This is an experiment on how to create a vessel for resonant dialogue. This project investigates the voice as a situated, embodied, and political practice. Drawing on theories of resonance, orientation, and performativity, alongside queer-feminist perspectives, it examines how voice, body, silence, and space condition who can speak and who is listened to. The research combines theoretical reflection with an artistic-curatorial practice through a radio-based podcast series whose spoken exchanges act as performative knowledge production in dialogue with the written text. The thesis proposes a curatorial methodology prioritizing listening, disorientation, and situating oneself in relation to others to facilitate resonant dialogue, foster shared responsibility, and enable collective agency. Resonance is activated through listening, an active bodily practice attending to voices beyond words, where blank spaces create instability and allow cracks to form.