Home
Home
Home
Home
    • DE
    • EN
  • Menu
  1. Research and Innovation
  2. /
  3. Institute for Contemporary Art Research
  4. /
    • Vanessa Bosch: "Eternal Ghosts" (2026)
    • Makar Fabrika: "Echo Quiescentiae" (2026)
    • Laurence Favre: "In Search of a Healing Disorder" (2026)
    • Verity Jane-Keefe: "Then, Now, Power. Cracks as Opportunities, Lurking as Method in Detroit" (2026)
    • Marit Mihklepp: "field pigments" (2026)
    • Miruna: "Labour under Surveillance (Assemblage)" (2026)
    • Julie Born Schwartz: "Death Care" (2026)
    • Johanna Terhechte: "In Motion (The Hotel Room)" (2026)
    • Dr. Gabrielle Schaad: "APN あぷん UNBOUND. Transdisciplinary Experiments from Japanese Avant-Garde to AI" (2025)
    • Joseph Baan: "Structures of Unfeeling"
    • Laurence Favre: "Analog Butterfly Holography for Expanded Spectropoetics"
    • Rada Leu & Rana Yazaji: "Community Art Practices in Times of Crisis" (2025)
    • Leevi Toija, Cristian Zabalaga: "On Topographic Transformations in Biomass Time" (2023)
    • Salmo Suyo: "Talking with the swiss" (2019-2024)
    • SueJin Hong: "Circuit: Cold War Echoes in a Thawing World" (2025)
    • Vera Marke: “The Historicity of Polychromy in Appenzell Building Culture”
    • Aglaia Brändli: "Sauerland – a specific random reference point" (2025)
    • Thomas Isler: "How does landscape sound?" (2023)
    • Completed IfCAR Grants Projects

Joela Vogel: "Modern Love – Bodies and Intimacy within Socio-Economic Structures" (2026)

WingDings2 Performance, 2025
WingDings2 Performance, 2025

    This project is a video and performance-based artistic research on how love, bodies, and relationships are shaped by socio-economic structures. It examines women’s experiences within dominant forms of intimacy and explores how relationship models and family structures are shaped by capitalism and tradition. The project combines theoretical research, fieldwork, and embodied practice to investigate how socio-economic structures shape bodies, love, and relational norms.
     

    The research is guided by the following questions: What imaginaries of love, intimacy, and belonging are produced by capitalism and tradition? How are these imaginaries experienced and negotiated by women? And what alternative forms of intimacy and social organization exist beyond dominant models of relationships and family?

    The first phase consists of theoretical research through readings and interviews with scholars in gender studies, sociology, and philosophy, providing a conceptual framework for the artistic process.

    The second phase takes place on Kihnu Island in Estonia, a historically matrifocal community. Together with Thilda Bourqui, rituals and everyday practices are observed, and video material is collected that combines documentary and experimental approaches. This phase explores how ritual and tradition shape relational models and alternative forms of social organization.

    The third phase focuses on embodied research through performative and choreographic experimentation in collaboration with Anna Christen. Movement-based and score-based material is developed to explore how norms of love and femininity are inscribed in bodies and interactions.

    The project is expected to result in new video material and a live performance.



     


    Grantee
     

    Joela Vogel

    Project partner / cooperations

    Thilda Bourqui, MFA student
    Anna Christen, Alumni DFA
     

    Date and places
     

    February to April 2026, Zürich
    June 2026, Kihnu Island (Estonia)
    August 2026, tbd