlandbergs and Corner Etudes; a photographic installation Itโs people, how abstract can it get?; and a choreographic event, Danses de Cour. In the following year, Emanuel reinvested the Agora with Plage Romantique, a piece for nine dancers. In 2016, after three editions in association with Festival Montpellier Danse, Emanuel created SUNNY, a piece for ten interpreters and the musician Awir Lรฉon live on stage. In 2017 Emanuel presented his second project as part of his residency at Montpellier Danse, which included two productions: a unique collaboration with the Ballet de lโOpera de Lyon, TENWORKS (for Jean-Paul), a programme of ten short pieces mixing dancers from both companies; and DUOS, a series of duets presented at different public locations around the city of Montpellier. In 2016 Emanuel was associated with the Scรจne Nationale dโAlbi as well. In 2017 Emanuel was present at Festival dโAvignon for the first time with Story Water, a project by Emanuel Gat Dance and Ensemble Modern for 11 dancers and 13 musicians at the Cour dโHonneur du Palais des Papes. Starting from the season 2018โ2019, Emanuel Gat has been associated artist at the Thรฉรขtre National de Chaillot for three years. Emanuel Gat is regularly invited by prestigious French and international companies for which he creates or transmits pieces, such as Ballet de lโOpรฉra de Paris, Ballet du Rhin, Ballet National de Marseille, Ballet de Lorraine, Opรฉra de Lyon, Sydney Dance Company, Tanztheater Bremen and Candoco Dance Company, Ballet du Grand Thรฉรขtre de Genรจve, Los Angeles Dance Project, Ballet Royal de Suรจde, Cedar Lake (New York) and Ballet British Columbia. Emanuel has been awarded numerous prizes, such as a grant from Fondation du Ballet Master Albert Gaubiers in 1995, the Rosenblum Price in 2003 and the Landau Price in 2004. In 2006 he was named member of IcExcellence, the Israeli Culture Excellence Foundation. Emanuel also received a Bessie Award for the presentation of Voyage dโHiver and The Rite of Spring at Lincoln Center Festival in NY in 2006. In 2012 he was nominated once again for the Bessie Awards with Prรฉludes et Fugues for Ballet du Grand Thรฉรขtre de Genรจve at Joyce Theater in NY. Emanuel creates and transmits pieces in the framework of pedagogical training as well.\r\nSite | Facebook | Instagram | YouTube | Vimeo | Twitter"},"relationships":{"assets":{"data":[{"type":"file","id":"c97851492188626131b1ae063acd2e68baf83431","attributes":{"id":"c97851492188626131b1ae063acd2e68baf83431","filename":"mda_gastdozierende_gat_web.jpg","mime_type":"image/jpeg","path":"live/c9/c97851492188626131b1ae063acd2e68baf83431","path_file":"live/c9/c97851492188626131b1ae063acd2e68baf83431/mda_gastdozierende_gat_web.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/MDA_Gastdozierende_Gat_web.jpg","height":867,"width":1300,"title":"Emanuel Gat","alternativeText":"Emanuel Gat. Foto: Julia Gat","description":"Emanuel Gat. Foto: Julia Gat","link":"","filename_original":"","mime_type_original":"","date_create":"24.09.2018 22:15","date_update":"05.03.2019 11:03","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":85173,"attributes":{"uid":85173,"pid":6678,"tstamp":123,"hidden":0,"sorting":1472,"CType":"standard_content","header":"Michael Getman","bodytext":"Michael (Misha) Getman was born in Israel to parents Dora and Zechariah, who immigrated to Is-rael from Soviet Leningrad after a failed-plane hijacking by young Jewish dissidents to escape the USSR in 1970 โ โOperation Weddingโ.
His professional education was at the Bat Dor School of dance, directed by Jennette Ordman. As an interpreter, he gained experience at the Batsheva junior ensemble directed by Naomi Perlov. He later joined the Batsheva dance company, where he worked for three years with the choreographer and artistic director Ohad Naharin. In 1999 he joined the Ballet Freiburg Pretty Ugly, where he worked till 2004 with the choreographer Amanda Miller. He also worked at the Sadt Theatre Saarbrucken, directed by the choreographer Marguerite Donlon. As a performer, he had the privilege of learning and interpreting works by master choreographers, including Ohad Naharin, Amanda K Miller, Marguerite Donlon, and William Forsythe. Since 2007 Getman has been developing his work and choreographic structure. He examines and is curious about the relationship between our bodily actions, cognitive responses, and the ability to respond to the ongoing demands of experience with a range of physical arousal and emotions. His works have been presented in various festivals and venues, including Israel Museum (Jerusalem), Suzanne Dellal Center (Tel Aviv), Open Look (St.Petersburg), Holland Dance (Den Haag), Nowy Teater (Warsaw), Thรฉรขtre National de Chaillot (Paris), Schauspielhaus (Hamburg). Michael also works in Theatre and Ethnography, researching and facilitating artistic expression with various communities and cultures.
He teaches choreography, composition, and improvisation workshops for professional and non-professional.
Since 2020 Getman has been working towards an M.A. at the University of Huddersfield, England.
Born in Hong Kong to parents of German and West African descent, raised in Berlin and educated through Hip Hop, Raphael Moussa Hillebrand uses his multifaceted cultural background to realize his vision of Hip Hop Dance theater. Since 2005 he regularly worked with the Goethe Institut. Through his extensive work internationally, he cultivated an understanding and instinct for social justice and sensitivity for the complexities of cultural identity. He regularly leads international cultural and cooperation programs and creates dance theater productions with the local dancers.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":96799,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":"","phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Born in Hong Kong to parents of German and West African descent, raised in Berlin and educated through Hip Hop, Raphael Moussa Hillebrand uses his multifaceted cultural background to realize his vision of Hip Hop Dance theater. Since 2005 he regularly worked with the Goethe Institut. Through his extensive work internationally, he cultivated an understanding and instinct for social justice and sensitivity for the complexities of cultural identity. He regularly leads international cultural and cooperation programs and creates dance theater productions with the local dancers."},"relationships":{"assets":{"data":[{"type":"file","id":"3b438d0a89a57730a5b09102119cf5c94ba424c3","attributes":{"id":"3b438d0a89a57730a5b09102119cf5c94ba424c3","filename":"raphael_moussa_hillebrand.jpeg","mime_type":"image/jpeg","path":"live/3b/3b438d0a89a57730a5b09102119cf5c94ba424c3","path_file":"live/3b/3b438d0a89a57730a5b09102119cf5c94ba424c3/raphael_moussa_hillebrand.jpeg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/raphael_moussa_hillebrand.jpeg","height":1280,"width":859,"title":"Raphael Moussa Hillebrand","alternativeText":"Portrait of Raphael Moussa Hillebrand","description":"Raphael Moussa Hillebrand","link":"","filename_original":"","mime_type_original":"","date_create":"12.05.2022 10:29","date_update":"12.05.2022 10:31","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":43569,"attributes":{"uid":43569,"pid":6678,"tstamp":123,"hidden":0,"sorting":1664,"CType":"standard_content","header":"Jason Jacobs","bodytext":"Jason Jacobs is a dancer, choreographer and teacher based in Frankfurt, Germany. He has created dance routines and performed internationally with renowned choreographers and companies, including Hofesh Shechter, Johannes Wieland, Complexions Contemporary Ballet and North Carolina Dance Theater. In 2014 he received a Master in Contemporary Dance Education from HfMDK Frankfurt. He is currently developing choreographic projects as MuddyBoots together with choreographer Ekaterine Giorgadze. He teaches in dance institutions throughout Europe, is a faculty member at the Anton Bruckner University in Linz, Austria, and rehearsal director for TanzMainz.
www.muddyboots-dance.com
Dutch choreographer Nanine Linning (1977, Amsterdam) consciously leaves the beaten theatrical track. Moving beyond divisions and working across disciplines, combining dance, opera, concerts and installations. Crossing fields of design, video, visual arts and music, her productions are characterized by an explosive movement language and an equally vivid imagery. Linning designs opulent poetic work; her evening-length productions are worlds on their own in their visual and dramaturgical content. Her out of the box concepts make reference to human emotions as well as aspects of cultural history and social criticism. Her close cooperation with diverse internationally known artists and scientists is reflected in the broad spectrum of her projects, which include European co-productions and touring, exhibitions and installations.
Linning received the Philip Morris Prize (2003), a Swan for Best Dance Production for โBaconโ (2006), and was nominated twice for the German โFaustโ Award (2012 and 2013) for โVoice Overโ and โZeroโ respectively. Her โRequiemโ (2015) for Konzert Theater Bern, gained the Swiss Dance Award. Die Deutsche Bรผhne named her top 4 Impressive Choreographers of 2017. Magazine tanz mentioned her in the Category Choreographer of the Year 2017. Her dancefilm โLa Voix Humaineโ won several prizes in Filmfestivals in Venice, Tokyo, London, Lisbon, Amsterdam and New York in 2021โ2022.
After graduating Linning founded her own ensemble, Dance Company Nanine Linning. From 2001โ2006 she was appointed resident choreographer for Scapino Ballet. From 2009โ2012 she was artistic director and chief choreographer at Theater Osnabrรผck, from 2012โ2018, she headed the newly established dance company of Theater und Orchester Heidelberg where she created seven evening length dance productions and directed two operas, โMadama Butterflyโ and โAkhnatonโ from Philip Glass. In Heidelberg she became a founder of both Festival Tanzbiennale and the Choreographic Centre. In 2018 and 2019 she was appointed as curator of the dance programme of Festspiele Ludwigshafen. Linning is appointed as new Artistic Director of Scapino Ballet Rotterdam as of season 2024โ2025.
Linning created and produced with her own company evening lenghth productions such as โBaconโ about the painter Francis Bacon, โCry Loveโ and โEndless Song of Silenceโ, her acclaimed dance and video production in collaboration with Iris van Herpen. In 2019 she created โDouble Helixโ, an installation based performance in collaboration with Dutch designer Bart Hess.
As freelancer she was commissioned to create productions for the Stuttgart Ballet, Bavarian State Ballet Munich, Gauthier Dance Stuttgart, Theater Bielefeld (DE), Netherlands Chamber Choir (NL), Konzert Theater Bern (CH), Boston Ballet (USA), Szeged Dance Company (HU) and MusicAeterna in St. Petersburg (RU).
โ Instagram: naninelinningdance
โ Nanine Linningโs website
Guido Markowitz, a native of Villach in Austria, studied classical ballet along with contemporary and modern dance at the Iwanson International School of Contemporary Dance. He then worked at the Stรคdtische Bรผhnen Mรผnster theatre before taking on the post of soloist and choreographer at the Staatstheater Darmstadt dance theatre in 1996. Guido Markowitz has been working as a freelance choreographer and stage director since 2004. In his work, he likes to involve all disciplines, mix generations and bring traditional dancers together with gymnasts and break dancers on the stage. As Director of Ballet for the Theater Pforzheim, he has twice been nominated for the Faust German theatre award. In 2014, the choreographer was amongst those invited to take part in the Berliner Festpieleโs Tanztreffen dance contest with two of his productions.
\r\nGuido Markowitz has been Director of Ballet at the Theater Pforzheim since the 2015/16 season.
He has also been an honorary member of the management board of the dance association TanzSzene Baden-Wรผrttemberg e. V. since March 2017.
Tabea Martin is a choreographer and performer based in Basel, Switzerland. She studied Modern Dance at the Hogeschool voor de Kunsten in Amsterdam (2002). She danced with Piet Rogie & Company in Holland, with Fabian Chyle in Stuttgart and Nick Bryson in Ireland. She has been guest student at SNDO in Amsterdam and finished studying choreography at Rotterdamse Dansacademie in 2006.
Her productions โA cotรฉ de lโombreโ (2004), โSculpterreโ (2005), โPromenade dans lโeauโ (2005) and โImpairโ (2005) have been touring in Holland and Switzerland. 2006 her production โรber freundliche und ausgeglichene Menschenโ was the opener for Tanztage Basel at Roxy theatre. In 2007 she was invited to a symposium with Forced Entertainment at PACT Zollverein Essen. Also she created choreographies for Junges Theater Basel โS chunnt scho guetโ.
2008 she was invited to Choreoroam Project, an initiative for young choreographers in Great Britain, Italy and Switzerland. 2009 she collaborated with filmmaker Lucy Cash at B-Motion Festival in Italy and with director Merel de Groot at Grand Theatre Groningen.
In Holland her work has been supported by Dansateliers Rotterdam and Het LAB Utrecht. 2011 Tabea has won the Wim Barry Prize for all her choreographic work in Holland and was nominated by the Dutch Dance Days for promising young choreographers.
โDuet for two dancersโ (2010) was selected by Aerowaves in 2013 and was awarded by Reconnaissance, รchirolles 2013. โFieldโ (2014) has been selected by Aerowaves to Priority Group. Both production have been touring in Europe since.
Tabea Martin regularly collaborates with municipal and state theatres. At Schauspielhaus Zรผrich, Gorki Theater Berlin, Theater Basel, Konzert Theater Bern Staatstheater Oldenburg Stadt Theater Konstanz and Theater Neumarkt she worked together with Sebastian Nรผbling, Anna Bergmann, Elina Finkel and Sibylle Berg.
2015 she has won the special prize from Berner Tanzpreise.
Her production โPink for Girls & Blue for Boysโ premiered at Tanzhaus Zรผrich in January 2016 and was touring in whole Europe. Her production โBeyond Indifferenceโ premiered in December 2016 at Kaserne Basel. In May 2017 she realized the mediation project โHome โ Tanzakademie Baselโ in collaboration with Kaserne Basel and Tanzfest Basel. In September 2017 she did the choreography for โNach uns das Allโ (text: Sibylle Berg) with Sebastian Nรผbling at Maxim Gorki Theatre Berlin. On 1 February 2018 her Duet โThis is my last danceโ together with Italian dancer Simona Bertozzi premiered at Kaserne Basel. This was the first part of the trilogy that she made about transience. After she created โFOREVERโ and โNothing Leftโ. Both had Premiere at Kaserne Basel. Nothing Left is co-produced by Dance Festival Steps โ Migros culture percentage 2020.
Pink for Girls and Blue for Boys, This is my last dance as well as Forever were programmed for the Swiss Dance Days.
Her latest works are โGeh nicht in den Wald im Wald ist der Waldโ 2022 and the solo for Tamara Gvozdenovic โDemain est annulรฉโ. Both are touring in Europe.
Tabea Martin received the Culture Award 2016 from Kanton Basel-Landschaft, Switzerland.
From 2016โ2018 she was โYoung Associated Artistโ of the mentoring-programme of Pro Helvetia-Swiss Arts Council. She was supported by PRAIRIE โ the coproduction support of Migros Culture-Percentage from 2016โ2019.
From 2018โ2020 / 2021โ2023 and from 2024-2026 Tabea Martin is supported by Fachausschuss Tanz & Theater Basel-Stadt and Basel-Landschaft in cooperation with Pro Helvetia โ Swiss Arts Council.
Tabea Martin is a jury member of Tanzkommission of the city of Zurich, the SSA โ Sociรฉtรฉ Suisse des Auteurs and Atelier Mondial of the Christoph Merian Stiftung.
She has been teaching at ZHdK, Manufacture, Marchepied, CFP Genรจve.
Ballet Mistress at Ballet Nacional de Espaรฑa and freelance writer/researcher.
\r\nDr. Elna Matamoros holds a PhD with International Mention in Aesthetics and Art Theory (Universidad Autรณnoma de Madrid, 2017 โ Research Internship at ZHdK), and an MA in Dance Education as a Fulbright Scholar (New York University, 2000). As a dancer she was mainly trained in Madrid by her mother Carmina Ocaรฑa following the Bournonville School, and later in New York, at the Joffrey Ballet School and under the tutelage of Wilhelm Burmann and David Howard.
