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    More: Participants 2021-2022

    Marit Mihklepp

    • Abstract
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    Abstract

    Meteolore: Air Stones, Ground Holes

    The artistic practice-based PhD-project Meteolore: Air Stones, Ground Holes will focus on stones of cosmic origin and their imprint onto landscapes and human perception. The starting point of this project is a found postcard, sent to the recipient in 1914, depicting a black and white image of Kaali lake in Saaremaa island - a landing site of a meteorite and a birthplace of my grandfather. The second starting point is an artistic obsession to trace the shared mineral kinship through the iron present in both the meteorite and our blood. Within this PhD project I will catalogue moments where meteorites have participated in human lives - cosmologically, biologically, politically, socially, speculatively -, and develop audio-visual installations, text pieces, performative actions, and a toolbox of artistic field work methods within the research process.

    Building on my previous work addressing geologic bodies and time scales, the ambition of this PhD project is to open and carve out a space for storytelling that attempts to go beyond human. Ecological discourse and communication with the more-than-human have been close to my heart and artistic practice, and meaningfully contributing to these fields will be one of the main reasons to go forward with the PhD studies.

    In my artistic practice I have been inspired by environmental poetry and more-than-human theories/practices, as well as by artists working with ecology, transforming matter and challenging anthropocentric thinking. During the PhD project I wish to dive deeper into these topics, and to have a closer look at oral histories, storytelling practices, speculative writing, folklore studies. I also plan to invest time to learn new skills and form long-term collaborations to bring my material experimentation to a higher level.

    I have chosen three meteorite sites in Estonia which will serve as three case studies, each of which I approach through different perspectives and practices. Kaali meteorite crater study will include archival research with the intention to assemble my own catalogue, a multilayered resource for the whole PhD project. I will collect various elements related to the three-fold topic (meteorite, crater, lore/science) which will stimulate further research methodology and creation of artistic works/actions. I will approach the second case study - Kรคrdla crater directly and in-situ by investigating the landscape through mapping and connecting with the human and plant/mineral communities of the area. The third case study is an underwater Neugrund crater which is a site of intense international interest by scientific communities. Through observing and talking to the scientists I aim to find connections and controversies between the ancient mythological and the contemporary scientific knowledges. I believe that my artistic intervention - writing a speculative text - will create wider curiosity about how meteorite and human bodies are connected to each other.

    My goal is to transform the human-centredness and include the more-than-human in our human stories. Meteolore: Air Stones, Ground Holes will look at the meteorite as someone and something that allows us to experience our entanglement with diverse timescales through the mineral composition of our bodies - connecting human and meteoric.

    A postcard from 1918 (shown upside down), depicting Kaali meteorite crater lake in Estonia (image from the digital archive of Estonian National Library).
    Artesian well in Kรคrdla city in Estonia, Kรคrdla meteorite created the pressure for the groundwater to come to the surface (photo by Marit Mihklepp).

      Bio

      Marit Mihklepp is an Estonian artist and researcher, who speculates on the im/possibilities of communication between humans and other-than-humans. Working with extended kinships โ€“ both with the relatively familiar (rocks, trees) and the unexplained (microbial dark matter) โ€“ Marit aims to get an intimate experience within the complex cross-species/cross-times entanglements. Highlighting the less noticed โ€“ too far, too small, too slow โ€“, Maritโ€™s work includes instructed experiences, performative lectures, microbial perfume collections, video pieces, listening exercises. Her current work is focussed on the geologic imagination and encounters with stones.

      Marit has studied in Estonian Academy of Arts (Textile Design BA) and in the Royal Academy of Art The Hague (ArtScience MA). She is based in The Hague, The Netherlands.

      Selection of projects/exhibitions/publications/fellowships:

      • 2021 residency and group exhibition Point of No Return. Attunement of Attention, curated by Saskia Lillepuu and Ann Mirjam Vaikla (NART: Narva, Estonia), supported by Stroom Den Haag, Cultural Endowment of Estonia and Mondriaan Fonds
      • 2021 residency and group exhibition Changing Landscapes, curated by Yasmine Ostendorf and Gabriela Maciel (online)
      • 2020 home residency (Kone Foundation: online)
      • 2019 residency and Open Studios (Est-Nord-Est centre: St-Jean-Port-Joli, Canada), supported by Stroom Den Haag, Cultural Endowment of Estonia, Est-Nord-Est rรฉsidence dโ€™artistes and CALQ
      • 2019 workshop Talking Stones at OTHERWISE festival-as-research (Gessnerallee: Zurich, Switzerland)
      • 2019 sound performance Fossil Sound with Edgars Rubenis (Centrala: Birmingham, UK), supported by Stroom Den Haag and Cultural Endowment of Estonia
      • 2018 speculative writing Holobiont Tales: Migrant Journal No.5: Micro Odysseys
      • 2018 residency Expanded Body #2 _ Inhabiting Time (Cittadellarte: Biella, Italy), supported by Cultural Endowment of Estonia
      • 2018 residency and group exhibition METSIK/WILD, curated by Evelyn and John Grzinich (Piirimรคe Farm: Mooste, Estonia), supported by Cultural Endowment of Estonia
      Portrait Marit Mihklepp ยฉ ENE / Jean-Sรฉbastien Veilleux
      Mineral Everybodies, 2021, image credit NART / Hedi Jaansoo