DIPLOMPROJEKT
Two figures orbit each other across time, across screens, across silence. One speaks with a body, the other only with a face made of light.
Two of them in one bed. He's sleeping. And she's not.
Club music. Club lights. A question lost somewhere in there. Both of them dance. A marriage drifts through absence: a child gone, a bed cold, lips meeting strangers. But deeper still—beneath the music, beneath the letters never sent—is a question of becoming. Of softness. Of scent. Of what it means to feel like a woman. To long as one.
Based on Joyce’s Ulysses, but no longer Joyce’s. Just echoes now. Just fragments, monologues, sirens, and songs. He said she was a flower. Because he understood or felt what being a woman is.
Yes.
MITWIRKENDE
script and direction: cam
stage design, light, and costumes: leo ehrenzeller
composition and sound: paul grimshaw
video: sarah santamaria
performance: anita sophia somogyi, cam, willi mend, mira tyrina
voiceover: anita sophia somogyi, cam
BIOGRAFIE
Cam (sie/ihr)*2003 in Odessa, Ukraine, ist Theaterregisseurin und Performerin. In der Ukraine studierte sie Schauspiel (2013–2019) und Regie (2020–2022). Im Jahr 2022 kam sie aufgrund des russisch-ukrainischen Krieges in die Schweiz und setzte ihr Regiestudium an der ZHdK fort. Cams Arbeit konzentriert sich auf performative Elemente, queere Ästhetik und Narrative, Humor, Camp, Tanz und Elektronische Musik.