25.–27.7.2014 «Principles of Global Creative Systems”, Venedig

ZCCE
Venice Biennale Preview © ZHdK

Datum: 25.-27.7.2014
Typ: Panel
Ort: Arsenale der Architekturbiennale 2014, Venedig
Themen: Cultural Policies, Entrepreneurial Strategies, Art & Design Careers, Digitalisation

Wie lässt sich das Konzept des Kuratierens auf die Betrachtung der Kreativwirtschaft anwenden? 
Im Rahmen der 14. Internationalen Biennale in Venedig diskutierte das Panel bestehend aus einer Gruppe internationaler Experten aus den Bereichen Kunst, Wissenschaft, Kultur und Sozialwissenschaften die Grundlagen globaler kreativer Systeme.

Co-Curator Christoph Weckerle explaining the fundamentals of global creative systems
Andy C. Pratt, widely acclaimed expert on cultural industries and speaker at the Venice Panel commenting on global creative systems
Gerd Folkers, professor of pharmaceutical chemistry at ETH Zurich, explaining the relation between science, creativity and global creative enterprises
Co-Curator Christoph Weckerle listening to one of the numerous inputs by the participants
Exploring the wide array of issues concerning global creative systems from different perspectives. From left to right: Gerd Folkers, Annette Schönholzer and Simon Grand
Co-Curator Simon Grand elaborating on Global Creative Systems from an entrepreneurial perspective
French writer, researcher and journalist Frédéric Martel reacting to an input on global culture
Annette Schönholzer, Director of New Initiatives at Art Basel, emphasizing the impact of globalization on creative systems of the modern-contemporary art market
«How are science, creativity and global creative enterprises intertwined?» Dr Gerd Folkers, Professor of pharmaceutical chemistry at ETH Zurich, during his statement
Venice Biennial Preview
Illustration of how a multi-perspective examination of Creative Enterprises generates value impacting both global and local fields
«Why You Should Buy Art»: Print by artist William Powhida (2010) as elaborated by Annette Schönholzer during her statement about the impact of globalization on creative systems of the contemporary art market
«Multiple paths, multiple outcomes»: This sketch by Gerd Folkers is an attempt to detect processes for novelties that may end up in innovation