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    1. PhD Centre
    2. PhD Programme Epistemologies of Aesthetic Practices
    More: PhD Programme Epistemologies of Aesthetic Practices

    Creative Artificial Intelligence on Stage

    [Translate to English:] Creative Artificial Intelligence on Stage

      Ilja Mirsky

      How will we interact with AI-based technology and how will we perceive human-AI interactions in our near future? By exploring theoretical and experimental ways for staging human-AI interactions this interdisciplinary practice-led Ph.D. project searches for artistic and technical answers. For the practical part artistic approaches for visualizing and modifying AI-based chatbots will be explored and tested on stage. In parallel a theoretical framework on concepts of liveness, presence and the mediality of AI will be elaborated by encompassing research and literature from technological-, performative-, cognitive- and media-related fields. As we are entering an era of responsive machines, chatbots can be seen as prototypical representatives of this development. How will social, interactive AI-based technology shape our understanding of performance, theatre, and human-AI collaboration on stage?

      • Biography

        Ilja Mirsky (B.Sc. Cognitive Science, M.A. Performance Studies) is a (digital) dramaturg, programmer, and immersive media artist. He works at the »Institut für theatrale Zukunftsforschung (ITZ) im Zimmertheater Tübingen« and is lecturer at the University of Tübingen, the Theaterakademie August Everding Munich and the Akademie für Darstellende Kunst Baden-Württemberg.

      • Info

        • Graduating University: University of Tuebingen
        • Supervision: Prof. Dr. Susanne Marschall, University of Tuebingen

        • Co-supervision: Prof. Dr. Jochen Kiefer, ZHdK

        • Co-supervision: Dr. Gunter Lösel, ZHdK