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    Orchester der Zürcher Hochschule der Künste 2023/24

    Konzert

    17.11.2023, 19:30

    Toni-Areal, Konzertsaal 3, Ebene 7, Pfingstweidstrasse 96, Zürich

    Arc-en-Ciel

    Ensemble für zeitgenössische Musik der ZHdK
    Pierre-André Valade - Leitung
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    Eintritt frei
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    Programm

    Lars Heusser (*1972)
    Absurde Muster (2018/19)
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    Chien-Chien Hsu - Klarinette, Domenico Frondella - Fagott, Christian Kunz - Saxophon, Bastian Berlinghof - Horn, Manuel Ferreira Pedro - Trompete, Robin Fragnière - Posaune, Bárbara Ribeiro, Eneko Aranguren Arana, Paul Riva, Simon Herron – Schlagzeug, Stefan Kägi - Digital Piano, Yung-Hui Liang, Klavier, Akvile Sileikaite – Cembalo, Lars Heusser – Elektronik, Vanessa Wagner – Harfe, Sophia Oertel, Thaïs Louvert – Violine, Sebastian Ortega, Maura Rickenbach - Violoncello

    Amir Liberson (*1991)
    Facsaraglia (Uraufführung)
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    Rossana Quarato – Flöte, Nadia Lischer – Oboe, Nikita Kornyushin – Bass-Klarinette, Domenico Frondella – Fagott, Bastian Berlinghof – Horn, Manuel Pedro Ferreira – Trompete, Robin Fragnière – Posaune, Chan Wai Chun – Tuba, Eneko Aranguren Arana, Paul Riva, Simon Herron – Schlagzeug, Salome Cavegn – Mezzosopran, Vanessa Wagner – Harfe, Sophia Oertel – Violine, Thaïs Louvert – Violine, Clara Zschocke – Viola, Maura Rickenbach – Violoncello, Filipe Dandalo – Kontrabass

    Fusun Köksal (*1973)
    quelle’d (2020)
    Dauer 10’
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    Rossana Quarato – Flöte, Nadia Lischer – Oboe, Nikita Kornyushin - Bass-Klarinette, Nadav-O Leibovich – Trompete, Robin Fragnière – Posaune, Bárbara Ribeiro, Eneko Aranguren Arana, Paul Riva, Simon Herron – Schlagzeug, Miku Arizono – Klavier, Anna Freer, Lauren Vandervelden – Violine, Toby Cook – Viola, Sebastian Ortega – Violoncello, Filipe Dandalo - Kontrabass

    Samir Odeh-Tamimi (*1970)
    Alif (2014)
    Dauer 16’
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    Rossana Quarato – Flöte, Nikita Kornyushin - Bass-Klarinette, Christian Kunz - Saxophon, Robin Fragnière – Posaune, Bárbara Ribeiro, Eneko Aranguren Arana, Paul Riva, Simon Herron – Schlagzeug, Salome Cavegn - Mezzo-Sopran, Chiara Baruffi – Klavier, Vanessa Wagner – Harfe, Lauren Vandervelden – Violine, Toby Cook – Violine, Maura Rickenbach – Violoncello, Filipe Dandalo - Kontrabass

    György Ligeti
    Kammerkonzert (1970)
    Corrente (Fließend)
    Calmo, sostenuto
    Movimento preciso e mecanico
    Presto
    Dauer 21’
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    Rossana Quarato - Flöte, Miguel Coelho - Oboe/Oboed d'amore/Englischhorn, Chien-Chien Hsu - Klarinette, Nikita Kornyushin - Bass-Klarinette, Jose Beltran - Horn, Cyprien Gruffel - Posaune, Tamriko Kordzaia - Klavier/Celesta, Eleni Mitrousia - Cembalo/Harmonium, Iván Ariza Chacón - Violine, Anna Freer - Violine, Clara Zschocke - Viola, Sebastian Ortega - Violoncello, Filipe Dandalo - Kontrabass
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    HINWEIS
    Im Dezember dirigiert Pierre-André Valade das Tonhalle-Orchester Zürich im Rahmen des Festivals Sonic Matter
    Fr, 1. Dezember 2023 | Sonic Matter: Spuren
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    Dirigent
    Pierre-André Valade
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    Komponisten / Komponistinnen
    Füsun Köksal
    Samir Odeh-Tamimi
    Amir Liberson
    Lars Heusser
    György Ligeti
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    Werktexte / Program notes

    Fusun Köksal
    quelle'd is a compound word referring to both "die Quelle" in German, which means source, spring, and the word quelled in English, meaning supressed, restricted. The work is composed for E-Mex Ensemble in the first 8 months of the year 2020, to be performed at Now! Festival, Essen. The music builds itself around the initial bass drum figure from where all following events are derived. This figure, once a pivot force, soon grows into a decisive element of all following events and acts as the dominating/restricting force silencing others. Although the work can not be considered as program music, it elaborates all sound images and gestural identities around this strong initial notion. The trajectory unfolds in 7 short sections or streched-out moments with descriptive titles as follows:
    I- Calm and spacious but fluent; II- Gradually escalating; III- Powerful and insistent; IV- Disappearing into the emptiness; V- Abruptly shouting; VI- Hectic; VII- Energetic; VII- Tired and without energy.
    The 8 months I worked on the quelle’d has been a period of time both in terms of the intensity of the work, as well as in the need for self-reflection going through the extraordinary pandemic.
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    Samir Odeh-Tamimi
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    Ligeti - Kammerkonzert

    zhdk.ch/zhdkorchester
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    Pierre-André Valade