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    More: PEERS

    Mentors

    Current mentors

    • Philip Cartelli

      Philip Cartelli is a moving-image artist and researcher whose film and video work has been exhibited at Locarno Film Festival, Edinburgh International Film Festival, Visions du Rรฉel, Torino Film Festival, FID Marseille, and Film at Lincoln Centerโ€™s Art of the Real, among others. Since 2013 he has also worked as one half of the duo Nusquam with Mariangela Ciccarello. He holds a PhD in Media Anthropology with a secondary emphasis in Critical Media Practice from Harvard University, where he was a member of the Sensory Ethnography Lab, and a PhD in Sociology from the Ecole des hautes รฉtudes en sciences sociales (Paris). His academic and critical writing has appeared in a variety of publications and he has presented his practice and research in international conferences and other venues. He has received fellowships and residency grants from the Fulbright-Institute for International Education, the Wenner-Gren Foundation, Cittadellarte-Fondazione Pistoletto, Fondazione Zegna, The Camargo Foundation, The Valletta 2018 Foundation, Roberto Cimetta Fund, and Film Study Center at Harvard University, among others. He is currently Assistant Professor of Film and Chair of the Department of Visual Arts at Wagner College in New York City as well as a member of the Comitรฉ du film ethnographique in Paris.
      https://pcartelli.com/

    • Sher Doruff

      Sher Doruff, PhD, works in the visual, digital, and performance arts in a variety of capacities.

      For the past fifteen years her work has been situated in the expanded field of artistic research practice as an artist, writer, tutor, mentor, and supervisor. Her research practice currently explores fabulation and fictive approaches to writing in and through artistic research. She is currently head of the THIRD program at the DAS Graduate School (Amsterdam University of the Arts), mentoring and collaborating with 3rd cycle/PhD artist researchers.

      She has taught and supervised artists in many European schools and universities including the University College Dublin, Leiden University, University of East London, Norwegian Artistic Research Program and the Gerrit Rietveld Academy of Art and Design. Her forthcoming Last Year at Betty and Bobโ€™s An Actual Occasion completes the Betty and Bob trilogy, published by 3Ecologies/punctum books. She has also published numerous texts in academic and artistic contexts.

    • Emilie Gallier

      Emilie Gallier is a choreographer researcher based in the Netherlands. She recently completed her artistic PhD from the Centre for Dance Research (Coventry University), with the support of the THIRD research group at DAS Graduate School (Amsterdam), in which she developed the idea and practice of reading (documents/documentation) in and as performance (Reading in Performance, Lire en Spectacle โ€“ the solitude of reading merged with the collective nature of an audience, 2021, http://post-cie.com/texts.php). Emilie works through dance and choreographic practices in multi-modal and multi-disciplinary settings. She develops performances, publications, edible documents, visceral practices, dances, dreams, conversations, and peer exchange within spaces of the stage, the page, telephone, and studios. Her interests are at the intersection of experimental performing art practices, poetic documentation, the act of reading as a gesture of participation (through withdrawal and absence), imbricated imaginations, entangled ecosystems, living soils. Her continuous engagement with artistic research as a โ€˜bookwormโ€™ who nibbles scores and other documents, as a researcher, practitioner, collaborator, peer, tutor, and implicated spectator, shapes her immanent attention and experience with formats of writing and publishing. Informed by dance, she moves with the unwritten, which thrives in the written, and she attends to what practices do. Emilie is a tutor at DAS Graduate School, guest teacher at art schools and universities in the Netherlands (ArtEZ, Fontys, Leiden University). She also publishes in peer-reviewed journals (Performance Research), and co-edits dance books (ongoing with De Nieuwdansbibliotheek).

    • Jyoti Mistry

      Jyoti Mistry is Professor in film and works in film both as a research form and as a mode of artistic practice. She has made critically acclaimed films in multiple genres and her installation work draws from cinematic traditions but is often re-contextualized for galleries and museums that are outside of the linear cinematic experience. Prior to receiving her PhD in Cinema Studies at New York University, she completed a Masters in Cinema Studies with a Certificate in Culture and Media. She also holds an MFA and an Honours degree in Comparative Literature from the University of the Witwatersrand. She has taught at University of the Witwatersrand (South Africa), New York University; University of Vienna; Arcada University of Applied Science Polytechnic in Helsinki, Nafti in Accra and Alle Arts School at University of Addis Ababa. Mistry was in the Whitney Museum Independent Artist programme and has been artist in residence in New York City, at California College of Arts (San Francisco), Sacatar (Brazil) and a DAAD Researcher at Babelsberg Konrad Wolf Film University (Berlin). In 2016-2017 she was Artist in Residence at Netherlands Film Academy. In Fall 2020 she will undertake a research residency at the Sune Jonsson Centre for documentary photography at Vรคsterbottens Museum. In 2016 she was recipient of the Cilect (Association of International Film Schools) Teaching Award in recognition for innovation in practices in film research and pedagogy. She has supervised creative arts PhDโ€™s to completion and currently supervises PhD candidates at HDK-Valand at University of the Gothenburg and the Wits School of Arts, University of Witwatersrand in South Africa. She is the principal research investigator on a BRICS (Brazil, Russia, India, China, South Africa) cross cultural research project that explores image-making practices.