\r\nBetween 2012 and 2019 she was a member of Compaรฑรญa Nacional de Danza (CND) as a Ballet Mistress with Josรฉ Carlos Martรญnez as Artistic Director. Besides having taught ballet in several international companies, Elna Matamoros has also rehearsed ballets by Balanchine, Bournonville, Fabre, Forsythe, Galili, Martรญnez, Lรฉonide Massine, Perrot or Petipa, among many others. She has staged ballets such as Marius Petipaโs Odalisques Pas de trois and August Bournonvilleโs Flower Festival in Genzano, Guillaume Tell Pas de Deux and La Sylphide Divertissement; in 2016, Matamoros revived for Elena Vostrotina the version that Mikhail Fokine staged of The Dying Swan for Elna รrnberg while he was in Denmark in 1925. She is currently working on the revival of another of the most emblematic pieces of Diaghilevโs Ballets Russes and preparing two new books.
\r\nDr. Matamoros is the author of the book Augusto Bournonville, Historia y estilo (Madrid, Akal, 2008, prefaced by Frank Andersen and Tamara Rojo), and editor, by commission of the Antonio Gades Foundation, of the book Carmen/Gades 25 Aรฑos (Madrid, Fundaciรณn Autor, 2008). Her most recently published book, as part of the sub-Texte series of ZHdK (volume 24) is Dance & Costumes, A History of Dressing Movement (Berlin, Alexander Verlag, 2021, prefaced by Jane Pitchard โ V&A Museum); it provides a history of dance costumes linked to the evolution of movement itself.
\r\nShe is also a regular contributor to several performing arts publications and a dance specialist in El Cultural. Dr. Matamoros was also in charge of the full collection of Cuadernos Educativos de la Compaรฑรญa Nacional de Danza. Since 2019 she has been writing the first books for a new series published by Ballet Nacional de Espaรฑa titled #BNE nos cuenta which will be expanded throughout the next years.
\r\nShe has been teaching ballet regularly at ZHdK since 2016. In the last years she created two theory courses especially for the MA students at ZHdK: โDance coaching as a link between choreographer and dancerโ and โDance and Costumesโ. Dr. Matamoros has participated in numerous international symposia, focusing on Romantic Ballet, Diaghilevโs Ballets Russes, Spanish Dance, Aesthetics and Dance Costumes among other subjects. As a frequent lecturer, she has given courses of Anthropology and Dance History, Repertoire Analysis and Ballet Methodology โ especially the Bournonville School โ in several conservatories and research centers, both to students and teachers.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":91148,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Ballet Mistress at Ballet Nacional de Espaรฑa and freelance writer/researcher.\r\nDr. Elna Matamoros holds a PhD with International Mention in Aesthetics and Art Theory (Universidad Autรณnoma de Madrid, 2017 โ Research Internship at ZHdK), and an MA in Dance Education as a Fulbright Scholar (New York University, 2000). As a dancer she was mainly trained in Madrid by her mother Carmina Ocaรฑa following the Bournonville School, and later in New York, at the Joffrey Ballet School and under the tutelage of Wilhelm Burmann and David Howard. \r\nBetween 2012 and 2019 she was a member of Compaรฑรญa Nacional de Danza (CND) as a Ballet Mistress with Josรฉ Carlos Martรญnez as Artistic Director. Besides having taught ballet in several international companies, Elna Matamoros has also rehearsed ballets by Balanchine, Bournonville, Fabre, Forsythe, Galili, Martรญnez, Lรฉonide Massine, Perrot or Petipa, among many others. She has staged ballets such as Marius Petipaโs Odalisques Pas de trois and August Bournonvilleโs Flower Festival in Genzano, Guillaume Tell Pas de Deux and La Sylphide Divertissement; in 2016, Matamoros revived for Elena Vostrotina the version that Mikhail Fokine staged of The Dying Swan for Elna รrnberg while he was in Denmark in 1925. She is currently working on the revival of another of the most emblematic pieces of Diaghilevโs Ballets Russes and preparing two new books.\r\nDr. Matamoros is the author of the book Augusto Bournonville, Historia y estilo (Madrid, Akal, 2008, prefaced by Frank Andersen and Tamara Rojo), and editor, by commission of the Antonio Gades Foundation, of the book Carmen/Gades 25 Aรฑos (Madrid, Fundaciรณn Autor, 2008). Her most recently published book, as part of the sub-Texte series of ZHdK (volume 24) is Dance & Costumes, A History of Dressing Movement (Berlin, Alexander Verlag, 2021, prefaced by Jane Pitchard โ V&A Museum); it provides a history of dance costumes linked to the evolution of movement itself.\r\nShe is also a regular contributor to several performing arts publications and a dance specialist in El Cultural. Dr. Matamoros was also in charge of the full collection of Cuadernos Educativos de la Compaรฑรญa Nacional de Danza. Since 2019 she has been writing the first books for a new series published by Ballet Nacional de Espaรฑa titled #BNE nos cuenta which will be expanded throughout the next years.\r\nShe has been teaching ballet regularly at ZHdK since 2016. In the last years she created two theory courses especially for the MA students at ZHdK: โDance coaching as a link between choreographer and dancerโ and โDance and Costumesโ. Dr. Matamoros has participated in numerous international symposia, focusing on Romantic Ballet, Diaghilevโs Ballets Russes, Spanish Dance, Aesthetics and Dance Costumes among other subjects. As a frequent lecturer, she has given courses of Anthropology and Dance History, Repertoire Analysis and Ballet Methodology โ especially the Bournonville School โ in several conservatories and research centers, both to students and teachers."},"relationships":{"assets":{"data":[{"type":"file","id":"c9ccdb81f6dd7f5aabedd32b15e1d36667961717","attributes":{"id":"c9ccdb81f6dd7f5aabedd32b15e1d36667961717","filename":"ematamoros_sia_2334m1fb.jpg","mime_type":"image/jpeg","path":"live/c9/c9ccdb81f6dd7f5aabedd32b15e1d36667961717","path_file":"live/c9/c9ccdb81f6dd7f5aabedd32b15e1d36667961717/ematamoros_sia_2334m1fb.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/ematamoros_sia_2334m1fb.jpg","height":867,"width":1300,"title":"Dr. Elna Matomoros","alternativeText":"Portrait of Dr. Elna Matomoros","description":"Dr. Elna Matomoros","link":"","filename_original":"","mime_type_original":"","date_create":"10.01.2022 09:15","date_update":"10.01.2022 09:18","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":53749,"attributes":{"uid":53749,"pid":6678,"tstamp":123,"hidden":0,"sorting":1760,"CType":"standard_content","header":"Michael Maurissens","bodytext":"Michael Maurissens was born in Brussels, where he began his dance training. He also studied dance at the Heinz Bosl Stiftung in Munich (1991โ1992) and at the Schweizerische Ballettberufsschule in Zurich (1992โ1993, with the support of the Pierino Ambrosoli Foundation) and has worked at the Ballett Nรผrnberg / Tanzwerk Nรผrnberg, Ballett Freiburg Pretty Ugly, the Mannheim National Theatre and pretty ugly tanz kรถln. Some of the stars he has worked with include Amanda Miller, William Forsythe, Katy Duck, Hideto Heshiki, Martin Sonderkamp, Dominique Dumais and Georg Reischl. In 2009, he joined forces with his colleague Douglas Bateman to set up the MichaelDouglas collective, which is has five performers at its core who keep coming together for different productions โ with both famous and as yet undiscovered dancers, choreographers, musicians, and a broad, collaborative system of institutional partners.
\r\nFor several years now, Michael Maurissens has been working with media beyond the means of dance art, in the field of graphic design, photography and film (as a filmmaker, cameraman and editor). In 2013, he completed his postdoctoral studies at the Academy of Media Arts Cologne, focusing on scenography, applied visual arts and documentary film, achieving the grade โvery goodโ. Today, he stages and produces films, experimental videos and performance documentaries and participates in visual art projects.
\r\nโ Website CARRร BLANC Productions
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":53741,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Michael Maurissens was born in Brussels, where he began his dance training. He also studied dance at the Heinz Bosl Stiftung in Munich (1991โ1992) and at the Schweizerische Ballettberufsschule in Zurich (1992โ1993, with the support of the Pierino Ambrosoli Foundation) and has worked at the Ballett Nรผrnberg / Tanzwerk Nรผrnberg, Ballett Freiburg Pretty Ugly, the Mannheim National Theatre and pretty ugly tanz kรถln. Some of the stars he has worked with include Amanda Miller, William Forsythe, Katy Duck, Hideto Heshiki, Martin Sonderkamp, Dominique Dumais and Georg Reischl. In 2009, he joined forces with his colleague Douglas Bateman to set up the MichaelDouglas collective, which is has five performers at its core who keep coming together for different productions โ with both famous and as yet undiscovered dancers, choreographers, musicians, and a broad, collaborative system of institutional partners.\r\nFor several years now, Michael Maurissens has been working with media beyond the means of dance art, in the field of graphic design, photography and film (as a filmmaker, cameraman and editor). In 2013, he completed his postdoctoral studies at the Academy of Media Arts Cologne, focusing on scenography, applied visual arts and documentary film, achieving the grade โvery goodโ. Today, he stages and produces films, experimental videos and performance documentaries and participates in visual art projects.\r\nโ Website CARRร BLANC Productions "},"relationships":{"assets":{"data":[{"type":"file","id":"142698e2409bdccf0d86a004a25926592e42ab4a","attributes":{"id":"142698e2409bdccf0d86a004a25926592e42ab4a","filename":"2019_mda_maurissens-michael_foto_nn.png","mime_type":"image/png","path":"live/14/142698e2409bdccf0d86a004a25926592e42ab4a","path_file":"live/14/142698e2409bdccf0d86a004a25926592e42ab4a/2019_mda_maurissens-michael_foto_nn.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_Maurissens-Michael_Foto_NN.png","height":943,"width":943,"title":"Michael Maurissens","alternativeText":"Michael Maurissens","description":"Michael Maurissens","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 16:09","date_update":"19.11.2019 14:53","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":110811,"attributes":{"uid":110811,"pid":6678,"tstamp":123,"hidden":0,"sorting":1764,"CType":"standard_content","header":"Thomas Meinecke","bodytext":"Thomas Meinecke was born in Hamburg in 1955 and lives near Munich and in Marseille. He is a writer (numerous novels and stories since 1986 published by Suhrkamp, currently โSelbstโ, 2016), musician (with his band F.S.K., founded in 1980, whose albums have been released on Daniel Richterโs Buback label since 2008; since 1998 many joint electronic projects with Move D.), radio DJ (own broadcast on Bayerischer Rundfunk 1985โ2021) and also DJ in urban night clubs (Berghain, Robert Johnson, Pudel Club, Rote Sonne, Toni Molkerei etc.). At Berlinโs Theater Hebbel am Ufer, he ran the dialogic event series โPlattenspielerโ from 2007 until the first Lockdown in 2020; since fall 2022, the series has continued at Berlinโs Volksbรผhne. In the winter semester 2011/12 he held the poetics lectureship at Goethe University, Frankfurt am Main (โIch als Textโ, edition suhrkamp, 2012). Residencies at universities in Europe and the USA. Most recently: Writer in Residence at the University of St. Andrews, Scotland, Poetics Lectureship Gender at the TU Braunschweig. Numerous awards, in 2020 the Berliner Literaturpreis (with guest professorship at the FU in the summer semester of 2022). In 2021 a โText + Kritikโ volume on Thomas Meinecke was published, in 2022 the poetological reader โOzeanisch Schreibenโ (in Verbrecher Verlag).
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":110810,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":"","phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Thomas Meinecke was born in Hamburg in 1955 and lives near Munich and in Marseille. He is a writer (numerous novels and stories since 1986 published by Suhrkamp, currently โSelbstโ, 2016), musician (with his band F.S.K., founded in 1980, whose albums have been released on Daniel Richterโs Buback label since 2008; since 1998 many joint electronic projects with Move D.), radio DJ (own broadcast on Bayerischer Rundfunk 1985โ2021) and also DJ in urban night clubs (Berghain, Robert Johnson, Pudel Club, Rote Sonne, Toni Molkerei etc.). At Berlinโs Theater Hebbel am Ufer, he ran the dialogic event series โPlattenspielerโ from 2007 until the first Lockdown in 2020; since fall 2022, the series has continued at Berlinโs Volksbรผhne. In the winter semester 2011/12 he held the poetics lectureship at Goethe University, Frankfurt am Main (โIch als Textโ, edition suhrkamp, 2012). Residencies at universities in Europe and the USA. Most recently: Writer in Residence at the University of St. Andrews, Scotland, Poetics Lectureship Gender at the TU Braunschweig. Numerous awards, in 2020 the Berliner Literaturpreis (with guest professorship at the FU in the summer semester of 2022). In 2021 a โText + Kritikโ volume on Thomas Meinecke was published, in 2022 the poetological reader โOzeanisch Schreibenโ (in Verbrecher Verlag)."},"relationships":{"assets":{"data":[{"type":"file","id":"ca67193f122af7ad6e45ebb2e62d55542bb7c372","attributes":{"id":"ca67193f122af7ad6e45ebb2e62d55542bb7c372","filename":"thomas_meinecke.jpeg","mime_type":"image/jpeg","path":"live/ca/ca67193f122af7ad6e45ebb2e62d55542bb7c372","path_file":"live/ca/ca67193f122af7ad6e45ebb2e62d55542bb7c372/thomas_meinecke.jpeg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/thomas_meinecke.jpeg","height":427,"width":640,"title":"thomas_meinecke.jpeg","alternativeText":"Photo: Portrait of Thomas Meinecke","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"29.11.2022 00:49","date_update":"29.11.2022 00:49","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":85174,"attributes":{"uid":85174,"pid":6678,"tstamp":123,"hidden":0,"sorting":1768,"CType":"standard_content","header":"Bjรถrn Pรคtz","bodytext":"Bjรถrn Pรคtz completed his studies in theater studies and new German literature at Freie Universitรคt Berlin. He has coordinated press and PR work for numerous projects and festivals within the independent performing arts community since 2004. Beginning in 2006, he also began working as a production manager for artists based in Berlin. In 2010, he co-founded bjรถrn & bjรถrn, a company for PR, production and dramaturgy. Since 2020 Bjรถrn Pรคtz works as a production and tour manager at the Schauspielhaus Zรผrich.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":85170,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Bjรถrn Pรคtz completed his studies in theater studies and new German literature at Freie Universitรคt Berlin. He has coordinated press and PR work for numerous projects and festivals within the independent performing arts community since 2004. Beginning in 2006, he also began working as a production manager for artists based in Berlin. In 2010, he co-founded bjรถrn & bjรถrn, a company for PR, production and dramaturgy. Since 2020 Bjรถrn Pรคtz works as a production and tour manager at the Schauspielhaus Zรผrich. "},"relationships":{"assets":{"data":[{"type":"file","id":"d20dc366d0f494f9804b6a45d8a24abc9a744ecf","attributes":{"id":"d20dc366d0f494f9804b6a45d8a24abc9a744ecf","filename":"bjo__rn_pa__tz.jpg","mime_type":"image/jpeg","path":"live/d2/d20dc366d0f494f9804b6a45d8a24abc9a744ecf","path_file":"live/d2/d20dc366d0f494f9804b6a45d8a24abc9a744ecf/bjo__rn_pa__tz.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/Bjo__rn_Pa__tz.jpg","height":600,"width":900,"title":"bjo__rn_pa__tz.jpg","alternativeText":"Portrait of Bjรถrn Pรคtz","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"14.10.2021 23:46","date_update":"15.10.2021 11:39","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":54000,"attributes":{"uid":54000,"pid":6678,"tstamp":123,"hidden":0,"sorting":1776,"CType":"standard_content","header":"Naomi Perlov","bodytext":"Born in 1959 in Israel, daughter to a Polish mother and a Brazilian father.
Studied Dance at the Bat Dor Dance Company (Tel Aviv), Schola Cantorum (Paris) and with Milton Myers (New York). In 1984, graduated with โHonorsโ from the Benesh Institute of Choreology (Dance Notation).
Concomitantly, from 1994โ98, served as Co-Artistic Director of the Batsheva Ensemble, Tel-Aviv Israel (Junior Dance Company) along with Ohad Naharin.
