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    1. Zurich Centre for Creative Economies (ZCCE)
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    Senior Fellowship programme

    • #3: Justin Wong
    • #2: Andy Pratt
    • #1: Joanna Woronkowicz

    The ZCCE Fellowship programme promotes international exchange in the field of creative economies and aims to achieve sustainable collaborations with researchers and experts which will take the form of teaching and research. Each year, we invite one or two fellows to ZHdK as part of the programme.

    #3: Justin Wong

    Chiu-tat WONG, Justin
    Justin Wong is a London-based comics artist. He began his career as a political cartoonist and illustrator in 2007. His daily political cartoon column Gei Gei Gaak Gaak was first published in the newspaper Ming Pao in Hong Kong. Since then, he has published several comics series including Lonely Planet, Hello World, This City / That City, New Hong Kong, Big Time, and Je prรฉfรจrerais ne as. Justin was an Assistant Professor at the Academy of Visual Arts at Hong Kong Baptist University. His research interests include comics studies, generative comics, and the development of political cartoons in Hong Kong.

    [Translate to English:] Foto: Portrรคt Justin Wong

    In a nutshell, what is your research focus?
    As a political cartoonist and educator, I am always interested in exploring different approaches to bring my art practice into research. In the past few years, I have been working on a topic about the impact of art on large-scale social movements. I am particularly interested in how artists develop strategies to engage the public with the help of social media and technology.

    What is your motivation to do research?
    As an artist-teacher for over a decade, I always feel I am privileged to have the opportunity to see things from different perspectives. Research is the common language between artists and teachers. It is a process to find the right question and asks us to develop a framework to look for answers. It represents the beginning of every creation and knowledge. I enjoy research because we can always discover more than we expect and bring us to a new territory that we have never thought of.

    What do you see as the main focus of your participation in the ZCCE Fellowship Programme?
    In the ZCCE Fellowship programme, I would like to develop a close partnership with colleagues and professionals in certain areas. I am happy to have the chance to bring in a different perspective to the group and share my research with people with similar values. I hope my research could help to generate new ideas for future collaboration.

      #2: Andy Pratt

      Professor Andy Pratt is an internationally acclaimed expert on the topic of the cultural industries. He has specialized the analysis of the cultural industries globally. This research has three strands. The first focuses on the social and economic dynamics of clustering, innovation and knowledge exchange. The second strand concerns the definition and measurement of employment in the cultural, or creative, industries. The third concerns cultural governance and policy making at the national, regional and urban scales. In the latter contexts he has been closely involved with UNCTAD, UNESCO and WIPO in the development of data, definitions, and policy reports in the Creative Economy globally.
      His current research concerns trans-local cultural production chains, and is funded by EU Horizon 2020 (more information) 

      • Academic background:  D.Litt in Culture and the creative Industries, PhD in Economic Geography, BSc Geography
        Andy is an inter-disciplinary scholar: as noted below holding posts in and degrees in faciluties of Engineering, Arts and Humanaities, and Social Science; and he has worked in and across the disciplines of geography, economics, urban sociology, cultural studies, planning.
        Andy is a Fellow of the Royal Society of Arts, a Fellow of the Royal Geographical Society, and an Academician of the Academy of Social Sciences. He has previously held academic appointments at Coventry University (Local economic development and planning), University College London (Bartlett School of Planning) and LSE (Geography, and Urban Research Centre), Kingโ€™s College, London (Culture, Media and Creative Industries).
        Andy is the Editor in Chief of the international journal City, Culture and Society
         
      • Current role: Professor of Cultural Economy, City, University of London  Director, Centre for Culture, and the Creative Industries
         
      • Research fellowship at ZHdK: 15 March to 15 June 2022  
      • Profile picture of ZCCE's fellow Andy Pratt Profile picture of ZCCE's fellow Andy Pratt

      In a nutshell, what is your main research focus?
      This research project seeks to interrogate what innovation is, and how it happens in practice. So, this means moving beyond the standard โ€˜modelsโ€™ and โ€˜flowchartsโ€™ and looking at โ€˜innovation in the wildโ€™. I am particularly interested in the โ€˜framingโ€™ of innovation by different communities, and how they identify and justify the value of that which is created. Put simply, the processes (social, economic, technical and political) of how โ€˜newness enters the worldโ€™.

      What do you see as the main focus of your participation in the ZCCE Fellowship Programme?
      I have a range of research projects on innovation and transformation; and how policy responds to, or interacts with it. I am interested in encountering the โ€˜innovation environmentโ€™ at ZdHK, in the City and Canton and understanding how it works, and what its challenges are. I have had a long relationship with colleagues at ZdHK and share a number of topics of interest around โ€˜curationโ€™ (how one chooses to bring particular ideas into dialogue, and how this may be transformative).

