Within the system of the arts, design becomes a continuous process of redefinition and convergence, building in the main on three research areas. First comes the field of materiality or sensory perception, or how the visible becomes constituted through thematic interconnections, contextualisations, and their manifestations: production processes, products, and stagings. Secondly, the field of multimedia relations explores the process-nature that breaks open what the senses can perceive, to reveal in the broadest sense shifts, openings, and technologies in both design and transmission processes and interactions. Thirdly, the theme of identity and its manifold ways of establishment encompasses the generative paradigms of self and other, and explores ambiguity, cultural circumstances, communication, and user habits.