Since 1988, she has been working with the choreographer Angelin Preljocaj, assisting in his creations and restaging his ballets all over the world. From 1999 to 2006, she served as Artistic Director for the biannual โShades in Danceโ contest for young Israeli artists at the Suzanne Dellal Center.
In September 2009, she founded โThe Masloolโ, a 2-years professional dance programme at Bikurey HaโItim Arts Center (Tel AvivโJaffa). โThe Masloolโ is artistically directed by Perlov and Offir Dagan and has been supported by the Minister of Culture of Israel since 2011.
In 2015, together with Sharon Rubinov Biderman, she established โDconstructionโ, a methodological course for dance teachers, which provides methodological tools for formulating lesson plans and annual curriculums, knowledge in implementing corrections while encouraging and emphasizing the artistic aspects of rehearsal directing.
In conjunction with her work as artistic director, rehearsal director and judge in dance contests, Naomi teaches modern dance and trains dancers in many courses and workshops.
Carina Premer is based in Giessen, Germany, and works as a lighting designer, teacher and choreographer in contemporary dance and performing arts.
Being trained as a light technician and operator, she studied Applied Theater Studies at Justus Liebig University in Giessen where she developed and hosted several discursive formats and created transdisciplinary performances and exhibitions. Throughout the years, she gained an expanded experience in working in bigger institutions as well as in independent artistic processes. Carina often uses complex light compositions and non-linear dramaturgies to shrink, stretch and warp space and time almost imperceptibly. Her emphasis on choreography and dance manifests in numerous collaborations with choreographers like Mรฅrten Spรฅngberg (SWE), Ana Dubljevic (SE) and Lucie Tuma (CH) as well as in her current studies of the MA programme Choreography and Performance in Giessen. Her approach to performance and dance is strongly informed by the challenge of the very frame of the public presentation and the interconnectedness of working conditions and conditions of spectatorship. In her work she questions origin, identity and authorship by directing attention to prefigurative thinking and the transformation of affective and somatic memories into collective or common agencies.
Charlotta Ruth works and plays with time and perception in her choreography, artistic research and game design. Her work has been presented at WUK, Tanzquartier, brut in Vienna and MDT & Dansens Hus in Stockholm, as well as at conferences at Uniarts Stockholm, the SAR Society of Artistic Research and the Artistic Research Pavillon Venice. Ruth approaches ideas by disregarding genre, instead taking a location- and context-specific approach that oscillates between stage, gallery, public space, institutional intersections and the Internet. She most recently developed a game design for City Games Vienna and worked with Dominik Grรผnbรผhel to create โLiving Documentsโ, five choreographic installations laid out as a course in Stockholm, Copenhagen and Vienna (2020). A continuous source of inspiration and resonance of thought is her work as a performer and collaboration with other artists such as Ingrid Cogne, Alexander Gottfarb, Anne Juren, Saskia Hรถlbling, Toxic Dreams/Yosi Wanunu, Petter Jacobsson and Thomas Caley. Ruth was educated at the Royal Swedish Ballet School and has an MFA in Choreography, specializing in Performance Art from Uniarts Stockholm. She also studied computer-aided thinking and basic programming, e-poetry, digital filmmaking, media activism and writing live-action role plays. Ruth has been a PhD student in artistic research at the University of Applied Arts Vienna since 2017, supervized by Prof. Dr Margarete Jahrmann.
Tanja Saban is a dancer, certified Gaga teacher and yoga practitioner. Born and raised in Switzerland, she graduated from SEAD training programme in 2007. She is a recipient of the conveyor scholarship from the Tanzquartier in Vienna, where she started her career as a freelance dancer and teacher. She collaborates with choreographers and artists of other disciplines on projects as well as creating her own work in Austria, Spain, Switzerland, Israel and New York City.the heart of her artistic practice is an ongoing research of the moving body-a space of experience, expression and personal expansion in the unfolding of physical intelligence and the sensory body. She is currently developing a platform for co-creative, immersive dance experiences that oscillate between club culture, performance and embodied practices.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":96926,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":"","phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Tanja Saban is a dancer, certified Gaga teacher and yoga practitioner. Born and raised in Switzerland, she graduated from SEAD training programme in 2007. She is a recipient of the conveyor scholarship from the Tanzquartier in Vienna, where she started her career as a freelance dancer and teacher. She collaborates with choreographers and artists of other disciplines on projects as well as creating her own work in Austria, Spain, Switzerland, Israel and New York City.the heart of her artistic practice is an ongoing research of the moving body-a space of experience, expression and personal expansion in the unfolding of physical intelligence and the sensory body. She is currently developing a platform for co-creative, immersive dance experiences that oscillate between club culture, performance and embodied practices."},"relationships":{"assets":{"data":[{"type":"file","id":"0516fcef1c16fdf78ab7a83ff1f5af46975bde32","attributes":{"id":"0516fcef1c16fdf78ab7a83ff1f5af46975bde32","filename":"tanja_saban.jpg","mime_type":"image/jpeg","path":"live/05/0516fcef1c16fdf78ab7a83ff1f5af46975bde32","path_file":"live/05/0516fcef1c16fdf78ab7a83ff1f5af46975bde32/tanja_saban.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/tanja_saban.jpg","height":1733,"width":1300,"title":"Tanja Saban","alternativeText":"Portrait of Tanja Saban","description":"Tanja Saban","link":"","filename_original":"","mime_type_original":"","date_create":"12.05.2022 14:33","date_update":"12.05.2022 14:34","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":91663,"attributes":{"uid":91663,"pid":6678,"tstamp":123,"hidden":0,"sorting":2176,"CType":"standard_content","header":"Mor Shani","bodytext":"Mor Shani started his professional career at Bat-Dor dance company Tel Aviv. Studied at Artez dance academy in Arnhem, at DasArts theater academy Amsterdam, The Netherlands, and nowadays finishing his studies of cultural policy at Sapir College, Sderot, Israel. Shani worked as artist in residence at Dansateliers Rotterdam, at ICK Amsterdam and in the last years was house choreographer at Inbal Dance Theater, Tel Aviv, Israel. His works are presented in Israel, Europe, Canada and the U.S, and were nominated for several awards as the Dutch Zwan award next to choreographers Jiri Kylian and Alain Platel. His Project Love-ism was chosen by the European Dance House Network as one of 25 best practices. Currently Shani is developing a format for a new academic dance company that will ask to redefine the way community art is developed in Israel.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":91662,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Mor Shani started his professional career at Bat-Dor dance company Tel Aviv. Studied at Artez dance academy in Arnhem, at DasArts theater academy Amsterdam, The Netherlands, and nowadays finishing his studies of cultural policy at Sapir College, Sderot, Israel. Shani worked as artist in residence at Dansateliers Rotterdam, at ICK Amsterdam and in the last years was house choreographer at Inbal Dance Theater, Tel Aviv, Israel. His works are presented in Israel, Europe, Canada and the U.S, and were nominated for several awards as the Dutch Zwan award next to choreographers Jiri Kylian and Alain Platel. His Project Love-ism was chosen by the European Dance House Network as one of 25 best practices. Currently Shani is developing a format for a new academic dance company that will ask to redefine the way community art is developed in Israel. "},"relationships":{"assets":{"data":[{"type":"file","id":"00516c051ec8a3651e5b823228999109effe7bb1","attributes":{"id":"00516c051ec8a3651e5b823228999109effe7bb1","filename":"mor_portrait.jpg","mime_type":"image/jpeg","path":"live/00/00516c051ec8a3651e5b823228999109effe7bb1","path_file":"live/00/00516c051ec8a3651e5b823228999109effe7bb1/mor_portrait.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/mor_portrait.jpg","height":861,"width":750,"title":"Mor Shani","alternativeText":"Portrait of Mor Shani","description":"Mor Shani","link":"","filename_original":"","mime_type_original":"","date_create":"18.01.2022 16:54","date_update":"18.01.2022 16:55","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":43567,"attributes":{"uid":43567,"pid":6678,"tstamp":123,"hidden":0,"sorting":2304,"CType":"standard_content","header":"Liane Simmel","bodytext":"Liane Simmel, MD, is a medical doctor, osteopath and former professional dancer. She studied dance at the University of Music and Performing Arts Munich and with Merce Cunningham in New York. For over 25 years, she has been working as a dancer and choreographer, during which time she also began her medical studies. Today, she is established with her own practice in Munich as a dance medicine specialist, with a particular focus on osteopathy, spiraldynamics and sports medicine. As director of Fit for Dance, an institute for dance medicine, she specializes in prevention and therapy of dance-related injuries. Liane Simmel is a medical consultant at the University of Music and Performing Arts Munich and is a permanent guest teacher at the Palucca University of Dance, Dresden, as well as at the Zurich University of the Arts. She is a founding member and has been president for 15 years of tamed โ Tanzmedizin Deutschland, the German dance medicine organization. Her book โDance Medicine in Practiceโ published in German, English and Spanish has become standard literature for applied dance medicine all over Europe, the US and Australia. Her new book โNutrition for Dancersโ, written together with Eva-Maria Kraft, was published in English in January 2018. For her pioneering work in the realm of dance medicine, she has been awarded the Prize of Recognition of the German Dance Prizes 2016.
www.fitfordance.de
Ohad Talmor is a New York based Saxophonist and Composer.
A leading voice in the New York modern Jazz scene, he has performed worldwide with a whoโs who of musicians, including Lee Konitz, Josh Redman, Jason Moran, Michael Brecker.
Classically trained as a pianist, he has a Composition degree from the Manhattan School of Music. His music mixes contemporary and jazz vocabulary and has been played by orchestras all over the world.
He teaches at the Geneva Conservatory, the New School in New York and is a frequent guest as a lecturer at the ZHdK Master Jazz programme.
โ Ohad Talmor's website
Anouk van Dijk is a Dutch choreographer, director, dancer and the creator behind the movement system Countertechnique. She was the Artistic Director of Australiaโs leading contemporary dance company Chunky Move from 2012โ2019. Her work is staged for a wide range of settings, varying from black box theatre, to large proscenium stages, to site-specific works.
\r\nIn 2012, she was awarded the Golden Swan, the most prestigious dance accolade in the Netherlands โ in recognition of her outstanding artistic and academic contribution to dance in her home country. Her movement methodology Countertechnique has become known worldwide.
\r\nSince the start of her career, alongside her work as a dancer, Van Dijk has been interested in creating. Before relocating to Australia, Van Dijk had an extensive career in Europe, touring worldwide with her Dutch company anoukvandijk dc from Festival dโAvignon to Dance Triennale Tokyo to Festival TransAmรฉriques. Van Dijkโs long collaborative partnership with German writer and director Falk Richter has resulted in the creation of six critically acclaimed productions such as โTRUSTโ (2009) and โComplexity of Belongingโ (2014). Her interest in site-specific work, such as โMenschโ (2011), โDepth of Fieldโ (2015) and โAccumulationโ (2018) has taken her dancers from the Ship Yards in Amsterdam to the National Gallery of Victoria in Melbourne.
\r\nIn 2012, Van Dijk premiered โAn Act of Nowโ, her debut work for Chunky Move, and the production went on to win The Age Criticsโ Award for best new Australian work during the Melbourne Festival. For the company she has since created 12 full-evening and shorter works, including three collaborative works: โComplexity of Belongingโ (2014) with German writer/director Falk Richter, โAntiโGravityโ (2017) with Singaporean visual artist Ho Tzu Nyen and the film installation work โTracesโ (2019) with American/Australian artist Ian Strange. In 2018, Van Dijk created and curated โAccumulationโ (2018), an immersive work for the gallery space at NGV Triennial EXTRA, followed by her final work for Chunky Move, โCommon Groundโ (2018).
\r\nCentral to the foundation of Anouk van Dijkโs artistic work and the training of her dancers has been Countertechnique, the movement system she developed to provide dancers with applied tools for versatile dance practice in the 21st century. Countertechnique helps dancers in training, rehearsal and performance โ focusing on the process of incorporating information into action. The principles of Countertechnique can also be applied to other dance forms and training methods, such as ballet, hiphop, partnering, yoga, running and Pilates. In 2008, Van Dijk initiated the first, biennial Countertechnique Teachers Training (CTTT) programme. Currently, Countertechnique has 31 certified teachers around the world and the method holds a prominent place in the publication โDance Techniques 2010โ, co-written by Gerald Siegmund and Anouk van Dijk.
\r\nCurrently, Anouk van Dijk is a free-lance choreographer and created her first commission โDistant Matterโ (2019) for the Staatsballett Berlin. Van Dijk is now preparing a new work for the Muฬnchner Kammerspiele, which will premiere in October 2020.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":53752,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Anouk van Dijk is a Dutch choreographer, director, dancer and the creator behind the movement system Countertechnique. She was the Artistic Director of Australiaโs leading contemporary dance company Chunky Move from 2012โ2019. Her work is staged for a wide range of settings, varying from black box theatre, to large proscenium stages, to site-specific works.\r\nIn 2012, she was awarded the Golden Swan, the most prestigious dance accolade in the Netherlands โ in recognition of her outstanding artistic and academic contribution to dance in her home country. Her movement methodology Countertechnique has become known worldwide.\r\nSince the start of her career, alongside her work as a dancer, Van Dijk has been interested in creating. Before relocating to Australia, Van Dijk had an extensive career in Europe, touring worldwide with her Dutch company anoukvandijk dc from Festival dโAvignon to Dance Triennale Tokyo to Festival TransAmรฉriques. Van Dijkโs long collaborative partnership with German writer and director Falk Richter has resulted in the creation of six critically acclaimed productions such as โTRUSTโ (2009) and โComplexity of Belongingโ (2014). Her interest in site-specific work, such as โMenschโ (2011), โDepth of Fieldโ (2015) and โAccumulationโ (2018) has taken her dancers from the Ship Yards in Amsterdam to the National Gallery of Victoria in Melbourne.\r\nIn 2012, Van Dijk premiered โAn Act of Nowโ, her debut work for Chunky Move, and the production went on to win The Age Criticsโ Award for best new Australian work during the Melbourne Festival. For the company she has since created 12 full-evening and shorter works, including three collaborative works: โComplexity of Belongingโ (2014) with German writer/director Falk Richter, โAntiโGravityโ (2017) with Singaporean visual artist Ho Tzu Nyen and the film installation work โTracesโ (2019) with American/Australian artist Ian Strange. In 2018, Van Dijk created and curated โAccumulationโ (2018), an immersive work for the gallery space at NGV Triennial EXTRA, followed by her final work for Chunky Move, โCommon Groundโ (2018).\r\nCentral to the foundation of Anouk van Dijkโs artistic work and the training of her dancers has been Countertechnique, the movement system she developed to provide dancers with applied tools for versatile dance practice in the 21st century. Countertechnique helps dancers in training, rehearsal and performance โ focusing on the process of incorporating information into action. The principles of Countertechnique can also be applied to other dance forms and training methods, such as ballet, hiphop, partnering, yoga, running and Pilates. In 2008, Van Dijk initiated the first, biennial Countertechnique Teachers Training (CTTT) programme. Currently, Countertechnique has 31 certified teachers around the world and the method holds a prominent place in the publication โDance Techniques 2010โ, co-written by Gerald Siegmund and Anouk van Dijk.\r\nCurrently, Anouk van Dijk is a free-lance choreographer and created her first commission โDistant Matterโ (2019) for the Staatsballett Berlin. Van Dijk is now preparing a new work for the Muฬnchner Kammerspiele, which will premiere in October 2020."},"relationships":{"assets":{"data":[{"type":"file","id":"8e07dc2e790cfbb5a7de1d5b99528417b3cae7a2","attributes":{"id":"8e07dc2e790cfbb5a7de1d5b99528417b3cae7a2","filename":"2019_mda_van-dijk_anouk_foto_nn.png","mime_type":"image/png","path":"live/8e/8e07dc2e790cfbb5a7de1d5b99528417b3cae7a2","path_file":"live/8e/8e07dc2e790cfbb5a7de1d5b99528417b3cae7a2/2019_mda_van-dijk_anouk_foto_nn.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_van-Dijk_Anouk_Foto_NN.png","height":639,"width":454,"title":"Anouk van Dijk","alternativeText":"Anouk van Dijk","description":"Anouk van Dijk","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 16:17","date_update":"05.11.2019 14:39","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":43571,"attributes":{"uid":43571,"pid":6678,"tstamp":123,"hidden":0,"sorting":2784,"CType":"standard_content","header":"Annette von Keudell","bodytext":"After training as a photographer, Annette von Keudell first went on to study graphic art, painting and experimental film at the Hochschule fรผr Gestaltung (University of Art and Design) in Offenbach, Germany, before turning her attention to time-based media, spatial installations and artistic photography under the guidance of Prof. Valie Export at Berlin University of the Arts. She then became a protรฉgรฉ of film-maker Prof. Heinz Emigholz (Berlin University of the Arts).