      Why are you a fellow at both the ZCCE and the Collegium Helveticum?
      I am very pleased and honoured to be invited to share in the environment of the Collegium Helveticum and their meetings of advanced scholars (studying a wide variety of topics). In this sense I am interested is how members of this interdisciplinary group variously navigate, and validate, โ€˜newnessโ€™ and โ€˜innovationโ€™. So, in a sense, they are my โ€˜research subjectsโ€™. I also see this as an opportunity to explore the linkages between the three Zurich Universities that make up the Collegium membership.

      What is your motivation to do research?
      My key interests in academic and โ€˜lived lifeโ€™ have always been culture, cities and social interaction. I find that โ€˜not fitting inโ€™ to disciplines is instructive of the constitution of those disciplines. Simply, I am generally interested in โ€˜how stuff happensโ€™ (or indeed, why it fails to happen) because of or in spite of its disciplinary โ€˜homeโ€™. First, I have been fortunate to travel a lot (a motivation!), which I see as a valuable aid to โ€˜de-centreโ€™ my ideas, and to โ€˜make the familiar strangeโ€™, and hence take a more critical perspective on what I see and do. Second, I am always interested in the โ€˜behind the scenesโ€™ work that produces the event โ€˜on stageโ€™: the social ecosystem of creativity. Finally, I see policy, planning and management as enabling tools that can facilitate great work (or not); I want to change policy both to recognize and to enable creativity; and to avoid its reduction to the economic or the cultural.      

        #1: Joanna Woronkowicz

        The first participant is Joanna Woronkowicz, who is considered one of the leading social scientists in the field of art research in the USA and beyond. With her comprehensive โ€œBuilding Better Arts Facilitiesโ€ research project, she created a practical guide for art managers, politicians and urban planners.

        • Academic background: PhD in Public Policy, MA in Arts Management, BFA (Honours) in Acting
        • Current role: Co-Director of Arts, Entrepreneurship, and Innovation Lab, Indiana University-Purdue University Indianapolis, and Founder and Director of the Center for Cultural Affairs, Indiana University
        • Research fellowship at ZHdK: 1 September to 15 October 2019

        In a nutshell, what is your research focus?
        I am a social scientist with substantive research contributions in the area of arts management and policy. My research focuses on the dynamics of artistic productionโ€”specifically, the role of physical and human capital. I address questions such as: What are the effects of investments in arts facilities on organizations and cities? And how do arts workers navigate their careers? I supplement this work by studying arts policy related to the distribution of arts in society.

        What is your motivation to do research?
        I like doing research because it allows me to exercise my analytical skills. Prior to being a researcher, I worked as an actor and a trained singer. In these roles, I also enjoyed being analytical (e.g., analyzing text and music). I also like to create and have ownership over my work. Being a researcher lets me share my ideas, and gives me the opportunity to discuss my ideas with others interested in the same topics. I like doing research in the arts because of my background in the arts, and the enjoyment I get from participating in the arts.

        What project(s) are you currently working on?
        One project that I am working on looks at the impacts of university investments in the arts. For example, this project addresses questions such as how do universities spend money on the arts, and how does spending on the arts affect outcomes such as who participates in the arts and even the types of students that attend universities. Another project that I am working on looks at the role of artists in public sector innovation. Here, I consider whether artists have skillsets to offer to non-arts sectors, like goverment, in producing creative and innovative solutions to problems. I have also begun work on a book project tentatively titled The American Contemporary Artist: A Statistical Profile, which will be a compendium of my research on artist workers. The book will provide a historical account of what we know about artist careers and put forth alternative models of artist careers in the 21st century.

        What does international networking mean for your research?
        Having the opportunity to network with people outside of the United States always reminds me that the world is so much bigger than I perceive it to be in my day-to-day work. Working in an international context gives me new perspectives on the ways I think about how to formulate the problems that I am trying to address in my research. When I work internationally, I am reminded that most likely someone else is thinking about the same issues I think about in my work, and more importantly, has different and valuable perspectives that I need to consider.

        What do you see as the main focus of your participation in the ZCCE Fellowship Programme?
        I hope that the main focus of my participation in the ZCCE Fellowship Programme is to begin a long-term partnership with ZHdK through research and teaching. While I am in Zurich, I would like to focus on sharing ideas and getting to know the ZHdK community so that we can learn how to align our goals and collaborate on projects in the future.