    • Liselott Mariett Olsson

      Liselott Mariett Olsson is Associate Professor in Pedagogy in the Department of Childhood Education and Society at Malmรถ University in the south of Sweden. Her research takes place at the intersection of everyday life events in early childhood education and care (ECEC) and various philosophical and pedagogical perspectives. More specific research interests include early childhood pedagogy and didactics in relation to issues of equality and literacy; aesthetics, ethics and politics in ECEC; continental philosophy (modern French philosophy 18-1900s) and educational theory (ancient and modern continental and German pedagogy) as well as ethnographically inspired methods and artistic and educational sitespecific methodologies.

      Olsson is currently involved in a research- and innovation project called Smooth Educational Common Spaces โ€“ Passing through enclosures and reversing inequalities (SMOOTH 2021-2024). The project is funded by the European Commissionโ€˜s HORIZON 2020 framework program and aims to critically examine, understand and creatively contribute to equal education and social inclusion of children and young people at risk in Europe through an exploration of the emerging paradigm ยซThe Commonsยป. The project engages 12 universities and cultural institutions together with preschools, schools, after-school centers, NGOs and various cultural and youth organizations in more than 50 different case studies over a longer period of time. Olsson is the author of Movement and Experimentation in Young Childrenโ€™s Learning: Deleuze and Guattari in Early Childhood Education (2009), of an upcoming book called Becoming Pedagogue: Aesthetics, Ethics & Politics in Early Childhood Education & Care (in press) and of articles published in scientific journals addressing early childhood, pedagogy and philosophy.

      https://doi.org/10.1080/01596306.2015.1075711

      https://doi.org/10.2304/gsch.2013.3.3.230

    • Mark Oosterveen

      Mark has worked as a professional UK-based actor for fifteen years.

      In that time, he has mostly performed onstage, including at the Lyric Hammersmith, the Arcola, the Kingโ€™s Head, the Soho Theatre, Theatre 503 and the Orange Tree Theatre all in London, as well as the Crucible Theatre in Sheffield, the Royal Exchange Theatre in Manchester, the Underbelly in Edinburgh and 59E59 in New York City.

      His screen work includes a recurring role in EastEnders (BBC), The Girlfriend Experience (Amazon Prime Video), Doctors (BBC), the Terence Davies feature film Benediction (currently on general UK cinema release), as well as the upcoming Django series for Sky/Canal+ and the fifth season of Unforgotten (ITV).

      He has also worked extensively as a voice over artist, for the likes of Big Finish Productions and many times for the BBC, has narrated audiobooks for Audible, and recorded over a dozen performances of the Read Not Dead series at Shakespeareโ€™s Globe.

      https://www.spotlight.com/0931-6728-0852

    • Henry Bell

    • Khairani Barokka

      Khairani Barokka is a Minang-Javanese writer and artist from Jakarta, based in London, whose work centres disability justice as anticolonial praxis. She often focuses on ableist racism and patriarchy as affective flows in contemporary colonial violences, including in the fine art world and archives.

      Okka is the new incoming Editor of Modern Poetry in Translation, and previously worked at University of the Arts London. She holds a PhD by Practice in Visual Cultures from Goldsmiths, as an LPDP Scholar, and a Masters from NYUโ€˜s Tisch School of the Arts, in their new media program, where she was a Tisch Departmental Fellow. Among her honours, she has been Modern Poetry in Translationโ€˜s Inaugural Poet-in-Residence, a UNFPA Indonesian Young Leader Driving Social Change for arts practice and research, an Artforum Must-See, and Associate Artist at the National Centre for Writing (UK). Recent commissioners include Serpentine Galleries, Southbank Centre, and Wellcome Collection. Her books include Rope (Nine Arches), Indigenous Species (Tilted Axis), and, as co-editor, Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches). Her most recent book is poetry collection Ultimatum Orangutan (Nine Arches), shortlisted for the Barbellion Prize.

      www.khairanibarokka.com

    • Nicola Genovese

    • Ilse van Rijn

    • Barak adรฉ Solei

    PEERS collaborators

    • Sher Doruff

      Sher Doruff, PhD, works in the visual, digital, and performance arts in a variety of capacities.

      For the past fifteen years her work has been situated in the expanded field of artistic research practice as an artist, writer, tutor, mentor, and supervisor. Her research practice currently explores fabulation and fictive approaches to writing in and through artistic research. She is currently head of the THIRD program at the DAS Graduate School (Amsterdam University of the Arts), mentoring and collaborating with 3rd cycle/PhD artist researchers.