\r\nAnnette von Keudell has since been working as a freelance artist, specializing in media art, conceptual art and space-based media. From 2005 to 2009, she studied cultural management at Universitรคt Hamburg (the University of Hamburg). Alongside her work as a lecturer in short film (film theory, storytelling, camera work and editing) and as an artist, she has also been involved in organizing exhibitions, media productions and public relations work for theatres, mainly for dance productions. In addition, since undertaking training to become a systemic coach from 2010 to 2015, she has provided guidance and support for artistic processes with a focus on communication training.
Her artistic work focuses on interdisciplinary conceptual projects, video installations, photography and experimental film.
Elizabeth Waterhouse is a dancer and postdoc in dance studies at the University of Bern. She is the author of the book Processing Choreography: Thinking With William Forsytheโs Duo published by Transcript Verlag (2022). Her research focuses on choreographic practices, ethnographic and oral history methodology, as well as digital techniques for research and documentation of dance practices. As a performer, she danced from 2004โ2012 in Ballett Frankfurt/The Forsythe Company. Since that time, in parallel and often nurturing her scholarly work, she has continued to develop performances and artistic research projects, including with the groups HOOD, tล, and Movement Forum Bern. Waterhouseโs viewpoint within dance studies makes use of her methodological competences across โresearchโ and โcreativeโ practices in the arts, the humanities and the natural sciences: an education comprising of a BA in Physics from Harvard University, an MFA in dance practice from The Ohio State University and a PhD in dance studies from the Universitรคt Bern/Hochschule der Kรผnste Bern.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":96801,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":"","phd_projects_school":"","phd_projects_program":"","phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Elizabeth Waterhouse is a dancer and postdoc in dance studies at the University of Bern. She is the author of the book Processing Choreography: Thinking With William Forsytheโs Duo published by Transcript Verlag (2022). Her research focuses on choreographic practices, ethnographic and oral history methodology, as well as digital techniques for research and documentation of dance practices. As a performer, she danced from 2004โ2012 in Ballett Frankfurt/The Forsythe Company. Since that time, in parallel and often nurturing her scholarly work, she has continued to develop performances and artistic research projects, including with the groups HOOD, tล, and Movement Forum Bern. Waterhouseโs viewpoint within dance studies makes use of her methodological competences across โresearchโ and โcreativeโ practices in the arts, the humanities and the natural sciences: an education comprising of a BA in Physics from Harvard University, an MFA in dance practice from The Ohio State University and a PhD in dance studies from the Universitรคt Bern/Hochschule der Kรผnste Bern."},"relationships":{"assets":{"data":[{"type":"file","id":"ff50acb4176592175ea6236b15fe69ce6cd984b0","attributes":{"id":"ff50acb4176592175ea6236b15fe69ce6cd984b0","filename":"elizabeth_waterhouse.jpg","mime_type":"image/jpeg","path":"live/ff/ff50acb4176592175ea6236b15fe69ce6cd984b0","path_file":"live/ff/ff50acb4176592175ea6236b15fe69ce6cd984b0/elizabeth_waterhouse.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/elizabeth_waterhouse.jpg","height":982,"width":1300,"title":"Elizabeth Waterhouse","alternativeText":"Portrait of Elizabeth Waterhouse","description":"Elizabeth Waterhouse","link":"","filename_original":"","mime_type_original":"","date_create":"12.05.2022 10:40","date_update":"12.05.2022 10:40","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":85254,"attributes":{"uid":85254,"pid":6678,"tstamp":123,"hidden":0,"sorting":3000,"CType":"standard_content","header":"Gunda Zeeb","bodytext":"Gunda Zeeb studied European Business in Germany, the USA and France and Cultural Management at City University in London. After working at the Forum Freies Theater Dรผsseldorf and the Hebbel am Ufer/ HAU Berlin, she worked as dramaturg and interim director at the Theaterhaus Gessnerallee Zurich from 2006 to 2012. Since 2013 she has been the artistic director of the biennial cultural festival Wildwuchs in Basel, and since 2018 she has been co-director of About Us! Zรผrich Interkulturell. She is a regular guest lecturer at Zurich University of the Arts, the University of Zurich and the Dimitri Theatre School in Verscio. She has been a member of the Cantonal Theatre and Dance Commission since 2012 and a jury member of the Capital Cultural Fund Bern since 2017.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":85253,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Gunda Zeeb studied European Business in Germany, the USA and France and Cultural Management at City University in London. After working at the Forum Freies Theater Dรผsseldorf and the Hebbel am Ufer/ HAU Berlin, she worked as dramaturg and interim director at the Theaterhaus Gessnerallee Zurich from 2006 to 2012. Since 2013 she has been the artistic director of the biennial cultural festival Wildwuchs in Basel, and since 2018 she has been co-director of About Us! Zรผrich Interkulturell. She is a regular guest lecturer at Zurich University of the Arts, the University of Zurich and the Dimitri Theatre School in Verscio. She has been a member of the Cantonal Theatre and Dance Commission since 2012 and a jury member of the Capital Cultural Fund Bern since 2017."},"relationships":{"assets":{"data":[{"type":"file","id":"5f7a47e35c0bdefed91a9162ce7999b07e3dec94","attributes":{"id":"5f7a47e35c0bdefed91a9162ce7999b07e3dec94","filename":"zeeb_gunda.jpg","mime_type":"image/jpeg","path":"live/5f/5f7a47e35c0bdefed91a9162ce7999b07e3dec94","path_file":"live/5f/5f7a47e35c0bdefed91a9162ce7999b07e3dec94/zeeb_gunda.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/zeeb_gunda.jpg","height":1953,"width":1300,"title":"Gunda Zeeb","alternativeText":"Portrait of Gunda Zeeb","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"18.10.2021 18:44","date_update":"18.10.2021 18:44","column_width":50,"copyright":null,"_parent_sys_language_uid":1}}]}}},{"type":"content","id":85256,"attributes":{"uid":85256,"pid":6678,"tstamp":123,"hidden":0,"sorting":3036,"CType":"file_list","header":"","bodytext":"","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":1,"l18n_parent":85255,"categories":0,"rowDescription":null,"is_accordeon":0,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0}},{"type":"content","id":43186,"attributes":{"uid":43186,"pid":6678,"tstamp":125,"hidden":0,"sorting":3072,"CType":"standard_content","header":"Emanuel Gat","bodytext":"Artistic Director und Choreograf
\r\nEmanuel Gat kam 1969 in Israel zur Welt. Im Alter von 23 Jahren kam er an einem vom israelischen Choreografen Nir Ben Gal geleiteten Workshop zum ersten Mal mit Tanz in Berรผhrung. Zwei Monate spรคter wurde er Mitglied der Liat Dror Nir Ben Gal Company, mit der er an internationalen Gastspielen teilnahm. 1994 begann Emanuel Gat als unabhรคngiger Choreograf zu arbeiten.
Wรคhrend zehn Jahren nahm er an zahlreichen Projekten als Choreograf teil, bevor er 2004 seine eigene Kompanie grรผndete. Mit der Truppe Emanuel Gat Dance kreierte er verschiedene Stรผcke, mit denen er internationale Erfolge feierte. Die 2004 am Festival d'Uzรจs entstandenen Choreografien ยซWinterreiseยป und ยซLe sacre du printempsยป wurden weltweit รผber 350 Mal aufgefรผhrt. Das 2006 erarbeitete Stรผck ยซK626ยป feierte am Festival de Marseille Premiere. 2007 folgte die Produktion ยซ3for2007ยป.
Im selben Jahr beschloss Emanuel Gat, sich in Frankreich niederzulassen und mit seiner Kompanie im Maison Intercommunale de la Danse in Istres, Frankreich, zu arbeiten. ยซSilent Balletยป war das erste in Frankreich produzierte Stรผck. Es wurde 2008 am Festival Montpellier Danse aufgefรผhrt, vor der Tanzproduktion ยซWinter Variationsยป im Jahr 2009. 2011 produzierte Emanuel Gat das Stรผck ยซBrilliant Cornersยป fรผr zehn Tรคnzer, fรผr das er auch die Musik kreierte.
Am 33. Festival Montpellier Danse war er 2013 als Associated Artist beteiligt. Mit seiner Kompanie entwickelte er das Projekt ยซUp Close Upยป und stellte zwei Kreationen vor: ยซThe Goldlandbergsยป und ยซCorner Etudesยป; die fotografische Installation ยซItโs people, how abstract can it get?ยป und den choreografischen Event ยซDanses de Courยป. Im Jahr darauf kreierte er ยซPlage Romantiqueยป fรผr die Agora, ein Stรผck fรผr neun Tรคnzer.
Nach drei Jahren in Folge am Festival Montpellier Danse schuf Emanuel Gat ยซSUNNYยป, eine Choreografie fรผr zehn Tรคnzer und den Musiker Awir Lรฉon live auf der Bรผhne. 2017 prรคsentierte Emanuel Gat sein zweites Projekt im Zusammenhang mit seiner Tรคtigkeit am Festival Montpellier Danse. Es umfasste zwei Produktionen: eine einzigartige Zusammenarbeit mit dem Ballet de l'Opera de Lyon, ยซTENWORKSยป (fรผr Jean-Paul), ein Programm bestehend aus zehn kurzen Stรผcken, an dem Tรคnzer beider Kompanien beteiligt waren; und ยซDUOSยป, eine Serie aus Duetten, die an verschiedenen รถffentlichen Standorten in Montpellier aufgefรผhrt wurden. 2016 arbeitete der Choreograf ausserdem mit der Scรจne Nationale d'Albi zusammen.
2017 war er zum ersten Mal am Festival d'Avignon mit ยซStory Waterยป, einem Projekt der Truppe Emanuel Gat Dance und dem Ensemble Modern fรผr elf Tรคnzer und 13 Musikerinnen und Musiker im Ehrenhof des Papstpalastes. Seit der Saison 2018/2019 ist Emanuel Gat fรผr drei Jahre als Associated Artist am Thรฉรขtre National de Chaillot tรคtig.
Er wird regelmรคssig von renommierten franzรถsischen und internationalen Kompanien eingeladen, fรผr die er Stรผcke kreiert oder รผbertrรคgt, so vom Ballet de l'Opรฉra de Paris, dem Ballet du Rhin, dem Ballet National de Marseille, dem Ballet de Lorraine, der Opรฉra de Lyon, der Sydney Dance Company, dem Tanztheater Bremen und der Candoco Dance Company, dem Ballet du Grand Thรฉรขtre de Genรจve, dem Los Angeles Dance Project, dem Ballet Royal de Suรจde, dem Cedar Lake (New York) und dem Ballet British Columbia.
Emanuel Gat wurde mit zahlreichen Preisen ausgezeichnet, so 1995 mit einem Stipendium der Fondation du Ballet Master Albert Gaubiers, 2003 mit dem Rosenblum-Preis und 2004 mit dem Landau-Preis. 2006 wurde er als Mitglied von IcExcellence, der Israeli Culture Excellence Foundation aufgenommen. Ausserdem erhielt er den Bessie Award fรผr die Auffรผhrung der Choreografien ยซWinterreiseยป und ยซSacre du Printempsยป 2006 am Lincoln Center Festival in New York. Im Jahr 2012 wurde er erneut fรผr den Bessie Award nominiert mit ยซPrรฉludes et Fuguesยป fรผr das Ballet du Grand Thรฉรขtre de Genรจve am Joyce Theater in New York. Darรผber hinaus entwickelt und รผbertrรคgt Emanuel Gat Stรผcke im Rahmen pรคdagogischer Schulungen.
