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    “The Bower” Exploring the Absence of Meaning in Movement

    Diplom MA Dance, Choreography

    Master Dance - Choreography

    “The Bower” Exploring the Absence of Meaning in Movement, Zürcher Hochschule der Künste

    BIOGRAPHY
    Born in 1992, with a penchant for creativity, my journey led me through varied experiences
    before discovering my passion for dance. Prior to my immersion in movement, I found fulfillment
    as a chocolatier, relishing the hands-on process of crafting tangible delights. However, an
    underlying desire to mold movement and emotion eventually drew me into the world of dance.
    After studying dance in the US and transitioning from chocolatier to dancer-choreographer, I
    found my rhythm choreographing and dancing with Metamorphic Dance, exploring the interplay
    between movement and storytelling. This journey continued as I assumed roles as both dancer
    and rehearsal director for Moving Spirits in Charlotte, NC, refining my skills and artistic vision.
    Motivated by a desire to deepen my understanding of choreography and the tools used in its
    creation, I pursued a Master's degree at the ZHDK. Here I have had the opportunity to uncover
    the nuances of my creative voice and learn ways to share my approach to creation with future
    generations of dancers and choreographers.
    In each endeavor, whether crafting chocolates or choreographing a dance, I find fulfillment in
    the act of sculpting something intricate out of raw materials. With hands that have shaped both
    chocolate and movement, I continue to carve my path, guided by a steadfast passion for
    expression and a commitment to passing on the joy found in the act of creation.


    DIPLOMAPROJECT
    Rituals, rites, and ceremonies serve as integral cultural markers, shaping societies and
    subgroups across the globe. While often deeply rooted in tradition and symbolism, the
    essence of movement within these practices raises intriguing questions about the
    nature of purpose and meaning. In this project, I embark on a journey to investigate the
    possibility of movement devoid of inherent significance, aiming to challenge
    conventional notions surrounding ritualistic behavior.
    My research delves into the universal presence of rituals and ceremonies, transcending
    boundaries of culture and religion. I seek to unravel the communal purpose underlying
    these practices and explore the ways in which movement shapes our collective identity.
    By examining the mating dances of birds and drawing parallels with human rituals, I aim
    to shed light on the fundamental essence of movement, stripped of cultural context and
    symbolism.
    Central to this exploration is the creation of a rite void of explicit purpose—a
    choreographic endeavor aimed at celebrating movement for movement's sake. Through
    meticulous study and analysis of avian mating rituals and human ceremonial practices, I
    seek to transcribe the innate movements of birds onto the human form. This process
    involves decoding the recurring pathways and shapes inherent in both natural and
    man-made rituals, drawing inspiration from the seamless integration of movement and
    instinct observed in the animal kingdom.
    By juxtaposing the purposeful movements of animals with the spectacle of human
    performance, I aim to provoke thought and challenge preconceived notions about the
    significance of ritualistic behavior. Through this interdisciplinary exploration, I seek to
    engage with broader questions surrounding the nature of meaning, identity, and
    expression in both human and non-human realms.

    Details

    • Discipline

      Theater

    • Project Type

      Abschlussarbeit

    • Field of Study

      Master Dance - Choreography

    • Authors

      Levin Huesler

    • Date

      Jun 24

    • Project Description_ “The Bower” Huesler Levin.pdf
    • CV Bio First Person Huesler Levin.pdf
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