      She has taught and supervised artists in many European schools and universities including the University College Dublin, Leiden University, University of East London, Norwegian Artistic Research Program and the Gerrit Rietveld Academy of Art and Design. Her forthcoming Last Year at Betty and Bobโ€™s An Actual Occasion completes the Betty and Bob trilogy, published by 3Ecologies/punctum books. She has also published numerous texts in academic and artistic contexts.

    • Emilie Gallier

      Emilie Gallier is a choreographer researcher based in the Netherlands. She recently completed her artistic PhD from the Centre for Dance Research (Coventry University), with the support of the THIRD research group at DAS Graduate School (Amsterdam), in which she developed the idea and practice of reading (documents/documentation) in and as performance (Reading in Performance, Lire en Spectacle โ€“ the solitude of reading merged with the collective nature of an audience, 2021). Emilie works through dance and choreographic practices in multi-modal and multi-disciplinary settings. She develops performances, publications, edible documents, visceral practices, dances, dreams, conversations, and peer exchange within spaces of the stage, the page, telephone, and studios. Her interests are at the intersection of experimental performing art practices, poetic documentation, the act of reading as a gesture of participation (through withdrawal and absence), imbricated imaginations, entangled ecosystems, living soils. Her continuous engagement with artistic research as a โ€˜bookwormโ€™ who nibbles scores and other documents, as a researcher, practitioner, collaborator, peer, tutor, and implicated spectator, shapes her immanent attention and experience with formats of writing and publishing. Informed by dance, she moves with the unwritten, which thrives in the written, and she attends to what practices do. Emilie is a tutor at DAS Graduate School, guest teacher at art schools and universities in the Netherlands (ArtEZ, Fontys, Leiden University). She also publishes in peer-reviewed journals (Performance Research), and co-edits dance books (ongoing with De Nieuwdansbibliotheek).

    • Jenny Fuhr

      Jenny Fuhr is a musician and anthropologist/ethnomusicologist based in Berlin. For the past fifteen years, she has been closely collaborating with Malagasy musicians in Madagascar and in their transnational communities and diasporas across Europe. In her own musical practice and research - and within their mutual depen- dence - she is particularly interested in the meaning and experience of oral transmission/oral culture, the role and use of (written) language as well as questions of translation and improvisation. Having specialized in Performance Studies, African Music Studies and Indian Ocean Studies, she holds a MMus from the School of Oriental and African Studies (SOAS), University of London and a PhD from the University of Southampton. She regularly performs with her duo partner Erick Manana, their joined formation โ€œMadagascar Roots Bandโ€ as well as with her string quartet โ€œLokanga Kรถln Quartetโ€ at music festivals and on international stages (e. g. Olympia, Casino de Paris (FR), Palais du Sport (MG), Berliner Philharmonie (DE)). She likes to create a bridge between her research and her public performances, i. e. in forms of lecture recitals and has been working as a freelance radio journalist (BR, SRF, HR, WDR) for several years, creating music features with in-depth interview material.

      Since 2014 she has been working for the Graduate School of the Berlin University of the Arts, a two-year fellowship programme for artists from all disciplines. As research associate and programme coordinator Jenny Fuhr is interested in exploring cross-disciplinary research strategies and further developing and experimenting with collaborative working methods with the international fellows.

    • Macklin Kowal

    • Stefanie Lorey

    • John-Paul Zaccarini

      John-Paul Zaccarini is Professor of Performing Arts at the Research Centre of Stockholm University of the Arts, responsible for the Profile Area Bodily and Vocal Practices. He has been a practitioner in theatre, dance, mime and circus with a focus on poetry and the spoken word as both performer and director/dramaturge and choreographer for 32 years. He currently supervises 2 doctoral candidates and as Associate Professor in Circus he supervised one more to completion. He has completed 3 artistic research projects since he was awarded his doctorate in 2013. He is currently researching the intersections between art, therapy and activism in his project FutureBlackSpace which is a creative space for BIPOC to work with Radical Healing and decolonizing artistic research in majority white institutions and fields.

    • Demis Quadri

    • Marisa Godoy

      Marisa Godoy is a dance practitioner-researcher and teacher with a background in contemporary dance, improvisation and somatics. Her creative practice involves stage productions, video installations and per-formances in alternative spaces. Under the label OONA project, she has collaborated with the main dance and theatre venues in Zurich, while also performing in national and international festivals in England, France, Germany, Russia, among others. As a dancer, she performed in works by William Forsythe, Massimo Furlan and Michel Schrรถder. Marisa holds an MSc in Dance Science, worked as research associate at the Institute for the Performing Arts and Film at ZHdK (2017-2021), and is currently a PhD candidate at C-DaRE/Coventry University. She was awarded the Kulturelle Auszeichnung der Stadt Zรผrich (2004), Video Documentation Prize by Swiss Dance Archive (2012) and Werkstipendium der Stadt Zรผrich (2013). Marisa has been in several expert panels, including ZKB Prize/Zรผrcher Theater Spektakel, Migros Kulturprozent and Accademia Teatro Dimitri, and was a board member of the Verein Tanzhaus Zรผrich (2011-2017).