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","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Artistic Director und Choreograf\r\nEmanuel Gat kam 1969 in Israel zur Welt. Im Alter von 23 Jahren kam er an einem vom israelischen Choreografen Nir Ben Gal geleiteten Workshop zum ersten Mal mit Tanz in Berรผhrung. Zwei Monate spรคter wurde er Mitglied der Liat Dror Nir Ben Gal Company, mit der er an internationalen Gastspielen teilnahm. 1994 begann Emanuel Gat als unabhรคngiger Choreograf zu arbeiten. Wรคhrend zehn Jahren nahm er an zahlreichen Projekten als Choreograf teil, bevor er 2004 seine eigene Kompanie grรผndete. Mit der Truppe Emanuel Gat Dance kreierte er verschiedene Stรผcke, mit denen er internationale Erfolge feierte. Die 2004 am Festival d'Uzรจs entstandenen Choreografien ยซWinterreiseยป und ยซLe sacre du printempsยป wurden weltweit รผber 350 Mal aufgefรผhrt. Das 2006 erarbeitete Stรผck ยซK626ยป feierte am Festival de Marseille Premiere. 2007 folgte die Produktion ยซ3for2007ยป. Im selben Jahr beschloss Emanuel Gat, sich in Frankreich niederzulassen und mit seiner Kompanie im Maison Intercommunale de la Danse in Istres, Frankreich, zu arbeiten. ยซSilent Balletยป war das erste in Frankreich produzierte Stรผck. Es wurde 2008 am Festival Montpellier Danse aufgefรผhrt, vor der Tanzproduktion ยซWinter Variationsยป im Jahr 2009. 2011 produzierte Emanuel Gat das Stรผck ยซBrilliant Cornersยป fรผr zehn Tรคnzer, fรผr das er auch die Musik kreierte. Am 33. Festival Montpellier Danse war er 2013 als Associated Artist beteiligt. Mit seiner Kompanie entwickelte er das Projekt ยซUp Close Upยป und stellte zwei Kreationen vor: ยซThe Goldlandbergsยป und ยซCorner Etudesยป; die fotografische Installation ยซItโs people, how abstract can it get?ยป und den choreografischen Event ยซDanses de Courยป. Im Jahr darauf kreierte er ยซPlage Romantiqueยป fรผr die Agora, ein Stรผck fรผr neun Tรคnzer. Nach drei Jahren in Folge am Festival Montpellier Danse schuf Emanuel Gat ยซSUNNYยป, eine Choreografie fรผr zehn Tรคnzer und den Musiker Awir Lรฉon live auf der Bรผhne. 2017 prรคsentierte Emanuel Gat sein zweites Projekt im Zusammenhang mit seiner Tรคtigkeit am Festival Montpellier Danse. Es umfasste zwei Produktionen: eine einzigartige Zusammenarbeit mit dem Ballet de l'Opera de Lyon, ยซTENWORKSยป (fรผr Jean-Paul), ein Programm bestehend aus zehn kurzen Stรผcken, an dem Tรคnzer beider Kompanien beteiligt waren; und ยซDUOSยป, eine Serie aus Duetten, die an verschiedenen รถffentlichen Standorten in Montpellier aufgefรผhrt wurden. 2016 arbeitete der Choreograf ausserdem mit der Scรจne Nationale d'Albi zusammen. 2017 war er zum ersten Mal am Festival d'Avignon mit ยซStory Waterยป, einem Projekt der Truppe Emanuel Gat Dance und dem Ensemble Modern fรผr elf Tรคnzer und 13 Musikerinnen und Musiker im Ehrenhof des Papstpalastes. Seit der Saison 2018/2019 ist Emanuel Gat fรผr drei Jahre als Associated Artist am Thรฉรขtre National de Chaillot tรคtig. Er wird regelmรคssig von renommierten franzรถsischen und internationalen Kompanien eingeladen, fรผr die er Stรผcke kreiert oder รผbertrรคgt, so vom Ballet de l'Opรฉra de Paris, dem Ballet du Rhin, dem Ballet National de Marseille, dem Ballet de Lorraine, der Opรฉra de Lyon, der Sydney Dance Company, dem Tanztheater Bremen und der Candoco Dance Company, dem Ballet du Grand Thรฉรขtre de Genรจve, dem Los Angeles Dance Project, dem Ballet Royal de Suรจde, dem Cedar Lake (New York) und dem Ballet British Columbia. Emanuel Gat wurde mit zahlreichen Preisen ausgezeichnet, so 1995 mit einem Stipendium der Fondation du Ballet Master Albert Gaubiers, 2003 mit dem Rosenblum-Preis und 2004 mit dem Landau-Preis. 2006 wurde er als Mitglied von IcExcellence, der Israeli Culture Excellence Foundation aufgenommen. Ausserdem erhielt er den Bessie Award fรผr die Auffรผhrung der Choreografien ยซWinterreiseยป und ยซSacre du Printempsยป 2006 am Lincoln Center Festival in New York. Im Jahr 2012 wurde er erneut fรผr den Bessie Award nominiert mit ยซPrรฉludes et Fuguesยป fรผr das Ballet du Grand Thรฉรขtre de Genรจve am Joyce Theater in New York. Darรผber hinaus entwickelt und รผbertrรคgt Emanuel Gat Stรผcke im Rahmen pรคdagogischer Schulungen.\r\nSite | Facebook | Instagram | YouTube | Vimeo | Twitter"},"relationships":{"assets":{"data":[{"type":"file","id":"cf0d1137110d0d296afed6e16d14fc61f9fe54f7","attributes":{"id":"cf0d1137110d0d296afed6e16d14fc61f9fe54f7","filename":"mda_gastdozierende_gat_web.jpg","mime_type":"image/jpeg","path":"live/cf/cf0d1137110d0d296afed6e16d14fc61f9fe54f7","path_file":"live/cf/cf0d1137110d0d296afed6e16d14fc61f9fe54f7/mda_gastdozierende_gat_web.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/MDA_Gastdozierende_Gat_web.jpg","height":867,"width":1300,"title":"Emanuel Gat","alternativeText":"Emanuel Gat. Foto: Julia Gat","description":"Emanuel Gat. Foto: Julia Gat","link":"","filename_original":"","mime_type_original":"","date_create":"06.09.2018 16:43","date_update":"05.03.2019 11:01","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":85169,"attributes":{"uid":85169,"pid":6678,"tstamp":125,"hidden":0,"sorting":3264,"CType":"standard_content","header":"Michael Getman","bodytext":"Michael (Misha) Getman was born in Israel to parents Dora and Zechariah, who immigrated to Is-rael from Soviet Leningrad after a failed-plane hijacking by young Jewish dissidents to escape the USSR in 1970 โ โOperation Wedding.โ
His professional education was at the Bat Dor School of dance, directed by Jennette Ordman. As an interpreter, he gained experience at the Batsheva junior ensemble directed by Naomi Perlov. He later joined the Batsheva dance company, where he worked for three years with the choreographer and artistic director Ohad Naharin. In 1999 he joined the Ballet Freiburg Pretty Ugly, where he worked till 2004 with the choreographer Amanda Miller. He also worked at the Sadt Theatre Saarbrucken, directed by the choreographer Marguerite Donlon. As a performer, he had the privilege of learning and interpreting works by master choreographers, including Ohad Naharin, Amanda K Miller, Marguerite Donlon, and William Forsythe. Since 2007 Getman has been developing his work and choreographic structure. He examines and is curious about the relationship between our bodily actions, cognitive responses, and the ability to respond to the ongoing demands of experience with a range of physical arousal and emotions. His works have been presented in various festivals and venues, including Israel Museum (Jerusalem), Suzanne Dellal Center (Tel Aviv), Open Look (St.Petersburg), Holland Dance (Den Haag), Nowy Teater (Warsaw), Thรฉรขtre National de Chaillot (Paris), Schauspielhaus (Hamburg). Michael also works in Theatre and Ethnography, researching and facilitating artistic expression with various communities and cultures.
He teaches choreography, composition, and improvisation workshops for professional and non-professional.
Since 2020 Getman has been working towards an M.A. at the University of Huddersfield, England.
Geboren in Hongkong als Sohn deutscher und westafrikanischer Eltern, aufgewachsen in Berlin und erzogen durch Hip Hop, nutzt Raphael Moussa Hillebrand seinen vielseitigen kulturellen Hintergrund, um seine Vision von Hip Hop Tanztheater zu verwirklichen. Seit 2005 arbeitet er regelmรครig mit dem Goethe Institut zusammen. Durch seine umfangreiche internationale Arbeit hat er ein Verstรคndnis und Gespรผr fรผr soziale Gerechtigkeit und eine Sensibilitรคt fรผr die Komplexitรคt kultureller Identitรคt entwickelt. Er leitet regelmรครig internationale Kultur- und Kooperationsprogramme und kreiert Tanztheaterproduktionen mit den lokalen Tรคnzern.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Geboren in Hongkong als Sohn deutscher und westafrikanischer Eltern, aufgewachsen in Berlin und erzogen durch Hip Hop, nutzt Raphael Moussa Hillebrand seinen vielseitigen kulturellen Hintergrund, um seine Vision von Hip Hop Tanztheater zu verwirklichen. Seit 2005 arbeitet er regelmรครig mit dem Goethe Institut zusammen. Durch seine umfangreiche internationale Arbeit hat er ein Verstรคndnis und Gespรผr fรผr soziale Gerechtigkeit und eine Sensibilitรคt fรผr die Komplexitรคt kultureller Identitรคt entwickelt. Er leitet regelmรครig internationale Kultur- und Kooperationsprogramme und kreiert Tanztheaterproduktionen mit den lokalen Tรคnzern."},"relationships":{"assets":{"data":[{"type":"file","id":"ef91ab15836b966754567f7d5682d24de851925b","attributes":{"id":"ef91ab15836b966754567f7d5682d24de851925b","filename":"raphael_moussa_hillebrand.jpeg","mime_type":"image/jpeg","path":"live/ef/ef91ab15836b966754567f7d5682d24de851925b","path_file":"live/ef/ef91ab15836b966754567f7d5682d24de851925b/raphael_moussa_hillebrand.jpeg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/raphael_moussa_hillebrand.jpeg","height":1280,"width":859,"title":"Raphael Moussa Hillebrand","alternativeText":"Portrait von Raphael Moussa Hillebrand","description":"Raphael Moussa Hillebrand","link":"","filename_original":"","mime_type_original":"","date_create":"12.05.2022 10:29","date_update":"12.05.2022 10:29","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":43272,"attributes":{"uid":43272,"pid":6678,"tstamp":125,"hidden":0,"sorting":3456,"CType":"standard_content","header":"Jason Jacobs","bodytext":"Jason Jacobs lebt in Frankfurt a. M. und ist Tรคnzer, Choreograf und Dozent. Er entwickelt Tanznummern und ist weltweit mit renommierten Choreografen und Kompanien aufgetreten, so auch mit Hofesh Shechter, Johannes Wieland, dem Complexions Contemporary Ballet und dem North Carolina Dance Theater. 2014 schloss er an der HfMDK Frankfurt den Studiengang Contemporary Dance Education mit dem Master ab. Derzeit entwickelt er zusammen mit der Choreografin Ekaterine Giorgadze Projekte unter der Bezeichnung ยซMuddyBootsยป. Er lehrt an verschiedenen Tanzinstitutionen in ganz Europa, ist Fakultรคtsmitglied an der Anton Bruckner Privatuniversitรคt in Linz, รsterreich, und arbeitet als Probenleiter fรผr TanzMainz.
www.muddyboots-dance.com
Dutch choreographer Nanine Linning (1977, Amsterdam) consciously leaves the beaten theatrical track. Moving beyond divisions and working across disciplines, combining dance, opera, concerts and installations. Crossing fields of design, video, visual arts and music, her productions are characterized by an explosive movement language and an equally vivid imagery. Linning designs opulent poetic work; her evening-length productions are worlds on their own in their visual and dramaturgical content. Her out of the box concepts make reference to human emotions as well as aspects of cultural history and social criticism. Her close cooperation with diverse internationally known artists and scientists is reflected in the broad spectrum of her projects, which include European co-productions and touring, exhibitions and installations.
Linning received the Philip Morris Prize (2003), a Swan for Best Dance Production for ยซBaconยป (2006), and was nominated twice for the German โFaustโ Award (2012 and 2013) for ยซVoice Overยป and ยซZeroยป respectively. Her ยซRequiemยป (2015) for Konzert Theater Bern, gained the Swiss Dance Award. Die Deutsche Bรผhne named her top 4 Impressive Choreographers of 2017. Magazine tanz mentioned her in the Category Choreographer of the Year 2017. Her dancefilm ยซLa Voix Humainยป won several prizes in Filmfestivals in Venice, Tokyo, London, Lisbon, Amsterdam and New York in 2021โ2022.
After graduating Linning founded her own ensemble, Dance Company Nanine Linning. From 2001โ2006 she was appointed resident choreographer for Scapino Ballet. From 2009โ2012 she was artistic director and chief choreographer at Theater Osnabrรผck, from 2012โ2018, she headed the newly established dance company of Theater und Orchester Heidelberg where she created seven evening length dance productions and directed two operas, ยซMadama Butterflyยป and ยซAkhnatonยป from Philip Glass. In Heidelberg she became a founder of both Festival Tanzbiennale and the Choreographic Centre. In 2018 and 2019 she was appointed as curator of the dance programme of Festspiele Ludwigshafen. Linning is appointed as new Artistic Director of Scapino Ballet Rotterdam as of season 2024โ2025.
Linning created and produced with her own company evening lenghth productions such as ยซBaconยป about the painter Francis Bacon, ยซCry Loveยป and ยซEndless Song of Silenceยป, her acclaimed dance and video production in collaboration with Iris van Herpen. In 2019 she created ยซDouble Helixยป, an installation based performance in collaboration with Dutch designer Bart Hess.
As freelancer she was commissioned to create productions for the Stuttgart Ballet, Bavarian State Ballet Munich, Gauthier Dance Stuttgart, Theater Bielefeld (DE), Netherlands Chamber Choir (NL), Konzert Theater Bern (CH), Boston Ballet (USA), Szeged Dance Company (HU) and MusicAeterna in St. Petersburg (RU).
โ Instagram: naninelinningdance
โ Nanine Linningโs website
Der gebรผrtige Villacher Guido Markowitz studierte klassisches Ballett sowie zeitgenรถssischen und modernen Tanz an der Akademie Iwanson und arbeitete anschliessend an den stรคdtischen Bรผhnen Mรผnster, bevor er 1996 als Solist und Choreograf zum Tanztheater am Staatstheater Darmstadt wechselte. Seit 2004 arbeitet Guido Markowitz als freischaffender Choreograf und Regisseur. In seine Arbeiten bezieht er sรคmtliche Sparten mit ein, mischt Generationen und bringt Tรคnzer gemeinsam mit Turnern und Break Dancern auf die Bรผhne. Der Pforzheimer Ballettdirektor wurde fรผr seine Arbeiten zweimal fรผr den Deutschen Theaterpreis Faust nominiert. 2014 war der Choreograf unter anderem mit zwei Produktionen beim Tanztreffen der Berliner Festspiele eingeladen.
\r\nGuido Markowitz ist seit der Spielzeit 2015/16 Ballettdirektor am Theater Pforzheim.
Seit Mรคrz 2017 ist er zudem im Vorstand der ยซTanzSzene Baden-Wรผrttemberg e.V.ยป ehrenamtlich tรคtig.
Tabea Martin is a choreographer and performer based in Basel, Switzerland. She studied Modern Dance at the Hogeschool voor de Kunsten in Amsterdam (2002). She danced with Piet Rogie & Company in Holland, with Fabian Chyle in Stuttgart and Nick Bryson in Ireland. She has been guest student at SNDO in Amsterdam and finished studying choreography at Rotterdamse Dansacademie in 2006.
Her productions โA cotรฉ de lโombreโ (2004), โSculpterreโ (2005), โPromenade dans lโeauโ (2005) and โImpairโ (2005) have been touring in Holland and Switzerland. 2006 her production โรber freundliche und ausgeglichene Menschenโ was the opener for Tanztage Basel at Roxy theatre. In 2007 she was invited to a symposium with Forced Entertainment at PACT Zollverein Essen. Also she created choreographies for Junges Theater Basel โS chunnt scho guetโ.
2008 she was invited to Choreoroam Project, an initiative for young choreographers in Great Britain, Italy and Switzerland. 2009 she collaborated with filmmaker Lucy Cash at B-Motion Festival in Italy and with director Merel de Groot at Grand Theatre Groningen.
In Holland her work has been supported by Dansateliers Rotterdam and Het LAB Utrecht. 2011 Tabea has won the Wim Barry Prize for all her choreographic work in Holland and was nominated by the Dutch Dance Days for promising young choreographers.
โDuet for two dancersโ (2010) was selected by Aerowaves in 2013 and was awarded by Reconnaissance, รchirolles 2013. โFieldโ (2014) has been selected by Aerowaves to Priority Group. Both production have been touring in Europe since.
Tabea Martin regularly collaborates with municipal and state theatres. At Schauspielhaus Zรผrich, Gorki Theater Berlin, Theater Basel, Konzert Theater Bern Staatstheater Oldenburg Stadt Theater Konstanz and Theater Neumarkt she worked together with Sebastian Nรผbling, Anna Bergmann, Elina Finkel and Sibylle Berg.
2015 she has won the special prize from Berner Tanzpreise.
Her production โPink for Girls & Blue for Boysโ premiered at Tanzhaus Zรผrich in January 2016 and was touring in whole Europe. Her production โBeyond Indifferenceโ premiered in December 2016 at Kaserne Basel. In May 2017 she realized the mediation project โHome โ Tanzakademie Baselโ in collaboration with Kaserne Basel and Tanzfest Basel. In September 2017 she did the choreography for โNach uns das Allโ (text: Sibylle Berg) with Sebastian Nรผbling at Maxim Gorki Theatre Berlin. On 1 February 2018 her Duet โThis is my last danceโ together with Italian dancer Simona Bertozzi premiered at Kaserne Basel. This was the first part of the trilogy that she made about transience. After she created โFOREVERโ and โNothing Leftโ. Both had Premiere at Kaserne Basel. Nothing Left is co-produced by Dance Festival Steps โ Migros culture percentage 2020.
Pink for Girls and Blue for Boys, This is my last dance as well as Forever were programmed for the Swiss Dance Days.
Her latest works are โGeh nicht in den Wald im Wald ist der Waldโ 2022 and the solo for Tamara Gvozdenovic โDemain est annulรฉโ. Both are touring in Europe.
Tabea Martin received the Culture Award 2016 from Kanton Basel-Landschaft, Switzerland.
From 2016โ2018 she was โYoung Associated Artistโ of the mentoring-programme of Pro Helvetia-Swiss Arts Council. She was supported by PRAIRIE โ the coproduction support of Migros Culture-Percentage from 2016โ2019.
From 2018โ2020 / 2021โ2023 and from 2024-2026 Tabea Martin is supported by Fachausschuss Tanz & Theater Basel-Stadt and Basel-Landschaft in cooperation with Pro Helvetia โ Swiss Arts Council.
Tabea Martin is a jury member of Tanzkommission of the city of Zurich, the SSA โ Sociรฉtรฉ Suisse des Auteurs and Atelier Mondial of the Christoph Merian Stiftung.
She has been teaching at ZHdK, Manufacture, Marchepied, CFP Genรจve.
Ballet Mistress at Ballet Nacional de Espaรฑa and freelance writer/researcher.
\r\nDr. Elna Matamoros holds a PhD with International Mention in Aesthetics and Art Theory (Universidad Autรณnoma de Madrid, 2017 โ Research Internship at ZHdK), and an MA in Dance Education as a Fulbright Scholar (New York University, 2000). As a dancer she was mainly trained in Madrid by her mother Carmina Ocaรฑa following the Bournonville School, and later in New York, at the Joffrey Ballet School and under the tutelage of Wilhelm Burmann and David Howard.
