AVEC Experiment

Multisensory Perception of Arousal, Valence, and Effort in Music Performance

Institute for Computer Music and Sound Technology (ICST)

AVEC Experiment investigates audiovisual perception of music performance. Specifically, the experiment measures the two well-established dimensions of emotion perception, arousal and valence, and an additional third dimension, effort. It is hypothesisez that 1) arousal and effort perception are related, and 2) the visual channel has an important role in conveying arousal and effort cues. The general suitability of valence in measuring emotion perception in contemporary repertoire is investigated. 

AVEC Experiment investigates audiovisual perception of music performance. Specifically, the experiment measures the two well-established dimensions of emotion perception, arousal and valence, and an additional third dimension, effort. It is hypothesisez that 1) arousal and effort perception are related, and 2) the visual channel has an important role in conveying arousal and effort cues. The general suitability of valence in measuring emotion perception in contemporary repertoire is investigated. 

  • Aufsätze in Tagungsakten (Vortrag, Keynote)

    Järveläinen, Hanna & Larrieux, Eric (2023): «VIBROTACTILE FEEDBACK ENHANCES PERCEIVED AROUSAL AND LISTENING EXPERIENCE IN MUSIC». Proceedings of the 20th Sound and Music Computing Conference (SMC 2023) , Stockholm, Sweden, 15-17 June 2023. N/A–N/A. Online unter: 10.5281/zenodo.8334810.

  • Aufsätze in Tagungsakten (Vortrag, Keynote)

    Järveläinen, Hanna (2022): «Sound-accompanying movements enhance perceived arousal in music performance even from a distance». In: Michon, Romain / Pottier, Laurent & Orlarey, Yann (Hg.): Proceedings of the 19th Sound and Music Computing Conference. Saint-Étienne: SMC Network, 263–270. Online unter: https://doi.org/10.5281/zenodo.6797851.

  • Aufsätze in Tagungsakten (Vortrag, Keynote)

    Magro, Francesca / Fontana, Federico & Järveläinen, Hanna (2022): «Il ruolo dell’Informazione Uditiva nelle Associazioni Verbali Multisensorial». Proceedings of the XXIII Colloquio di Musica Informatica / Colloquium of Musical Informatics. Ancona: CIM (Colloquio di Informatica Musicale / Colloquium of Musical Informatics), 1–7. Online unter: https://doi.org/10.5281/zenodo.7373272.

  • Aufsätze in Tagungsakten (Vortrag, Keynote)

    Fontana, Federico / Järveläinen, Hanna & Favaro, Maurizio (2021): «Is an auditory event more Takete?». Proceedings of the 18th Sound and Music Computing Conference. 219–224. Online unter: https://doi.org/10.5281/zenodo.5038640.

  • Aufsätze in Tagungsakten (Vortrag, Keynote)

    Järveläinen, Hanna (2019): «Audiovisual perception of arousal, valence, and effort in contemporary cello performance». Proceedings of the Sound and Music Computing Conference. Malaga, Spain: 511–518. Online unter: https://doi.org/10.5281/zenodo.3580381.

  • Andere Präsentationen

    Järveläinen, Hanna (2023): «Keynote presentation at the Digital Audio Effects (DAFx) Conference. Sustainable Perceptual Evaluation for Digital Audio Applications: Motivation, Methods, and Best Practice». Sustainable Perceptual Evaluation for Digital Audio Applications: Motivation, Methods, and Best Practice. Aalborg University, Copenhagen, Denmark. Online unter: https://dafx23.create.aau.dk/index.php/keynotes/.

  • Andere aktive Teilnahmen (Podiumsteilnahme, Posterpräsentation etc.)

    Järveläinen, Hanna (2021): «The audiovisual oboe experiment: How performative movements enhance perceived arousal in music performance». Tag der Forschung ZHdK 2021. Poster. 03.11.2021–04.11.2021. Zürich.

  • Preise

    Fontana, Federico / Järveläinen, Hanna & Favaro, Maurizio (2021): Best Paper Award at the Sound and Music Computing Conference, 2021. Für: «Is an auditory event more Takete?». Sound and Music Computing Conference.