Description
The research project Klavierautomat (piano automaton) explores the technical possibilities and artistic potential of a self-playing piano.
The ICST acquired a piano automaton in 2018. This device, developed and built by Winfried Ritsch, can be mounted on any conventional upright or grand piano, transforming it into a computerised instrument. The keys are struck by 88 solenoids capable of operating at high speed, opening a wide range of artistic possibilities—especially for the realisation of algorithmically generated music.
At the ICST, further developments have been made to the piano automaton’s hardware and software—including, most recently, a controller for the sustain pedal—and artistic works that exemplify the device’s capabilities are regularly realised and presented to the public in concerts and sound installations.
The piano automaton is not intended to replace a human pianist. Its potential lies in reproducing music that exceeds the capabilities of a human performer. However, this does not preclude its use alongside human music-making or performance. In addition to purely generative works, the piano automaton can also be employed in interactive or sensor-controlled scenarios, as well as in improvised or composed human–machine chamber music.
Composers interested in this residency must submit a conceptual idea or a composition sketch that demonstrates a strong interest in the possibilities of the piano automaton. (See “Conditions, application & selection process”)
We encourage proposals that involve additional musicians. However, their exact number and specialisation can only be determined once the residency projects have been selected. During the residency, the ICST provides the piano automaton and the necessary control software. Additional musicians are available for rehearsals upon request and by arrangement. Composers are responsible for all other technologies they intend to use (e.g. generative software or sensors).