\r\nBetween 2012 and 2019 she was a member of Compaรฑรญa Nacional de Danza (CND) as a Ballet Mistress with Josรฉ Carlos Martรญnez as Artistic Director. Besides having taught ballet in several international companies, Elna Matamoros has also rehearsed ballets by Balanchine, Bournonville, Fabre, Forsythe, Galili, Martรญnez, Lรฉonide Massine, Perrot or Petipa, among many others. She has staged ballets such as Marius Petipaโs Odalisques Pas de trois and August Bournonvilleโs Flower Festival in Genzano, Guillaume Tell Pas de Deux and La Sylphide Divertissement; in 2016, Matamoros revived for Elena Vostrotina the version that Mikhail Fokine staged of The Dying Swan for Elna รrnberg while he was in Denmark in 1925. She is currently working on the revival of another of the most emblematic pieces of Diaghilevโs Ballets Russes and preparing two new books.
\r\nDr. Matamoros is the author of the book Augusto Bournonville, Historia y estilo (Madrid, Akal, 2008, prefaced by Frank Andersen and Tamara Rojo), and editor, by commission of the Antonio Gades Foundation, of the book Carmen/Gades 25 Aรฑos (Madrid, Fundaciรณn Autor, 2008). Her most recently published book, as part of the sub-Texte series of ZHdK (volume 24) is Dance & Costumes, A History of Dressing Movement (Berlin, Alexander Verlag, 2021, prefaced by Jane Pitchard โ V&A Museum); it provides a history of dance costumes linked to the evolution of movement itself.
She is also a regular contributor to several performing arts publications and a dance specialist in El Cultural. Dr. Matamoros was also in charge of the full collection of Cuadernos Educativos de la Compaรฑรญa Nacional de Danza. Since 2019 she has been writing the first books for a new series published by Ballet Nacional de Espaรฑa titled #BNE nos cuenta which will be expanded throughout the next years.
She has been teaching ballet regularly at ZHdK since 2016. In the last years she created two theory courses especially for the MA students at ZHdK: โDance coaching as a link between choreographer and dancerโ and โDance and Costumesโ. Dr. Matamoros has participated in numerous international symposia, focusing on Romantic Ballet, Diaghilevโs Ballets Russes, Spanish Dance, Aesthetics and Dance Costumes among other subjects. As a frequent lecturer, she has given courses of Anthropology and Dance History, Repertoire Analysis and Ballet Methodology โ especially the Bournonville School โ in several conservatories and research centers, both to students and teachers.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Ballet Mistress at Ballet Nacional de Espaรฑa and freelance writer/researcher.\r\nDr. Elna Matamoros holds a PhD with International Mention in Aesthetics and Art Theory (Universidad Autรณnoma de Madrid, 2017 โ Research Internship at ZHdK), and an MA in Dance Education as a Fulbright Scholar (New York University, 2000). As a dancer she was mainly trained in Madrid by her mother Carmina Ocaรฑa following the Bournonville School, and later in New York, at the Joffrey Ballet School and under the tutelage of Wilhelm Burmann and David Howard. \r\nBetween 2012 and 2019 she was a member of Compaรฑรญa Nacional de Danza (CND) as a Ballet Mistress with Josรฉ Carlos Martรญnez as Artistic Director. Besides having taught ballet in several international companies, Elna Matamoros has also rehearsed ballets by Balanchine, Bournonville, Fabre, Forsythe, Galili, Martรญnez, Lรฉonide Massine, Perrot or Petipa, among many others. She has staged ballets such as Marius Petipaโs Odalisques Pas de trois and August Bournonvilleโs Flower Festival in Genzano, Guillaume Tell Pas de Deux and La Sylphide Divertissement; in 2016, Matamoros revived for Elena Vostrotina the version that Mikhail Fokine staged of The Dying Swan for Elna รrnberg while he was in Denmark in 1925. She is currently working on the revival of another of the most emblematic pieces of Diaghilevโs Ballets Russes and preparing two new books.\r\nDr. Matamoros is the author of the book Augusto Bournonville, Historia y estilo (Madrid, Akal, 2008, prefaced by Frank Andersen and Tamara Rojo), and editor, by commission of the Antonio Gades Foundation, of the book Carmen/Gades 25 Aรฑos (Madrid, Fundaciรณn Autor, 2008). Her most recently published book, as part of the sub-Texte series of ZHdK (volume 24) is Dance & Costumes, A History of Dressing Movement (Berlin, Alexander Verlag, 2021, prefaced by Jane Pitchard โ V&A Museum); it provides a history of dance costumes linked to the evolution of movement itself. She is also a regular contributor to several performing arts publications and a dance specialist in El Cultural. Dr. Matamoros was also in charge of the full collection of Cuadernos Educativos de la Compaรฑรญa Nacional de Danza. Since 2019 she has been writing the first books for a new series published by Ballet Nacional de Espaรฑa titled #BNE nos cuenta which will be expanded throughout the next years.\r\nShe has been teaching ballet regularly at ZHdK since 2016. In the last years she created two theory courses especially for the MA students at ZHdK: โDance coaching as a link between choreographer and dancerโ and โDance and Costumesโ. Dr. Matamoros has participated in numerous international symposia, focusing on Romantic Ballet, Diaghilevโs Ballets Russes, Spanish Dance, Aesthetics and Dance Costumes among other subjects. As a frequent lecturer, she has given courses of Anthropology and Dance History, Repertoire Analysis and Ballet Methodology โ especially the Bournonville School โ in several conservatories and research centers, both to students and teachers."},"relationships":{"assets":{"data":[{"type":"file","id":"650d559283650f33b315d5bee239cf67f11e18da","attributes":{"id":"650d559283650f33b315d5bee239cf67f11e18da","filename":"ematamoros_sia_2334m1fb.jpg","mime_type":"image/jpeg","path":"live/65/650d559283650f33b315d5bee239cf67f11e18da","path_file":"live/65/650d559283650f33b315d5bee239cf67f11e18da/ematamoros_sia_2334m1fb.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/ematamoros_sia_2334m1fb.jpg","height":867,"width":1300,"title":"Dr. Elna Matomoros","alternativeText":"Portrรคt von Dr. Elna Matomoros","description":"Dr. Elna Matomoros","link":"","filename_original":"","mime_type_original":"","date_create":"10.01.2022 09:14","date_update":"10.01.2022 09:18","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":53741,"attributes":{"uid":53741,"pid":6678,"tstamp":125,"hidden":0,"sorting":3520,"CType":"standard_content","header":"Michael Maurissens","bodytext":"Michael Maurissens wurde in Brรผssel geboren, wo er mit seinem Tanztraining begann. Weiter studierte er Tanz an der Heinz-Bosl-Stiftung in Mรผnchen (1991โ1992) und an der Schweizerischen Ballettberufsschule in Zรผrich (1992โ1993, mit der Unterstรผtzung der Pierino Ambrosoli Foundation) und war am Ballett Nรผrnberg / Tanzwerk Nรผrnberg, am Ballett Freiburg Pretty Ugly, am Nationaltheater Mannheim und bei pretty ugly tanz kรถln engagiert. Er hat unter anderem mit Amanda Miller, William Forsythe, Katy Duck, Hideto Heshiki, Martin Sonderkamp, Dominique Dumais und Georg Reischl gearbeitet. 2009 grรผndete er zusammen mit dem Kollegen Douglas Bateman das MichaelDouglas Kollektiv, welches sich um einen Kern von fรผnf Performern bildet, die sich konsistent fรผr unterschiedliche Aktivitรคten neu verbinden โ mit bekannten und mit neu zu entdeckenden Tรคnzern, Choreografinnen, Musikern/Musikerinnen und einem breitgefรคcherten, kollaborativen System von institutionellen Partnern.
\r\nSeit einigen Jahren arbeitet Michael Maurissens mit Medien รผber die Mittel der Tanzkunst hinaus, auf dem Gebiet des Graphic Design, der Fotografie und des Films (als Filmemacher, Kameramann und Cutter). 2013 schloss er sein Postdoc-Studium an der Kunsthochschule fรผr Medien Kรถln mit der Note ยซsehr gutยป ab. Sein Studium konzentrierte sich auf Szenografie, angewandte bildende Kunst und Dokumentarfilm. Heute inszeniert und produziert er Filme, experimentelle Videoarbeiten sowie Performance-Dokumentationen und beteiligt sich an gemeinsamen visuellen Kunstprojekten.
\r\nโ Website CARRร BLANC Productions
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Michael Maurissens wurde in Brรผssel geboren, wo er mit seinem Tanztraining begann. Weiter studierte er Tanz an der Heinz-Bosl-Stiftung in Mรผnchen (1991โ1992) und an der Schweizerischen Ballettberufsschule in Zรผrich (1992โ1993, mit der Unterstรผtzung der Pierino Ambrosoli Foundation) und war am Ballett Nรผrnberg / Tanzwerk Nรผrnberg, am Ballett Freiburg Pretty Ugly, am Nationaltheater Mannheim und bei pretty ugly tanz kรถln engagiert. Er hat unter anderem mit Amanda Miller, William Forsythe, Katy Duck, Hideto Heshiki, Martin Sonderkamp, Dominique Dumais und Georg Reischl gearbeitet. 2009 grรผndete er zusammen mit dem Kollegen Douglas Bateman das MichaelDouglas Kollektiv, welches sich um einen Kern von fรผnf Performern bildet, die sich konsistent fรผr unterschiedliche Aktivitรคten neu verbinden โ mit bekannten und mit neu zu entdeckenden Tรคnzern, Choreografinnen, Musikern/Musikerinnen und einem breitgefรคcherten, kollaborativen System von institutionellen Partnern. \r\nSeit einigen Jahren arbeitet Michael Maurissens mit Medien รผber die Mittel der Tanzkunst hinaus, auf dem Gebiet des Graphic Design, der Fotografie und des Films (als Filmemacher, Kameramann und Cutter). 2013 schloss er sein Postdoc-Studium an der Kunsthochschule fรผr Medien Kรถln mit der Note ยซsehr gutยป ab. Sein Studium konzentrierte sich auf Szenografie, angewandte bildende Kunst und Dokumentarfilm. Heute inszeniert und produziert er Filme, experimentelle Videoarbeiten sowie Performance-Dokumentationen und beteiligt sich an gemeinsamen visuellen Kunstprojekten.\r\nโ Website CARRร BLANC Productions "},"relationships":{"assets":{"data":[{"type":"file","id":"7ed4a141d4904b2be3e6db34649fe7481056a86f","attributes":{"id":"7ed4a141d4904b2be3e6db34649fe7481056a86f","filename":"2019_mda_maurissens-michael_foto_nn.png","mime_type":"image/png","path":"live/7e/7ed4a141d4904b2be3e6db34649fe7481056a86f","path_file":"live/7e/7ed4a141d4904b2be3e6db34649fe7481056a86f/2019_mda_maurissens-michael_foto_nn.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_Maurissens-Michael_Foto_NN.png","height":943,"width":943,"title":"Michael Maurissens","alternativeText":"Michael Maurissens","description":"Michael Maurissens","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 15:30","date_update":"19.11.2019 15:02","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":110810,"attributes":{"uid":110810,"pid":6678,"tstamp":125,"hidden":0,"sorting":3528,"CType":"standard_content","header":"Thomas Meinecke","bodytext":"Thomas Meinecke was born in Hamburg in 1955 and lives near Munich and in Marseille. He is a writer (numerous novels and stories since 1986 published by Suhrkamp, currently โSelbstโ, 2016), musician (with his band F.S.K., founded in 1980, whose albums have been released on Daniel Richterโs Buback label since 2008; since 1998 many joint electronic projects with Move D.), radio DJ (own broadcast on Bayerischer Rundfunk 1985โ2021) and also DJ in urban night clubs (Berghain, Robert Johnson, Pudel Club, Rote Sonne, Toni Molkerei etc.). At Berlinโs Theater Hebbel am Ufer, he ran the dialogic event series โPlattenspielerโ from 2007 until the first Lockdown in 2020; since fall 2022, the series has continued at Berlinโs Volksbรผhne. In the winter semester 2011/12 he held the poetics lectureship at Goethe University, Frankfurt am Main (โIch als Textโ, edition suhrkamp, 2012). Residencies at universities in Europe and the USA. Most recently: Writer in Residence at the University of St. Andrews, Scotland, Poetics Lectureship Gender at the TU Braunschweig. Numerous awards, in 2020 the Berliner Literaturpreis (with guest professorship at the FU in the summer semester of 2022). In 2021 a โText + Kritikโ volume on Thomas Meinecke was published, in 2022 the poetological reader โOzeanisch Schreibenโ (in Verbrecher Verlag).
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Thomas Meinecke was born in Hamburg in 1955 and lives near Munich and in Marseille. He is a writer (numerous novels and stories since 1986 published by Suhrkamp, currently โSelbstโ, 2016), musician (with his band F.S.K., founded in 1980, whose albums have been released on Daniel Richterโs Buback label since 2008; since 1998 many joint electronic projects with Move D.), radio DJ (own broadcast on Bayerischer Rundfunk 1985โ2021) and also DJ in urban night clubs (Berghain, Robert Johnson, Pudel Club, Rote Sonne, Toni Molkerei etc.). At Berlinโs Theater Hebbel am Ufer, he ran the dialogic event series โPlattenspielerโ from 2007 until the first Lockdown in 2020; since fall 2022, the series has continued at Berlinโs Volksbรผhne. In the winter semester 2011/12 he held the poetics lectureship at Goethe University, Frankfurt am Main (โIch als Textโ, edition suhrkamp, 2012). Residencies at universities in Europe and the USA. Most recently: Writer in Residence at the University of St. Andrews, Scotland, Poetics Lectureship Gender at the TU Braunschweig. Numerous awards, in 2020 the Berliner Literaturpreis (with guest professorship at the FU in the summer semester of 2022). In 2021 a โText + Kritikโ volume on Thomas Meinecke was published, in 2022 the poetological reader โOzeanisch Schreibenโ (in Verbrecher Verlag)."},"relationships":{"assets":{"data":[{"type":"file","id":"5e0811fd880cb6a4166e210aff8f3a8346fc54c7","attributes":{"id":"5e0811fd880cb6a4166e210aff8f3a8346fc54c7","filename":"thomas_meinecke.jpeg","mime_type":"image/jpeg","path":"live/5e/5e0811fd880cb6a4166e210aff8f3a8346fc54c7","path_file":"live/5e/5e0811fd880cb6a4166e210aff8f3a8346fc54c7/thomas_meinecke.jpeg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/thomas_meinecke.jpeg","height":427,"width":640,"title":"Thomas Meinecke","alternativeText":"Photo: Portrรคt von Thomas Meinecke","description":"ZHdK-Gastdozent Thomas Meinecke","link":"","filename_original":"","mime_type_original":"","date_create":"29.11.2022 00:50","date_update":"29.11.2022 00:50","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":85170,"attributes":{"uid":85170,"pid":6678,"tstamp":125,"hidden":0,"sorting":3536,"CType":"standard_content","header":"Bjรถrn Pรคtz","bodytext":"Bjรถrn Pรคtz absolvierte das Studium der Theaterwissenschaft und Neueren deutschen Literatur an der Freien Universitรคt Berlin. Seit 2004 koordiniert er die Presse- und รffentlichkeitsarbeit fรผr zahlreiche freie Projekte und Festivals der darstellenden Kรผnste. Ab 2006 folgen auch Produktionsleitungen fรผr diverse Kรผnstler:innen. 2010 Mitbegrรผnder von bjรถrn & bjรถrn, einer Agentur fรผr Presse, Produktion und Dramaturgie. Das Label bjรถrn & bjรถrn begleitete darstellende Kรผnstler:innen und ihre Arbeiten aus Tanz, Schauspiel, Musiktheater und Performance-Art. Seit 2020 arbeitet er am Schauspielhaus Zรผrich im Touring Office im Bereich Touring Management und internationale Beziehungen.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Bjรถrn Pรคtz absolvierte das Studium der Theaterwissenschaft und Neueren deutschen Literatur an der Freien Universitรคt Berlin. Seit 2004 koordiniert er die Presse- und รffentlichkeitsarbeit fรผr zahlreiche freie Projekte und Festivals der darstellenden Kรผnste. Ab 2006 folgen auch Produktionsleitungen fรผr diverse Kรผnstler:innen. 2010 Mitbegrรผnder von bjรถrn & bjรถrn, einer Agentur fรผr Presse, Produktion und Dramaturgie. Das Label bjรถrn & bjรถrn begleitete darstellende Kรผnstler:innen und ihre Arbeiten aus Tanz, Schauspiel, Musiktheater und Performance-Art. Seit 2020 arbeitet er am Schauspielhaus Zรผrich im Touring Office im Bereich Touring Management und internationale Beziehungen."},"relationships":{"assets":{"data":[{"type":"file","id":"f5f554b2f576402cdbadd911c6de1d2d0ac4e86e","attributes":{"id":"f5f554b2f576402cdbadd911c6de1d2d0ac4e86e","filename":"bjo__rn_pa__tz.jpg","mime_type":"image/jpeg","path":"live/f5/f5f554b2f576402cdbadd911c6de1d2d0ac4e86e","path_file":"live/f5/f5f554b2f576402cdbadd911c6de1d2d0ac4e86e/bjo__rn_pa__tz.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/Bjo__rn_Pa__tz.jpg","height":600,"width":900,"title":"bjo__rn_pa__tz.jpg","alternativeText":"Portrรคt von Bjรถrn Pรคtz","description":null,"link":"","filename_original":"","mime_type_original":"","date_create":"14.10.2021 23:45","date_update":"10.01.2022 09:17","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":53754,"attributes":{"uid":53754,"pid":6678,"tstamp":125,"hidden":0,"sorting":3552,"CType":"standard_content","header":"Naomi Perlov","bodytext":"Naomi Perlov wurde 1959 in Israel als Tochter einer Polin und eines Brasilianers geboren.
Sie studierte Tanz an der Bat Dor Dance Company (Tel Aviv), an der Schola Cantorum (Paris) und bei Milton Myers (New York). 1984 schloss sie ihre Ausbildung am Benesh Institute of Choreology mit Auszeichnung ab (Tanznotation).
Von 1994 bis 1998 war sie als kรผnstlerische Co-Leiterin des Batsheva Ensemble in Tel Aviv tรคtig (Junior Dance Company), zusammen mit Ohad Naharin.
Seit 1988 arbeitet sie mit dem Choreografen Angelin Preljocaj zusammen und unterstรผtzt ihn in seinen Produktionen und den weltweiten Wiederauffรผhrungen seiner Ballette.
Von 1999 bis 2006 war sie kรผnstlerische Leiterin des zweijรคhrlich stattfindenden ยซShades in Danceยป-Wettbewerbs fรผr junge israelische Kรผnstlerinnen und Kรผnstler am Suzanne Dellal Center.
Im September 2009 begrรผndete sie ยซThe Masloolยป, ein zweijรคhriges professionelles Tanzprogramm am Bikurey Haโltim Arts Center in Tel AvivโJaffa. ยซThe Masloolยป steht unter der kรผnstlerischen Leitung von Naomi Perlov und Offir Dagan und wird seit 2011 vom israelischen Kulturministerium gefรถrdert.
2015 lancierte Perlov gemeinsam mit Sharon Rubinov Biederman ยซDconstructionยป, ein Kursprogramm fรผr Tanzlehrerinnen und -lehrer mit methodologischen Tools zur Lektionen- und Jahresplanung, zur Umsetzung von Verbesserungen und zur gleichzeitigen Fรถrderung und Stรคrkung der kรผnstlerischen Aspekte wรคhrend der Probenleitung.
Parallel zur ihrer Tรคtigkeit als kรผnstlerische Leiterin, Probenleiterin und Jurymitglied an Tanzwettbewerben unterrichtet Naomi Perlov Modern Dance und trainiert Tรคnzerinnen und Tรคnzer in zahlreichen Kursen und Workshops.
Carina Premer lebt in Giessen und arbeitet als Lichtdesignerin, Lehrerin und Choreografin im Bereich zeitgenรถssischer Tanz und darstellende Kunst.
Nach ihrer Ausbildung zur Lichttechnikerin und Beleuchterin studierte sie Angewandte Theaterwissenschaft an der Justus-Liebig-Universitรคt in Giessen, wo sie verschiedene diskursive Formate entwickelte und moderierte und transdisziplinรคre Performances und Ausstellungen kreierte. Im Laufe der Jahre sammelte sie umfangreiche Erfahrungen sowohl in der Arbeit in grรถรeren Institutionen als auch in unabhรคngigen kรผnstlerischen Prozessen. Carina verwendet hรคufig komplexe Lichtkompositionen und nicht-lineare Dramaturgien, um Raum und Zeit fast unmerklich zu schrumpfen, zu dehnen und zu verzerren. Ihr Schwerpunkt auf Choreografie und Tanz manifestiert sich in zahlreichen Kooperationen mit Choreografen wie Mรฅrten Spรฅngberg (SWE), Ana Dubljevic (SE) und Lucie Tuma (CH) sowie in ihrem aktuellen Studium des MA-Studiengangs Choreografie und Performance in Gieรen. Ihre Herangehensweise an Performance und Tanz ist stark von der Herausforderung des Rahmens der รถffentlichen Prรคsentation und der Verflechtung von Arbeits- und Zuschauerbedingungen geprรคgt. In ihrer Arbeit hinterfragt sie Herkunft, Identitรคt und Autorschaft, indem sie die Aufmerksamkeit auf prรคfiguratives Denken und die Transformation von affektiven und somatischen Erinnerungen in kollektive oder alltรคgliche Handlungen lenkt.
Charlotta Ruth arbeitet und spielt mit Zeit und Wahrnehmung in der Choreografie, kรผnstlerischer Forschung und Game Design. Ihre Arbeiten wurden zum Beispiel im WUK, Tanzquartier, Brut in Wien und MDT & Dansens Hus in Stockholm und auf Konferenzen bei Uniarts Stockholm, in der SAR Society of Artistic Research und im Artistic Research Pavillon Venedig prรคsentiert. Ruth geht mit einem genreunabhรคngigen, aber orts- und kontextspezifischen Ansatz an Ideen heran, der zwischen Bรผhne, Galerie, รถffentlichem Raum, institutionellen Zwischenrรคumen und online oszilliert. Zuletzt hat sie Game Design fรผr City Games Vienna entwickelt und gemeinsam mit Dominik Grรผnbรผhel ยซLiving Documentsยป erarbeitet, fรผnf choreografische Installationen als Teil eines Parcours in Stockholm, Kopenhagen und Wien (2020). Eine kontinuierliche Quelle der Inspiration und Resonanz des Denkens bildet ihre Arbeit als Performerin und die Kooperation mit anderen Kรผnstschaffenden wie Ingrid Cogne, Alexander Gottfarb, Anne Juren, Saskia Hรถlbling, Toxic Dreams / Yosi Wanunu, Petter Jacobsson und Thomas Caley.
\r\nRuth wurde an der Royal Swedish Ballet School ausgebildet und hat einen MFA in Choreografie mit Spezialisierung auf Performancekunst von der Uniarts Stockholm. Sie studierte ausserdem computergestรผtztes Denken und grundlegende Programmierung, E-Poesie, digitales Filmemachen, Medienaktivismus und Schreiben von Live-Rollenspielen (ยซLive Action Role Playยป). Ruth ist seit 2017 PhD-Studentin in kรผnstlerischer Forschung an der Universitรคt fรผr angewandte Kunst Wien, betreut von Prof. Dr. Margarete Jahrmann.
","image":0,"deleted":0,"pages":"","teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":"","is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":"","sticky":"","number_of_records":0,"open":"","research_projects_specific_projects":"","research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":"","date_start":null,"date_end":null,"news_folder":"","iframe_link":"","iframe_height":0,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":"","tx_backend_configuration_discipline":"","tx_backend_configuration_interest":"","teaser_render_type":0,"bodytext_stripped":"Charlotta Ruth arbeitet und spielt mit Zeit und Wahrnehmung in der Choreografie, kรผnstlerischer Forschung und Game Design. Ihre Arbeiten wurden zum Beispiel im WUK, Tanzquartier, Brut in Wien und MDT & Dansens Hus in Stockholm und auf Konferenzen bei Uniarts Stockholm, in der SAR Society of Artistic Research und im Artistic Research Pavillon Venedig prรคsentiert. Ruth geht mit einem genreunabhรคngigen, aber orts- und kontextspezifischen Ansatz an Ideen heran, der zwischen Bรผhne, Galerie, รถffentlichem Raum, institutionellen Zwischenrรคumen und online oszilliert. Zuletzt hat sie Game Design fรผr City Games Vienna entwickelt und gemeinsam mit Dominik Grรผnbรผhel ยซLiving Documentsยป erarbeitet, fรผnf choreografische Installationen als Teil eines Parcours in Stockholm, Kopenhagen und Wien (2020). Eine kontinuierliche Quelle der Inspiration und Resonanz des Denkens bildet ihre Arbeit als Performerin und die Kooperation mit anderen Kรผnstschaffenden wie Ingrid Cogne, Alexander Gottfarb, Anne Juren, Saskia Hรถlbling, Toxic Dreams / Yosi Wanunu, Petter Jacobsson und Thomas Caley.\r\nRuth wurde an der Royal Swedish Ballet School ausgebildet und hat einen MFA in Choreografie mit Spezialisierung auf Performancekunst von der Uniarts Stockholm. Sie studierte ausserdem computergestรผtztes Denken und grundlegende Programmierung, E-Poesie, digitales Filmemachen, Medienaktivismus und Schreiben von Live-Rollenspielen (ยซLive Action Role Playยป). Ruth ist seit 2017 PhD-Studentin in kรผnstlerischer Forschung an der Universitรคt fรผr angewandte Kunst Wien, betreut von Prof. Dr. Margarete Jahrmann."},"relationships":{"assets":{"data":[{"type":"file","id":"a377260cb42cd8227ea2edbeb681020fa674429f","attributes":{"id":"a377260cb42cd8227ea2edbeb681020fa674429f","filename":"2019_mda_ruth-charlotta_foto_luke_baio.png","mime_type":"image/png","path":"live/a3/a377260cb42cd8227ea2edbeb681020fa674429f","path_file":"live/a3/a377260cb42cd8227ea2edbeb681020fa674429f/2019_mda_ruth-charlotta_foto_luke_baio.png","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/2019_MDA_Ruth-Charlotta_Foto_Luke_Baio.png","height":939,"width":943,"title":"Charlotta Ruth","alternativeText":"Charlotta Ruth. Foto: Luke Baio","description":"Charlotta Ruth. Foto: Luke Baio","link":"","filename_original":"","mime_type_original":"","date_create":"30.10.2019 15:42","date_update":"19.11.2019 14:47","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":96926,"attributes":{"uid":96926,"pid":6678,"tstamp":125,"hidden":0,"sorting":3904,"CType":"standard_content","header":"Tanja Saban","bodytext":"Tanja Saban ist Tรคnzerin, zertifizierte Gaga-Lehrerin und Yoga-Praktizierende. Geboren und aufgewachsen in der Schweiz, absolvierte sie 2007 das SEAD Trainingsprogramm. Sie ist Fรถrderstipendiatin des Tanzquartiers in Wien, wo sie ihre Karriere als freischaffende Tรคnzerin und Lehrerin begann. Sie arbeitet mit Choreographen und Kรผnstlern anderer Disziplinen an Projekten zusammen und kreiert ihre eigenen Arbeiten in รsterreich, Spanien, der Schweiz, Israel und New York City. Das Herzstรผck ihrer kรผnstlerischen Praxis ist die fortlaufende Erforschung des sich bewegenden Kรถrpers - ein Raum der Erfahrung, des Ausdrucks und der persรถnlichen Entfaltung in der Entfaltung der physischen Intelligenz und des sensorischen Kรถrpers. Derzeit entwickelt sie eine Plattform fรผr co-kreative, immersive Tanzerfahrungen, die zwischen Clubkultur, Performance und verkรถrperten Praktiken oszillieren.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Tanja Saban ist Tรคnzerin, zertifizierte Gaga-Lehrerin und Yoga-Praktizierende. Geboren und aufgewachsen in der Schweiz, absolvierte sie 2007 das SEAD Trainingsprogramm. Sie ist Fรถrderstipendiatin des Tanzquartiers in Wien, wo sie ihre Karriere als freischaffende Tรคnzerin und Lehrerin begann. Sie arbeitet mit Choreographen und Kรผnstlern anderer Disziplinen an Projekten zusammen und kreiert ihre eigenen Arbeiten in รsterreich, Spanien, der Schweiz, Israel und New York City. Das Herzstรผck ihrer kรผnstlerischen Praxis ist die fortlaufende Erforschung des sich bewegenden Kรถrpers - ein Raum der Erfahrung, des Ausdrucks und der persรถnlichen Entfaltung in der Entfaltung der physischen Intelligenz und des sensorischen Kรถrpers. Derzeit entwickelt sie eine Plattform fรผr co-kreative, immersive Tanzerfahrungen, die zwischen Clubkultur, Performance und verkรถrperten Praktiken oszillieren."},"relationships":{"assets":{"data":[{"type":"file","id":"890943809876017da222c3b0ac430e62a51d39f4","attributes":{"id":"890943809876017da222c3b0ac430e62a51d39f4","filename":"tanja_saban.jpg","mime_type":"image/jpeg","path":"live/89/890943809876017da222c3b0ac430e62a51d39f4","path_file":"live/89/890943809876017da222c3b0ac430e62a51d39f4/tanja_saban.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/tanja_saban.jpg","height":1733,"width":1300,"title":"Tanja Saban","alternativeText":"Portrรคt von Tanja Saban","description":"Tanja Saban","link":"","filename_original":"","mime_type_original":"","date_create":"12.05.2022 14:33","date_update":"12.05.2022 14:33","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":91662,"attributes":{"uid":91662,"pid":6678,"tstamp":125,"hidden":0,"sorting":3968,"CType":"standard_content","header":"Mor Shani","bodytext":"Mor Shani started his professional career at Bat-Dor dance company Tel Aviv. Studied at Artez dance academy in Arnhem, at DasArts theater academy Amsterdam, The Netherlands, and nowadays finishing his studies of cultural policy at Sapir College, Sderot, Israel. Shani worked as artist in residence at Dansateliers Rotterdam, at ICK Amsterdam and in the last years was house choreographer at Inbal Dance Theater, Tel Aviv, Israel. His works are presented in Israel, Europe, Canada and the U.S, and were nominated for several awards as the Dutch Zwan award next to choreographers Jiri Kylian and Alain Platel. His Project Love-ism was chosen by the European Dance House Network as one of 25 best practices. Currently Shani is developing a format for a new academic dance company that will ask to redefine the way community art is developed in Israel.
","image":0,"deleted":0,"pages":null,"teaser_header":"","subheader":"","date":0,"sys_language_uid":0,"l18n_parent":0,"categories":0,"rowDescription":null,"is_accordeon":1,"teaser_show_navigation":0,"news_type":0,"url":null,"sticky":null,"number_of_records":0,"open":null,"research_projects_specific_projects":null,"research_projects_project_status":0,"research_category_2":null,"phd_projects_school":null,"phd_projects_program":null,"phd_projects_specific_projects":null,"phd_projects_project_status":0,"persons_order":"last_name_asc","persons_music_subject":null,"date_start":null,"date_end":null,"news_folder":null,"iframe_link":null,"iframe_height":null,"iframe_height_mobile":null,"iframe_type":0,"teaser_rendering":0,"teaser_link":"","teaser_link_active":1,"teaser_link_label":"","static_teaser_use_alternative_title":0,"start_color":"","end_color":"","css_classes":"","enable_section":0,"section_text":"","study_model_bachelor_master":[],"study_model_major_minor":0,"tx_backend_configuration_competence":null,"tx_backend_configuration_discipline":null,"tx_backend_configuration_interest":null,"teaser_render_type":0,"bodytext_stripped":"Mor Shani started his professional career at Bat-Dor dance company Tel Aviv. Studied at Artez dance academy in Arnhem, at DasArts theater academy Amsterdam, The Netherlands, and nowadays finishing his studies of cultural policy at Sapir College, Sderot, Israel. Shani worked as artist in residence at Dansateliers Rotterdam, at ICK Amsterdam and in the last years was house choreographer at Inbal Dance Theater, Tel Aviv, Israel. His works are presented in Israel, Europe, Canada and the U.S, and were nominated for several awards as the Dutch Zwan award next to choreographers Jiri Kylian and Alain Platel. His Project Love-ism was chosen by the European Dance House Network as one of 25 best practices. Currently Shani is developing a format for a new academic dance company that will ask to redefine the way community art is developed in Israel. "},"relationships":{"assets":{"data":[{"type":"file","id":"804305fb9d0ac04e04045557d75b115b9b332bc2","attributes":{"id":"804305fb9d0ac04e04045557d75b115b9b332bc2","filename":"mor_portrait.jpg","mime_type":"image/jpeg","path":"live/80/804305fb9d0ac04e04045557d75b115b9b332bc2","path_file":"live/80/804305fb9d0ac04e04045557d75b115b9b332bc2/mor_portrait.jpg","path_source":"/fileadmin/user_upload/Tanz/MA_Dance/Gastdozierende/mor_portrait.jpg","height":861,"width":750,"title":"Mor Shani","alternativeText":"Portrรคt von Mor Shani","description":"Mor Shani","link":"","filename_original":"","mime_type_original":"","date_create":"18.01.2022 16:54","date_update":"18.01.2022 16:54","column_width":50,"copyright":null,"_parent_sys_language_uid":0}}]}}},{"type":"content","id":43187,"attributes":{"uid":43187,"pid":6678,"tstamp":125,"hidden":0,"sorting":4096,"CType":"standard_content","header":"Liane Simmel","bodytext":"Liane Simmel, Dr. med., ist รrztin, Osteopathin und war frรผher professionelle Tรคnzerin. Sie studierte Tanz an der Hochschule fรผr Musik und Theater Mรผnchen und in New York bei Merce Cunningham. Wรคhrend 25 Jahren arbeitete sie als Tรคnzerin und Choreografin. In dieser Zeit nahm sie auch ihr Medizinstudium auf. Heute lebt sie in Mรผnchen mit einer eigener Praxis fรผr Tanzmedizin, wobei der Schwerpunkt auf Osteopathie, Spiraldynamik und Sportmedizin liegt. Als Leiterin des Instituts fรผr Tanzmedizin Fit for Dance ist sie spezialisiert auf Prรคvention und Therapie von tanzbedingten Verletzungen. Liane Simmel ist ausserdem medizinische Beraterin an der Hochschule fรผr Musik und Theater Mรผnchen und regelmรคssige Gastdozentin an der Palucca Hochschule fรผr Tanz Dresden und der Zรผrcher Hochschule der Kรผnste. Sie ist Grรผndungsmitglied und seit 15 Jahren Prรคsidentin von tamed, der Organisation fรผr Tanzmedizin Deutschland. Ihr auf Deutsch, Englisch und Spanisch erschienenes Buch ยซTanzmedizin in der Praxisยป ist in ganz Europa, den USA und Australien zu einem Standardwerk fรผr angewandte Tanzmedizin geworden. Ihr 2016 erschienenes Buch ยซErnรคhrung fรผr Tรคnzerยป, das sie zusammen mit Eva-Maria Kraft verfasst hat, ist im Januar 2018 auch auf Englisch erschienen. Fรผr ihre Pionierarbeit im Bereich der Tanzmedizin wurde sie mit dem Anerkennungspreis des Deutschen Tanzpreises 2016 ausgezeichnet.
www.fitfordance.de
Ohad Talmor is a New York based Saxophonist and Composer.
A leading voice in the New York modern Jazz scene, he has performed worldwide with a whoโs who of musicians, including Lee Konitz, Josh Redman, Jason Moran, Michael Brecker.
Classically trained as a pianist, he has a Composition degree from the Manhattan School of Music. His music mixes contemporary and jazz vocabulary and has been played by orchestras all over the world.
He teaches at the Geneva Conservatory, the New School in New York and is a frequent guest as a lecturer at the ZHdK Master Jazz programme.
โ Ohad Talmor's website
Anouk van Dijk ist eine hollรคndische Choreografin, kรผnstlerische Leiterin, Tรคnzerin und hat die Bewegungsmethodik ยซCountertechniqueยป entwickelt. Von 2012 bis 2019 war sie kรผnstlerische Leiterin der fรผhrenden zeitgenรถssischen Tanzkompanie Australiens, Chunky Move. Ihre Produktionen inszeniert sie fรผr vielfรคltige Bรผhnentypen, sei es fรผr Black Box Theater oder grosse Guckkastenbรผhnen. Sie entwickelt auch standortspezifische Produktionen.
\r\n2012 wurde sie in Anerkennung ihres herausragenden kรผnstlerischen und akademischen Beitrags zum Tanz in ihrem Heimatland mit dem ยซGoldenen Schwanยป ausgezeichnet, der prestigetrรคchtigsten Tanzauszeichnung der Niederlande. Fรผr ihre Bewegungsmethodik ยซCountertechniqueยป wurde sie weltberรผhmt.
\r\nSeit Beginn ihrer Laufbahn interessiert sich van Dijk neben ihrer Arbeit als Tรคnzerin fรผr Produktion. Bis zu ihrem Umzug nach Australien erlebte van Dijk eine intensive Karriere in Europa, indem sie mit ihrer hollรคndischen Kompanie anoukvandijk dc weltweite Tourneen bestritt und am Festival d'Avignon, an der Dance Triennale Tokio und am Festival TransAmรฉriques teilnahm. Van Dijkโs langjรคhrige Zusammenarbeit mit dem deutschen Autor und Regisseur Falk Richter mรผndete in sechs von den Kritikern gefeierten Produktionen wie ยซTRUSTยป (2009) und ยซComplexity of Belongingยป (2014). Ihr Interesse fรผr standortspezifische Produktionen wie ยซMenschยป (2011), ยซDepth of Fieldยป (2015) und ยซAccumulationยป (2018) fรผhrte ihre Tรคnzerinnen von den Ship Yards Amsterdam bis zur National Gallery of Victoria in Melbourne.
\r\n2012 feierte van Dijk die Premiere von ยซAn Act of Nowยป, ihrer Debรผtproduktion fรผr Chunky Move. Spรคter wurde diese Produktion am Festival Melbourne mit ยซThe Age Criticsโ Awardยป fรผr die beste neue australische Produktion ausgezeichnet. Fรผr die Kompanie kreierte sie seither zwรถlf abendfรผllende und kรผrzere Werke, drei davon in Zusammenarbeit mit anderen Kรผnstlern: ยซComplexity of Belongingยป (2014) mit dem deutschen Autor und Regisseur Falk Richter, ยซAnti-Gravityยป (2017) mit dem visuellen Kรผnstler Ho Tzu Nyen aus Singapur und die Filminstallation ยซTracesยป (2019) mit dem amerikanisch-australischen Kรผnstler Ian Strange. 2018 produzierte und kuratierte sie ยซAccumulationยป, eine immersive Produktion fรผr den Galeriebereich der NGV Triennial Extra, gefolgt von ihrer letzten Arbeit fรผr Chunky Move, ยซCommon Groundยป (2018).
\r\nIm Zentrum der kรผnstlerischen Arbeit und im Training ihrer Tรคnzerinnen und Tรคnzer steht das von ihr entwickelte Bewegungssystem Countertechnique. Dieses bietet den Tanzenden Tools fรผr eine vielseitige Tanzpraxis im 21. Jahrhundert. Countertechnique unterstรผtzt die Tรคnzerinnen und Tรคnzer beim Training, in Proben und Performance und fokussiert dabei auf den Prozess der Umwandlung von Information in Handlung. Die Prinzipien der Countertechnique kรถnnen auch auf andere Tanzformen und Trainingsmethoden angewandt werden, wie beispielsweise Ballett, Hip-Hop, Paartanz, Yoga, Laufen und Pilates. 2008 initiierte van Dijk das erste, zweijรคhrlich stattfindende Countertechnique Teachers Training-Programm (CTTT). Aktuell sind weltweit 31 zertifizierte Countertechnique-Lehrerinnen und -Lehrer tรคtig. Die Methode wurde in einem von Gerald Siegmund und Anouk van Dijk verfassten Artikel in ยซDance Techniques 2010ยป prominent vorgestellt.
\r\nMomentan arbeitet Anouk van Dijk als Freelance-Choreografin. 2019 hat sie mit ยซDistant Matterยป ihren ersten Auftrag fรผr das Staatsballett Berlin produziert. Zurzeit arbeitet van Dijk an einer neuen Produktion fรผr die Mรผnchner Kammerspiele, deren Premiere im Oktober 2020 stattfinden wird.
Nach einer Ausbildung zur Fotografin studierte Annette von Keudell zunรคchst Grafik, Malerei und Experimentalfilm an der Hochschule fรผr Gestaltung in Offenbach, spรคter Zeitbasierte Medien, Rauminstallation und Kรผnstlerische Fotografie bei Prof. Valie Export an der Universitรคt der Kรผnste Berlin. Anschliessend wurde sie Meisterschรผlerin bei Filmemacher Prof. Heinz Emigholz (UdK Berlin).
\r\nSeitdem arbeitet sie als freie Kรผnstlerin im Bereich mediale Kunst, Konzeptionelle Kunst, und raumbasierte Medien. 2005โ2009 studierte sie Kulturmanagement an der Universitรคt Hamburg. Neben ihrer Arbeit als Dozentin fรผr Kurzfilm (Filmtheorie, Storytelling, Kamera und Schnitt) und als Kรผnstlerin war Annette von Keudell auch in den Bereichen Ausstellungsorganisation, Medienproduktionen und รffentlichkeitsarbeit fรผr Theater tรคtig, รผberwiegend fรผr Tanzproduktionen. Seit der Ausbildung zum systemischen Coach, 2010โ2015, begleitet sie zusรคtzlich kรผnstlerische Prozesse mit dem Fokus auf Kommunikationstraining.
Der Schwerpunkt ihrer kรผnstlerischen Arbeit liegt in interdisziplinรคren konzeptuellen Projekten, Videoinstallationen, Fotografie und Experimentalfilm.
Elizabeth Waterhouse ist Tรคnzerin und Postdoc in Tanzwissenschaften an der Universitรคt Bern. Sie ist die Autorin des Buches \"Processing Choreography: Thinking With William Forsythe's Duoยป, erschienen im Transcript Verlag (2022). Ihre Forschungsschwerpunkte sind choreografische Praktiken, ethnografische und oral-history-Methoden sowie digitale Techniken zur Erforschung und Dokumentation von Tanzpraktiken. Als Performerin tanzte sie von 2004-2012 im Ballett Frankfurt/The Forsythe Company. Seitdem entwickelt sie parallel und oft begleitend zu ihrer wissenschaftlichen Arbeit immer wieder Performances und kรผnstlerische Forschungsprojekte, u.a. mit den Gruppen HOOD, tล und Movement Forum Bern. Fรผr ihre tanzwissenschaftlichen Betrachtungen bedient sich Waterhouse ihrer methodischen Kompetenzen in Bezug auf \"Forschung\" und \"kreative\" Praktiken in den Kรผnsten, Geistes- und Naturwissenschaften: ihre Ausbildung umfasst einen BA in Physik an der Harvard University, einen MFA in Tanzpraxis an der Ohio State University und einen PhD in Tanzwissenschaft an der Universitรคt Bern/Hochschule der Kรผnste Bern.
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He is a member of the interim management team of the Zurich Dance Academy (taZ), whose composition remains unchanged for the current academic year.
\r\nFor 18 years, Jason Beechey has been the Rector of the Palucca University of Dance Dresden. Before that, he was the Pedagogical Director for the Choreographic Centre of the Federation Wallonia-Brussels in Belgium, where he also founded his own studio: โThe Loftโ. Before being made a soloist at the London City Ballet, he studied at the School of American Ballet, the Vaganova Ballet Academy in St. Petersburg and the National Ballet School of Canada. He has collaborated with the choreographers Wayne McGregor, Frรฉdรฉric Flamand and William Forsythe. In his dance work, Beechey emphasises the individual and has pursued his vision by developing new training programmes, health teams and a global network of partner institutions.
\r\nMarijke Hoogenboom, Director of the Department of Performing Arts and Film, spoke as follows: โThe training programmes at ZHdK already cover a wide spectrum of career opportunities in dance, despite professional dance studies in Switzerland still being relatively young. In contrast to just about every other area, dance training can be provided here across different fields and generations. Together with the Head of Programme in Contemporary Dance and the interim management of taZ, it was decided to promote these synergies further and to build up a forward-looking field of study in an integrative environment. We found Jason Beecheyโs commitment to the professional field, to the university and to his international networks compelling. His experience, integrity and enthusiasm for the potential of dance in art and society will be a great asset to ZHdK. His commitment to transparency and participation is an ideal prerequisite for a value-oriented attitude that is already being lived out by the current management teamsโ.
\r\nโThis is an inspiring opportunity to utilise a shared vision to create a new era for dance at ZHdK, in Zurich and Switzerland as a whole. In a spirit of collaboration and co-creation, I would like to create a new dynamic towards a healthy, inclusive dance study programme that ranges from classical ballet to contemporary dance, and from pedagogy to research. I am very much looking forward to the task of bringing ZHdK to the forefront of innovation and development in dance studiesโ, says Jason Beechey.
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E-mail, +41 43 446 44 20, www.zhdk.ch
Zurich University of the Arts, University Communications
E-mail, +41 43 446 44 20, www.zhdk.ch
Die Hochschulleitung der ZHdK hat Jason Beechey als Head of Dance bestรคtigt. Damit folgte sie der Empfehlung der Findungskommission des Departements Darstellende Kรผnste und Film. Jason Beechey wird ab 1. Januar 2024 designierter Head of Dance und tritt sein Amt per 1. August 2024 vollstรคndig an. Beechey ist Teil des Interimsleitungsteams der taZ, das in seiner Zusammensetzung fรผr das aktuelle akademische Jahr unverรคndert bleibt.
\r\nJason Beechey ist seit 18 Jahren Rektor an der Palucca Hochschule fรผr Tanz in Dresden und arbeitete zuvor als pรคdagogischer Leiter am Nationalen Choreografiezentrum in Belgien, dort grรผndete er auch sein eigenes Studio ยซThe Loftยป. Vor seiner Zeit als Solist beim London City Ballett absolvierte er die School of American Ballet, die Waganowa Akademie und die National Ballet School in Kanada. Er hat u.a. zusammengearbeitet mit den Choreografen Wayne McGregor, Frรฉdรฉric Flamand und William Forsythe. Beechey betont das Individuum in seinem tรคnzerischen Schaffen und trieb seine Vision mit der Entwicklung von neuen Ausbildungsprogrammen, Gesundheitsteams sowie einem globalen Netzwerk an Partnerinstitutionen voran.
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Hochschulkommunikation, Zรผrcher Hochschule der Kรผnste
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Tina Tishev ist Kommunikationsverantwortliche des Departements Darstellende Kuฬnste und Film der ZHdK.
TINA TISHEV
Tina Tishev ist Kommunikationsverantwortliche des Departements Darstellende Kuฬnste und Film der ZHdK.
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Kรผnstlerische Leitung
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\r\nProf. Dr. phil. Friederike Lampert
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Tel.: +41 43 446 35 13
Sprechzeiten: Dienstag / Donnerstag ganztรคgig
Termine fรผr Studienberatung nur nach Vereinbarung
Artistic Head of Programme
\r\n\r\nAdministrative Head of Programme
\r\n\r\nProfessor
\r\nProf. Dr. phil. Friederike Lampert
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\r\nEmail
Phone: +41 43 446 35 13
Office hours: All day Tuesday and Thursday
Appointments for student advice only by arrangement